Star Trek: Starticles
In The Boy Zone With The Witch Queen Cannibal Vampires
Britney Spears` album In The Zone (2003) relates to her role as a dancer in the pop videos she makes to promote her music and songs. Because of their physical fitness routines, dancers describe the state of mind reached, when the exercise seems effortless, and the body is running as a machine, where neither pain nor the pressures of time are present, as `the zone`. Timed alarms are used to tell the dancer when to stop their physical workout because, `in the zone`, all worldly concerns are forgotten and the mind goes with what Hungarian `positive` psychologist, Mihály Csíkszentmihályi, called `the flow`:
`It is a single-minded immersion and represents perhaps the ultimate experience in harnessing the emotions in the service of performing and learning. In flow, the emotions are not just contained and channeled, but positive, energized, and aligned with the task at hand. To be caught in the ennui of depression or the agitation of anxiety is to be barred from flow. The hallmark of flow is a feeling of spontaneous joy, even rapture, while performing a task although flow is also described as a deep focus on nothing but the activity - not even oneself or one's emotions.`1
In young women `the flow` is manifest as feelings approaching vaginal ejaculation during intense physical activity, like horse riding, for example, as practised by the young film star, Elizabeth Taylor, in the Hollywood movie, National Velvet (1944), `I want it all quickly 'cause I don't want God to stop and think and wonder if I'm getting more than my share.` The 12 year old actress had to ride with her legs astride the back of the powerful animal, as if it were an extension of her own body, and not side saddle, which is how women were taught to ride, because the movie concerned the English steeplechase race, The Grand National, in which jockeys bestride their horses: `I wanna get in the zone, I wanna get in the zone. If you really wanna battle, saddle up and get your rhythm.`
As Britney Spears` lyric from `Me Against The Music`, featuring Madonna Ciccione from the album In The Zone reprises, riding side saddle was obligatory for young women, because of the sexual feelings aroused with a horse between their legs, which men didn`t want to encourage. Orgasmic ejaculation resulting from the woman`s `going with the flow` during a ride upon her horse might have reminded her of `woman`s seed`, which God tells Eve in the Bible will have `perpetual enmity` with the `serpent`s seed` after Adam and Eve accepted the `fruit of the tree of the knowledge of good and evil` from the parasite in Eden, rather than the `fruit of the tree of life` and immortality, because they`d have enslavement of their species as a reward: `You shall be as gods.` (Gen: 3. 4-5)
Because `woman`s seed` is `futanarian` woman with her own penis` semen she`s the enemy of the serpent and the `serpent`s seed` that wants to enslave her host womb for pederasty and war, which was the institutionalized mode of the Greeks before the Roman Empire and its occupation of Palestine during the time of Jesus of Nazareth, who was crucified as a `dissident` because he was born of his mother, the Virgin Mary, uncontaminated by male semen, and so born of the `futanarian` species of human woman with her own penis` `seed` God tells Eve will: `... crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)
Jesus` teachings are of Resurrection because `woman`s seed`, that is, women with their own penis` semen are in a 50/50 relationship with what could be her parasite emerging from her host womb, that is, men, while her own species of humanity with its penis` `seed` for sexually reproducing herself and her own brains` power is 100% of the human `futanarian` race if she looks in the mirror. Because two women together who can sexually reproduce with one another are 66.6% of the species in any given space where they are alone, men who can`t sexually reproduce together aren`t even 33% of the human race, so Jesus` advocation of Redemption through acceptance of the host in the Catholic Communion service, for example, is an aspect of `brain transformation` or metanoia (Mk: 1. 4) which is conversion from maleness to femaleness necessary if men are to have Redemption and Resurrection in heaven through the body of the `futanarian` woman with her own host womb and capacity for sexually reproducing with her own penis` `seed`: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
In ancient Greece the giant wooden horse before the walls of the city of Troy was paradigmatic of the way that women`s host wombs are enslaved by pederasty for war and its contagions, which include viruses like the biblical `blood plague` (Rev: 16. 6) HIV/AIDS that`s a homosexual STD. In fact 21st century `geeks` have replaced Greeks in the picture because they produce `Trojan viruses` to infect the machine brains constructed by the spirit of God in the human to assist humanity`s functioning as it labours beneath the handicap of brain damage resulting from generations of breeding between the woman and her virus, men: `Beware Greeks bearing gifts.`2
At Troy the Greeks emerged from the hollow insides of the wooden horse to enslave the host wombs of the women for pederasty and its contagions. The Bible describes what happens when a woman is enslaved by homosexuality:`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Hollywood is often called `Babylon` in books and other media because of its homosexual attitude towards women. The production code of the 1930s, which lasted until 1968 and set the stamp of male homosexual misogyny on the movie industry, insisted that a woman`s foot should remain on the floor during bedroom scenes, to reinforce the taboo against the penis being seen in films, because men don`t want the `futanarian` foot of `woman`s seed` to rise from the Earth and leave in starships of her own human species` brain`s devising, because of her capacity to sexually reproduce it herself.
In the movie of Margaret Mitchell`s Gone With The Wind (1936), which details the fall of slavery in the Southern States of the United States of America (1661-5), Scarlett O` Hara is depicted as `liberated` because she rides bestride rather than side saddle, which is depicted as a delightful anachronism but the move was made in 1944 when the `Hays code` for production studios was in full force to prevent women`s `futanarian` foot from ever being seen in Hollywood, Babylon, three hundred years after the historical events depicted in the film Gone With The Wind (1939) and almost two thousand years since the tme of Jesus, Christ, who preached `woman`s seed` after God`s warning Eve of the `serpent`s seed` and its desire that her `futanarian` foot shouldn`t `crush` its head as she left Earth for the planets and stars of God`s promised heaven:
`There was a land of Cavaliers and Cotton Fields called the Old South... Here in this pretty world Gallantry took its last bow ... Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave ... Look for it only in books, for it is no more than a dream remembered. A Civilization gone with the wind...`3
Scarlett O Hara`s conflation of masters and slaves with knights and their ladies is fair, which is the tragedy of mankind. Gone With The Wind is about the flow of time and human progress within it, and the antebellum period of the United States of America had much in common with the rise of the Moslem faith of Islam in the Middle East. In the South women of the period wore long flowing dresses that concealed everything but their ankles and face, which left what lay beneath their corsets a secret, much as the Arabian women`s adherence to the teachings of modesty in the holy book of Islam, the Koran (610-30 CE), as dictated to the Prophet Mohammed by the angels of God, exhorts them to wear the black one-piece coverall of the burkha that leaves everything covered but their eyes. In the United States, Babylon Hollywood present nudity as the apex of sexual activity within the genre, but the penis is still invisible, and the females within the cinema-going audiences aren`t aware of their own `futanarian` human species` capacity for independent socio-economic production.through their own penis` `seed` and normal sexuality rather than the `schizophrenic` abnormality imposed upon their psyches by the movie industry`s defining of them as host wombs for its parasitism.
At the `Last Supper` before his crucifixion Jesus Christ gave the disciples `bread and wine` as symbols of his `body and blood` because he was the host. Betrayed by his follower, Judas Iscariot, who didn`t accept Jesus` teachings of Redemption, because he was a parasite, Christ, the Messiah, was sold by Judas to the Romans for `thirty pieces of silver`. Judas was a follower of Jesus as a psychopathic `stalker` rather than representing the disciplined acceptance of the disciples. Jesus represents the host body of the human race, that is, his `futanarian` mother, prefigured in the Virgin Mary, who is to receive Resurrection and Ascension to God`s heaven, as Jesus himself after his death. Jesus` teachings are quite explicit. The Messiah envisions nothing less than a heaven with a single family of God in a biunity that`s woman no longer enslaved by her knights but living as a species new born and resurrecting the human spirits through her host wombs amongst the planets and stars after she raises her foot from off the Earth by crushing the head of the Earth`s `serpent`s seed` with it: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
Because they`ll be the `futanarian` species of human woman with her own penis` semen and capacity for sexual reproduction and the race`s continuation after the Resurrection, which is essential, because she`s been killed by the `serpent`s seed` and, to conceal the crime, monolithic organizations like Hollywood, Babylon, have presented homosexual pederasty and war`s contagiousness as human behaviouralism, whereas it`s parasitical devourment of what woman is able to produce of civilization, culture and art from her host wombs despite her parasites` depredations in the ceaseless `perpetual enmity` of war that her enslavers can`t conceive her for. Although the HIV/AIDS `blood plague` seems a misfortune it functions as homosexual pederasty`s maintaining of women in fearful faithfulness to 50/50 monogamous relations with her jailers and so constitutes `biological warfare`: `Let he that has wisdom have understanding, the number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 18)
Because 66.6% is the percentage of human sexual reproductive capacity between women of the species who are `futanarian` with their own penis` semen, whereas men`s 33% of sterile incapacity without a female host womb for its paraistism to prey upon is actually capable of being bred out of the race in a very brief timespan if `woman`s seed` begins to be fertile. In Islam the notion of marriage is much more sensibly oriented towards the needs of women, because the ratio of males to females within a Moslem union can be 80% to 20%, that is, four women to one person with a penis. As`futanarian` women have penis` `seed` of their own, the ratio of penises withi n a Moslem marriage can be much higher, and so the possibility for raising the human level within the Islamic breeding program is greater. In fact the tradition of Islamic women is of the `devil` as `Iblis`, who has no power other than to whisper in their ears, which is true if women are perceived as the human species socio-economically independent of men, who`d then be definable as their parasites. Because women with their own `futanarian` penis` semen`s capacity for the sexual reproduction of their own brains` powers for technological development are truly free of slavery: `I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character. I have a dream today!`4
The `Nation of Islam` was the `Black September` terrorist organization that grew out of Martin Luther King`s speechifying on the nature of Civil Rights in the United States of America, which reached its apotheosis in the Al Qaeda terrorists` hijacking of `civil` aircraft to crash them into the Twin Towers of New York`s World Trade Centre on September, 11, 2001. The attack precipitated and reestablished, as the Earth`s paradigm, that global `rough trade` of `brutality and violence` in homosexual pederasty, which meant the spreading once again of those virulent abominations, war and plague, amongst the women based populations of humanity in the Gulf war (2001-11) against Saddam Hussein, the dictator of Iraq, who`d offered bases to Al Qaeda publically on national television after the events of 9/11, 2001. The Moslem peoples with their marital ratio of 80% women, that is, `four little children`, represent Martin Luther King`s `dream`: `I still have a dream, a dream deeply rooted in the American dream - one day this nation will rise up and live up to its creed, `We hold these truths to be self evident: that all men are created equal.' I have a dream . . .`
33% of nuthin` is still nuthin`. Before and after the first World War, Emmilene Pankhurst was a leader of the rights for votes for women campaign as a `suffragette` which , resulting in women`s being provisionally given the vote by men on February 6, 1918, perhaps not coincidentally preceded the end of the war with Kaiser Wilhelm II`s Imperial Germany on 11 November, 1918. If women are able to sexually reproduce through their own `futanarian` penis` `seed` and men can`t, women are the humans. The naturally enfranchised `civil` population, from whom men should ask forgiveness for their sins, as they`re parasites upon their host wombs, mightn`t have to accept any other amendment to their constitution:
`We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.`5
The manumitting movie Gone With The Wind represents `the flow` insofar as the history of peoples is a movement from stagnation and sterility towards progress and technological development, but that`s dependent on all things being equal and the absence of `woman`s seed` from the human stage is telling. The 20th century`s preoccupations were with feminist `political correctness`, which was more or less adopted by the United States of America as an amendment to the constitution. But `PC` had a virus because lesbians were perceived as abnormal homosexuals by feminist thinking, which deduced that women were equal to men because of that, whereas it was a schizophrenic acceptance of their own loss of sexual desirability towards their own `futanarian` human species of woman with her own penis` `seed` everytime they looked in the mirror: `At night I pray that soon your face will fade away.`
Britney Spears` lyric from `Everytime` and the album In The Zone tells the truth. When a dancer like her is `in the zone` of physical and spiritual `flow`, she feels free rather than determined, which is what the mirror and a man represent. The Irish band, Boyzone (1993-), represent the antithetical position to freedom, that is, father based determinism, where homosexual pederasty and its contagions of war and plague are congenitally present in the lyrics of a song like `Father and Son`: `You're still young, that's your fault; there's so much you have to know. Find a girl, settle down; if you want you can marry. Look at me, I am old, but I'm happy.`
The HIV/AIDS virus emerged at the end of the 20th century and remained incurable because of men`s preoccupations with war rather than medicine. If woman as a `futanarian` species with her own penis` `seed` and capacity for sexual reproduction and socio-economic independence from men lives as an ephemeral rather than an immortal she will never remember her own species penis` `seed` unless, as Jesus preaches, there`s Resurrection and she`ll have Ascension in heaven after her `futanarian` foot has crushed the `serpent`s seed` upon the Earth as she rises. It`s in the interests of the enslaver and devourer of her civilization, culture and art to keep her as an infant and an infantile without brains or knowledge of herself. As Britney Spears` lyric to `Toxic` from the album In The Zone observes, life-prolonging medicines are intrinsically anathema to the `killer disease` of men created in each others` anuses. By mixing blood, shit and semen there in mockery of human sexual reproduction between the `futanarian` human race of women with their own penis` semen that men have despised and killed before because they hate her, men can employ sexuality to spread their contagion further unless an antidote is found to the poison: `With a taste of your lips I'm on a ride. You're toxic I'm slipping under. With a taste of a poison paradise I'm addicted to you. Don't you know that you're toxic.`
Britney Spears` superheroine in the video promotion for the CD single `Toxic` breaks into a secret laboratory to obtain the serum, which is kept from humanity to ensure its extinction, while Boyzone`s emphasis upon blameworthiness for the young in `Father and Son` is a celebration of the `happy` parasite who is ancient, as God says the serpent will be after Eden, but its poisonous nature is reincarnated in the host wombs of women and so it shan`t die. Even if the human race is reduced to grubbing for worms under rocks, men have ensured that she can`t breed her own brains` power to develop liberating technologies to resurrect her `seed` and give her the longevity she needs to preserve the wisdom and knowledge of her own race`s destiny in her own memory, which is why the `killer disease` of homosexual pederasty`s enslaving terrorism of HIV/AIDS is preferable to a cure and war is the parasite`s means of spreading its collective contagions further: `Sexy as I wanna be. Got these fellas chasin' me. It's 'bout time I hit the streets. All my girls still feelin' me.`
Britney Spears` `Outrageous` lyrics from her album In The Zone represent her perception that the `boy zone` is different to the `zone` where she`s with `the flow` and indeterminate, that is, she feels a part of the collectivity of woman, who is human as the `futanarian` penis` `seed` of her own species` capacity for sexually reproducing her own brains` power, which she can feel in the orgasmic sensations experienced `in the zone` of her dancers` routine performed throughout the promotional video for the song. The chasin` fellas are the parasites. In The Zone was succeeded by Blackout (2007) which lamented her unconsciousness and blindness in the title because censorship and media blackout had prevented her from recognizing the possibility of sexual union with a member of her own species of `futanarian` woman with her own penis` semen and she`d married Kevin Federline on September 18, 2004, before producing two boy sons, Sean Preston and Jayden James, who may be perceived as `poisons` born from the host womb of the mother enslaved by men for that purpose:`She held a golden cup in her hand, filled with abominable things and the filth of her adulteries.` (Rev: 17. 4)
For men to experience the metanoia (Mk: 15. 39) of repentance they would have to be reborn from the host wombs of women as `futanarian`, that is, as `woman`s seed`, which was Jesus` teachings as the `first` of the ` seed` born from his mother, the Virgin Mary, uncontaminated by male semen. The initial stage is forgiveness for the sin of enslaving and devouring her through men`s spreading of their contagions of war and plague by means of their homosexual pederasty of creating `boy sons`, that is, `poisons`, to produce the `abominable things and the filth of her adulteries`, which is Hollywood, Babylon: It's getting late to give you up. I took a sip from my devil's cup. Slowly it's taking over me.`
As Britney Spears` lyric in the song `Toxic` from the album In The Zone indicates, the film industry`s usage of woman`s `cup`, that is, her host womb, to promulgate racist `blood feud` and `mafia` vendetta is socio-historically understandable as propaganda posing as `action` movies. Hollywood Babylon`s `boy sons` are `poisons`, while Britney Spears` preoccupations are Christian rather than American because she seeks a solution to the problem of homosexual pederasty and HIV/AIDS which isn`t addressed by either her country`s spiritual guides nor its politicians: `I`m Miss American Dream since I was seventeen.`
Appearing on the cross, like Jesus Christ, for the cover of the CD single, `Piece Of Me`, Britney Spears represents the concept of `woman`s seed`; although her lower body is concealed by a sarong. Once again the theme is of the human `futanarian` species of `woman`s seed` with her own penis` semen as the collective biune family of humanity`s future since Jesus` death, Resurrection and Ascension to heaven two thousand years before. According to the Bible Jesus`s side was pierced by the spear of Longinus, the Roman guard upon the hill of Calvary outside the walls of the city of Jerusalem where Christ was killed upon the wooden cross that was raised thereupon for his torture and eventual death. Jesus` preachings said that the Holy Spirit would be the teacher after him and, because Christ was called the `Second Adam`, Longinus` perception was that the `Second Eve` must be by his side and so pierced the ribs of Jesus with his spear, where Christian tradition said that Eve was born from the side of the first Adam in Eden: `Surely, this was the son of God!` (Mk: 15, 39)
According to European tradition Adolf Hitler of the National Socialist Party, that is, the Nazis, had the spear of Longinus, which was called the `spear of destiny`, for his campaign to enslave {Eastern Europe and implement a pogrom of genocide against the `chosen people` who were the remnants of the Jewish state of Israel globally before the United Nations edict of 1948 restored Palestine to them after the Second World War (1939-45) to defeat German Imperialism. The United States` belief in `Manifest Destiny` makes the `spear of Longinus` a symbol of the `American Dream`, which is represented by the `statue of Liberty` in New York harbor, whose skirts conceal as much as Britney Spears` sarong on the cross for the cover of her CD single, `Piece Of Me`: `A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and cried out in pain as she was about to give birth.` (Rev: 12. 1-3)
Christian tradition is that the `New Redeemer` is Jesus Christ in his `Second Coming` after Calvary, and `the sun` the `woman` of Revelation is `clothed with` can be interpreted as the red sun of the flag of Japan defeated by the United States of America after the `sneak attack` by the Japanese on the Pacific fleet at Hawaii`s Pearl Harbour on 7 December, 1941. WWII ended when the USA unleashed the power of the sun to destroy Japan`s cities of Hiroshima and Nagasaki in 1945. Because the flag of Al Qaeda was the moon, `Liberty` had it at her feet in her birth waters of New York harbor after 9/11, 2001, that is, she had borne a child who: `... will rule all the nations with an iron scepter.`` (Rev: 12. 6)
The concept of the betrayal of the host permeates the Christian tradition and the `sneak attacks` on Pearl Harbour and New York, where `the statue of Liberty` resides in New York harbor, represent the same basic truth, which is that the host is the woman because she`s the womb of humanity and treachery consists in attacking her under whatever circumstances. Although the Gulf war was perceived as a great American victory, the torture and betrayal of the Arabian Moslem women that took place at Cuba`s internment facility, Guantanamo Bay, betrayed the trust that Christianity placed upon the office of the President of the United States, whose seal under George W. Bush remained the eagle: `And to the woman were given two wings of a great eagle, that she might fly into the wilderness, into her place, where she is nourished for a time, and times, and half a time, from the face of the serpent.` (Rev: 12. 14)
Although Navy Seal Team Six killed Osama Ben Ladan at his hideout in Pakistan within the shade of that nation`s Military Academy on May 2, 2011,, there`s no evidence that the hymen of the women of Arabia`s `futanarian` human penis` `seed` concealed beneath their own-piece coverall, the burkha, as women of the antebellum period of the Southern United States may once have kept theirs beneath their flowing skirts, were afforded protection by the skirts of `Liberty`, beneath which her eagles had been bred: `I'm Miss bad media karma. Another day another drama. Guess I can't see the harm in working and being a mama, and with a kid on my arm I'm still an exceptional earner and ... you want a piece of me?`
As a symbol of the women who have borne the eagles of the United States of America, Britney Spears upon the cross for the promotional cover of her CD, `Piece Of Me`, represents the spears of their destiny, that is, the `bad media karma` of the lyric, where `karma` in Hinduism is the cause of reincarnation, because `boy sons` are the `poisons` that force breed women`s host wombs to produce the parasites` contagions of war and pederasty, which became 9/11, 2001, `live on CNN`, and the Hollywood, Babylon `blockbuster` movie, World Trade Centre (2005), based on the terrorist attack by Al Qaeda on the World Trade Centre of New York, when the Arabian hijackers of `civil` aircraft betrayed their host to crash them into the Twin Towers of Manhattan island, New York state: `No wonder there's panic in this industry. I mean please... do you want a piece of me?`
The `Second Eve` from the side of the `Second Adam`, pierced by the Roman centurion Longinus in order to release her from the rib of the Messiah, is `futanarian` woman with her own penis` semen who is teaching mankind through the spirit of her future Resurrection and men`s need for Redemption by asking her for forgiveness through the worship of God rather than that they show support for Mars, god of war, or they will receive God`s punishment, which is perdition, that is, eternal unendurable pain, after the `serpent`s seed` is defeated in the `war in heaven` against God`s host of angels when the parasites attempt to re-enslave the host wombs of `futanarian` woman with her own penis` `seed` to maintain their slavers` system of homosexual pederasty and devouring warfare upon the Earth: `I'm Mrs 'You want a piece of me?'`
It has been Catholic dogma since 1950 that the Virgin Mary ascended to heaven like Jesus . All women are technically virgin insofar as they haven`t been able to use their own penis` semen to sexually reproduce their own brains` power without being interfered with by men, whether priests or otherwise. Britney Spears` `Piece Of Me` is a critique of her own role as a slave to the industry`s making of her a `piece`, which is a slang term for a gun in the United States and a woman who produces more for boy sons, that is, poisons, for their blood feuds and vendettas: `Tryin' and pissin' me off. Well get in line with the paparazzi who's flippin' me off. Hopin' I'll resort to some havoc [and] end up settlin' in court. Now are you sure you want a piece of me? `
The constitution of the United States of America is the supreme legal authority in the nation and Britney Spears` fortune was taken away from her to be put into the hands of a Conservator, her father, and a fiancée who didn`t even marry her, Jason Trawick, but was awarded Co-conservatorship of her property because he was `around`. If women are the human species, because she`s `futanarian` with her own penis` `seed` from God, men aren`t even enfranchised by the US Constitution, so Britney Spears` mother, Lyn Spears, ought to have been Conservator if it were proven she needed care after her divorce from Kevin Federline on 30 July, 2007. The decision by the courts was based on her leaving her child`s hat on the pavement while running for a car near New York`s Central Park, which was snapped by a paparazzi as evidence of her neglect: `I'm Mrs 'Most likely to get on the TV for strippin' on the streets' when getting the groceries, no, for real ... are you kidding me?`
Just as rules of engagement were applied to conventional war during the Gulf crisis, so rules of engagement apply to conventional marriage, but just as the rules of conventional war limit a nation`s capacity to construct defensive shields adequate to prevent aggression from being successful, that is, the shields have to be weaker than the spears, and so promote war rather than prevent it, so a woman`s conventionality is used against her to limit her defences in the case of an attempt to invade her privacy and take possession of her personal worth, which is the principle that the first Gulf war (1990-1) to evict Saddam Hussein`s invading army from Kuwait illustrated: `They're still gonna put pictures of my derriere in the magazine. You want a piece of me?`
A `piece of ass` is US slang for a woman, but it is also used as a term to describe an attack upon someone, which is why Saddam Hussein`s invasion of Kuwait was greeted with slang invective about getting a `piece` of his `ass`, where dismemberment and possession is the issue. In Egyptian mythology Ra, the sun god, is incarnated as the god Osiris who is dismembered by the god Set, as the United States was dismembered on the television set `live on CNN` and other channels on September 11, 2001, because television is TV, that is, transvestism, where the `futanarian` species of woman with her own penis` semen is sundered from her own selves, so the ghouls can watch women in men`s clothes killing themselves in the Gulf war, for example, which was precipitated by the Al Qaeda terrorists` crashing hijacked planes into the World Trade Centre of New York to reestablish the `rough trade` of homosexual pederasty`s `brutality of violence` in warfare. Because men represent the penis` `seed` of `futanarian` woman split off from herself in transvestite torment, Jesus` celibacy symbolizes the desire of `woman`s seed` to be reunited with herself outside of brain damaging contaminated male unions with women. Jesus Christ`s a `TV` from the ghouls` point of view, that is, a transvestite, because he`s sundered from the body of woman to which his penis should be affixed as hers. The older Egyptian story of Osiris` dismemberment by Set refers to the `schizophrenia` induced in the human race by its sundering and what the ghouls think of as its subsequent transvestism, the consequences of which are depicted on Hollywood Babylon`s `small screen` televisions every day as the women in men`s clothes commit suicide in the various global conflicts and are watched by the `serpent`s seed`` as TVs, that is, transvestites. In the Egyptian tale Osiris is remembered by the goddess, Isis, who refashions his penis because she can`t find the original and that`s representative of the new birth of Osiris as Horus, the `sky god`, who can never return to being his father, Ra, because he is now `futanarian`, like Jesus, with the penis of Isis, his mother, and so isn`t treacherously male like Judas, for example, or the Egyptian god, `television` Set.:
`Penis envy in Freudian psychoanalysis refers to the theorized reaction of a girl during her psychosexual development to the realization that she does not have a penis. Freud considered this realization a defining moment in the development of gender and sexual identity for women - the parallel reaction in boys to the realization that women do not have a penis being castration anxiety. In contemporary culture, the term sometimes refers inexactly or metaphorically to women who are presumed to wish they were men.`7
In Judaism women are the mothers and it isn`t possible to be born into Judaism unless born from a Jewess, which makes of women the `chosen people` and explains why Nazism was such a fascist misogyny planning her extermination in `concentration camp` pogroms during WWII. Sigmund Freud (1856-1939), the `father of psychoanalysis`, argued that women were envious of the male penis, but God`s exhortation to Eve that she should heed the warning that the `serpent`s seed` would prosecute a `perpetual enmity` against her own penis` `seed` refutes Sigmund Freud`s argument. Freud`s theory itself suggests boys` castration fears would disappear if their mother had a penis, because their own fathers` envy for the woman`s penis has resulted in her `futanarian` penis` `seed` almost being extinguished by them. Britney Spears` lyric to the song, `Break The Ice`, from the album Blackout, recognizes that a woman can`t wait forever for a man: `Can you rise to the occasion? I'm patiently waiting, cos' it's getting late, and I can't get enough, so let me get it up.`
A `futanarian` woman with her own penis` semen can sexually reproduce without a man and she`s tired of the male chauvinism that tells her she has to accept a man when she`s got her own penis` `seed`. If men don`t assist her to sexually reproduce it might be too `late` and she`ll be the extinct human species of `woman`s seed` because she couldn`t raise her `futanarian` foot up from the Earth and crush the `serpent`s seed` with it.
The other `foot` in the drama of humanity is Oedipus`, whose name means `swollen foot` because he`s lame, which in the United States means a poor excuse and probably derives from the central protagonist of Sophocles` ancient Greek drama, Oedipus Rex (c. 429 BC), having no real reason for blinding himself when he discovers he`s killed his father, Laius, and had children by his mother, Jocasta, inadvertently, because `futanarian` women are the human biune family and so men`s incest taboo is used to prevent her from having sexual intercourse that would produce children from her own penis` semen. Britney Spears` album, Blackout, relates to the problem of Oedipal blindness and unconsciousness due to censorship , taboo, and media blackout on the subject of woman`s true nature, for example, most classicist scholarship describes the `riddle` solved by Oedipus as `man` derivable from the question, `what walks on three legs in the evening?` The solution is that man uses a cane to walk with because he`s old, but the `foot` of Eve is described by God as rising from the Earth to crush the head of the serpent for `woman`s seed` , which suggests `futanarian` woman is the third `foot` of humanity which is triune in the evening of mankind`s Advent upon the Earth but only if men will allow her to walk beside them. If not, the answer is `man` because the blind old murdering beggar will have to go alone. The Bible makes this very plain in th story of Cain and Abel, where Cain may be understood as the cane of blindness and Abel the able man who is blindly murdered by Cain because his broither is able to cook and so he hinders the progress of the human species by `putting out` its intelligent eyes in murder. Cain is the lazy fool who doesn`t want to cook but to pick fruit because it`s easier, and so he`s the figure of the man wit the rifle walking alone in the evening because he`s killed his own race: `Wonder if he knows, he's on my radar. On my radar, on my radar, on my radar.`
Britney Spears` lyric to the song, `Radar`, from Blackout, relates to blindness but the central motif of the fountain with the polo player at its centre and footage of a polo match, which is a sport played by men on horseback using mallets to direct the ball into the goal, derives from the Persian Empire of the Sasanians (224-651 CE), who invented it. In card games of the region, polo games depicting men on horseback were the `clubs` of the modern `pack`. In `futanarian` terms the sexual union of women as a `race` with her own penis` `seed` is metaphorically a horse and rider, while men prefer horses and the `gay club` that they`ve murdered her with.
The phrase `swords beaten into ploughshares` is biblical but the idea of swords as spades in the `pack` relates to the concept of `futanarian` women being `spayed` so they can`t sexually reproduce, where `spayed` means to surgically remove testicles. Spades then refer to her burial as an extinct species. The other two `suits` are diamonds and hearts, which translate as cups and pentacles in the tarot deck of divinatory cards that are traditionally believed to be a portable Jewish Torah, that is, a version of the Judaic `book of the law`, saved from the burning of the library at Alexandria when the Roman Empire began to supercede that of the ancient Greeks.
In terms of the Arthurian myth cycle of ancient Britain, cups are symbolic of the Holy Grail, which was the bowl from which Christ ate and drank at the `Last Supper` before his crucifixion, while the pentacles signify coins or the money Judas Iscariot obtained as payment for his treachery. In simple terms, diamonds and hearts are food and drink at table prepared by a woman for pay, which is how the knights have enslaved her. The meaning is that men are blind to anything but their appetites because they`re animals: `Got you on my ... radar ... think I can't handle that animal in the sack.`
If the human species of `futanarian` woman with her own penis` `seed` can`t get out of the sacral sac of the scrotum, because the spermatozoa from the testicles of the woman is extinct due to the occluding homosexual black masses of sexual intercourse, without human reproduction between men and women, then that `animal` has been handled by the Satanists` husbanding in the sack, which is a metaphor for species` sexual exclusion and occlusion ending in the pogromed death of the human race by the `serpent`s seed` of men because nothing human can emerge from her host womb if only the alien parasite is breeding with her.
Games are revealing, The sack race is a children`s game in which a child is placed in a sack and has to compete with others by running inside the sack to the finish line, which is a metaphor for the `futanarian` human species of woman with her own penis` `seed` who can`t get out of her testicle sack because her `seed` is extinct. The three-legged race in which two children are tied together at one leg is a metaphor for the `futanarian` woman with her own penis` `seed` who can`t escape from the Earth to crush the `serpent`s seed` with her `foot` because she`s bound. In the egg and spoon race an egg has to be carried to the finishing line on a spoon, because women`s eggs are human and her husband isn`t: `Some species of snake are ovoviviparous and retain the eggs within their bodies until they are almost ready to hatch.`8
The characters used to frighten children into being controlled by supposed adults in homosexual pederasty are revealing. The witch riding her broomstick is a metaphor for the woman riding the penis` `seed` of her own `futanarian` woman`s species and that`s the reason why `wise women` were burned at the stake in places like Salem, Massachussetts, in the United States of America, between February 1692 and May 1693. The stake was a wooden representation of her penis to which she was tied during the conflagration because men didn`t want her `seed` to flourish.
The concept of the stake is translatable to Vlad III, `the impaler`, of Wallachia (1431-76), who similarly impaled his victims on wooden stakes. Vlad was the prototypical historical figure for the myth of the vampire who lived forever by drinking the blood of his victims, which is what men do who enslave women as ephemeral `blood bags` for the production of brain damaged `boy sons`, who are effectively `poisoned` from the host womb for use in propaganda and warfare against `woman`s seed` because it`s human.
The stake in the heart of the vampire to kill him is actually a transposition of the woman`s penis` semen, that is, the brains to rid herself of him through `woman`s seed`, which in the Bible is depicted as defeating the `red dragon` waiting in vain to devour Christ in his `Second Coming` by means of an `iron scepter` corresponding to the transposed woman`s penis as the stake in the heart of the draco. Vampire men don`t want women to have longevity, because it interferes with their parasitism upon the host of the human species, that is, the womb of the woman, who has her own penis` `seed` as `futanarian`, and so is a threat to the continuation of the draco, because he can be bred out of the human system.
The `killer disease` of HIV/AIDS` `blood plague` is spread by the male penis as their stake in homosexual pederasty, which infects by mixing blood, shit and semen in each others` anuses by means of a plague injector, their penis. Because HIV/AIDS is a metaphor for what men are, they`re the `killer disease` of the human race of woman with her own `futanarian` host womb and penis` `seed` that can breed out of her species the brain damage that the draco male has inflicted upon her. In the Bible God envisions `war in heaven` between humanity and the draco with its supporters, who receive perdition as a punishment, while the humans have heaven. Because behavior defines what is human, heaven is for those who behave well, and the host womb of humanity, that is, woman, is where the Resurrection of those who have behaved well can take place, or simply by Ascension, like Jesus and Mary, after an individual metanoia and so through Redemption.
Behaviouralism has been used in clinical psychology as a form of animal training, that is, individuals who behave are trained, but societally the training of animal men, which is identified as `the beast` in the Bible, is to perceive women as animals. Topless photographs of nubile nude women may be common in the United Kingdom, for example, and `adult` magazines` may contain photographs of naked women, which make plain the absence of the species` penis, and so the behavior pattern is of demonic possession, where the husband is the demon and the female is possessed, because neither are aware that the human species of `futanarian` woman with her own penis` semen isn`t a part of their relations. European `liberalism` presents transvestism and heterosexual pornography as variegated human activity whereas the human `seed` of women`s penis remains excluded from the picture. In the United States surgical procedures to remodel flesh in the desired form is technologically feasible as a richer version of the variegated activities of humanity purveyed by the pornographers, but the lie can`t conceal the truth, which is that women as the human species of `futanarian` woman with her own penis` `seed` can sexually reproduce independently of men, who can`t, and so woman is the enfranchised human on the planet by `God`s law`.
Clinical behaviouralist psychology may actually be understood as having been created by animal men for human women and children, because they`re not behaving slavishly enough. Bondage, domination, sadism and masochism, known as BDSM, is presented as a training program, but it`s teleology is to make animals from humans, while suggesting that sexual intercourse is central to the variegated activities, which is why `the beast` is depicted in the Bible as being `worshipped`. BDSM seems to be about power but it`s about powerlessness, because power is the ability to sexually reproduce humans, which is what `futanarian` women with their own penis` semen are for. Devotees of BDSM represent sex without power, because they represent sex without reproduction. BDSM is animal training, because the animals are not desired to be sexually reproductive, that is, it`s a torture club for animals, so no one would want them to reproduce humanly, and they can`t because they`re not humans, who are the `futanarian` women with their own penis` `seed` for the furtherance of the race.
Although clinical behaviouralist psychology may be interpreted as the basis for BDSM, human behavior is otherwise, because the presupposition isn`t that of the human woman and her children needing to be trained as slaves by animal men`s psychotherapy. In the US television series, Buffy The Vampire Slayer (1997-2003), actress Sarah Michelle Gellar has the role of Buffy Summers, who is trained to kill vampires. The metaphor is inaccurate because what her enemies represent are parasitism preventing her from developing as an individual through high school and college to grow into an adult human woman, which requires the presence upon the scene of a `futanarian` woman with penis` `seed` of her own so brainpower can be perceived as the aim of sexual reproduction for women ridding themselves of their vampires. Armed with her stake to drive it into the hearts of the parasites that have enslaved her human species of `futanarian` woman with her own penis` semen and capacity for self-reproducing her own brains` powers, Buffy Summers` penis` semen is transposed into the primitive tool she has to use in order to kill the vampire, that is, she has a sharp piece of wood, which illustrates men`s contempt for the brains of women, because it`s a grave plot device for her buried `futanarian` corpse. In technological terms, Buffy Summers has a sharpened twig while Captain Kirk of Star Trek (1965-), a television series about interstellar travel, had the starship USS Enterprise: `In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer.`9
21st century perceptions of witchcraft were largely shaped by Buffy The Vampire Slayer and the television series Charmed (1998-2006), which starred three actresses in the first three seasons, Shannen Doherty, Holly Marie Combs and Alyssa Milano as the female witches, sisters Prue, Piper and Phoebe. Charmed was produced by Aaron Spelling, who`d produced Star Trek, but the basic imagery remained consistently `lesbian`, because women are defined by feminism as `politically correct` or PC if they don`t find themselves sexually attractive in the mirror. For actresses this is doubly difficult and induces clinically diagnosable schizophrenia because women are `futanarian` as a species with its own penis` semen for self-reproducing her own brains` powers, which is the unspoken message implied by the relevance for young girls of the three adult female witches in Charmed. Piper replies when asked by Phoebe what she`d wish for Prue: `If Prue would have sex with someone other than herself this year.`10
The death of Shannen Doherty`s Prue in the season three finale meant her replacing by the sibling the Halliwell sisters had thought they`d lost, Paige, played by actress, Rose McGowan. Shannen, who`d been the glamorous teenage star imported from the hugely successful television drama series for young adults, Beverly Hills 90210 (1990-2000), had dominated Charmed sexually because that`s what she was hired for, but Piper`s wish wasn`t related to masturbation. Because all of the `Charmed Ones` are sisters, they`re family, which means they`re representative of the human species of `futanarian` woman with her own penis` semen who`s told that it`s incest and taboo if she attempts to breed herself. If Prue were having sex, she could only be having sex with herself, because `futanarian` woman is her species` mirror. The loss of Prue and the arrival of Paige actually represent `lesbian` `schizophrenia`, because women are a `futanarian` slave race not allowed to find themselves sexually attracted to each other, which was an issue already explored in Beverley Hills 90210 between Shannen and the other sexy star on that show, Jenny Garth. In season eight of Charmed, actress Kaley Cuoco was introduced to as the character, Billie Jenkins, who has a sister that isn`t a Halliwell and eventually Billie has to kill her after she and some `demons` attempt to turn Billie against the `Charmed Ones`, who in psycho-physical terms are `spellbound` because they don`t have penis` `seed` of their own, which is their spellbinding `charm` in the homosexual circles of pederasty and parasitism that`s Hollywood, Babylon. Although the dialogues between the Halliwell sisters are `jokey` the theme is serious. When asked for a solution to their plight during an escapade, Paige writes in her notebook: `Kill Monkey`
If the human `futanarian` species of woman with her own penis` `seed` doesn`t rid herself of her simian ancestry, she`ll die from `sex starvation` and men`s jailing of her in technologically reducing circumstances that leave no possibility for escaping a lowering of intelligence that will result in her returning to the trees as a `monkey` herself. The TV shows Buffy The Vampire Slayer and Charmed were probably the two most influential series of the late 20thand early 21st century because they presented women as technologically inferior, but somehow powerful, which is what feminism was taught about itself.
Women are `normal` if `lesbian` and `homosexual` because that gives them equality with men, who are actually 33% of a sterile minority that prefers itself unless `futanarian` woman with her own penis` semen, that is, 66.6% of the human race, but 100% in the mirror of her own self-love for her species, is forced by her parasite to breed with him. This can only be achieved by starving the woman of technology and so preventing her from breeding her own brains` power with her own penis` `seed` is the method of starvation employed, that is, `sex starvation`.
TV series like Buffy The Vampire Slayer and Charmed, featuring nubile young women without a penis of their own, are effectively sex slaves to the Hollywood, Babylon, movie industry, because the attraction is of sexual fulfillment elided. The women don`t have sex with each other, but it`s obvious that they should, which makes Buffy The Vampire Slayer and Charmed perverse and that`s the aim. The women are presented as powerful without technology, which isn`t possible, so the focus is on the nubile body of the young woman, which functions as a cynosure, but that`s counterproductive in terms of the need for technological advancement by means of the development of woman`s human species through her own `futanarian` penis` `seed` and her capacity for sexually reproducing her own brainpower.
Perceptions that women are powerful because they`re `sex` ignore the fact that she lacks technological power in Buffy The Vampire Slayer and Charmed, which derives from the absence of her own penis` `seed` and its power for sexually reproducing her own brains, so the ostensibly powerful Phoebe in Charmed finds herself bemusedly asking the revealing question, `Since when do demons use bullets?` Guns are for men and spells are for women because it`s a feminist fantasy without substance. The TV shows Buffy The Vampire Slayer and Charmed are a picture of the future insofar as focus upon the nubile body of the young woman to the detriment of her real surroundings means that the future is less likely to transpire. Hollywood Babylon is observing the world through the wrong end of its telescope. As the world shrinks around her and everything else goes to hell, Phoebe still looks pretty:
`Flow has many of the same characteristics as ... hyperfocus ... spending `too much` time playing video games, or of getting side-tracked and pleasurably absorbed by one aspect of an assignment or task to the detriment of the assignment in general. In some cases, hyperfocus can `grab` a person, perhaps causing him to appear unfocused or to start several projects, but complete few.`11
Hollywood, Babylon, is hyperfocused on racial extinction, which is why young nubile women are placed in the forefront of the `action` movie, while the Arnold Schwarzenegger Terminator character destroys large swathes of the civilization, culture and art women have been able to produce from their host wombs despite her parasites depredations over the eons. The wiles of the `serpent`s seed` are legendary as well as biblical. Cannibalism is presented as a great evil perpetrated by humans, whereas humans aren`t parasites, which is what the term `cannibal` actually refers to, that is, the devouring of the human species of woman with her own `futanarian` penis` `seed`. The parasite has inveigled itself into woman`s host womb to steal her penis and devour her in its ceaseless wars of `perpetual enmity` against her. By replicating itself as her devourer, it`s an apparent `cannibal`, which makes of it an erring child to the woman, but actually it`s a parasitical non-human viral organism injecting itself into her system by means of her own now genetically impure penis` semen and so is representative of men`s stolen technology used to destroy woman in its making of war upon her Earth, which is what Hollywood, Babylon, documents and programs in its productions without the `futanarian` human woman with her penis` `seed` for saving her own brains` future:
`In the poison'd entrails throw -
Toad, that under cold stone,
Days and nights has thirty-one;
Swelter'd venom sleeping got,
Boil thou first i' the charmed pot!` (IV, i)
The witches from the Elizabethan dramatist William Shakespeare`s MacBeth (1603-7) are associated with poison, and the Bible exhortation `don`t suffer a witch to live` (Ex: 22. 18) is usually translated as `poisoner`, because a `boy`s owner` breeds `boy sons`, that is, `poisons`, in homosexual pederasty for the `boy zone` of war and, on the evidence of the late 20th century, for `biological war` in the shape of the HIV/AIDS virus. War is humanity`s devourer but the problem can be resolved if the `boy sons`, that is, the `poisons`, are symbolically devoured by breeding men out of the human system as `boy sons` to be replaced by `futanarian` woman with her own penis` semen and capacity for sexually reproducing women only. The witches` broomstick upon which she is depicted as riding is symbolic of her own `futanarian` penis` `seed`, and eugenics is why she`s persecuted by men because she wants to breed herself rather than be bred by the boys` owner.
The boys` owners are of course `the beast` and `the great whore of Babylon` who is depicted as riding it. The number of the `emergency services` in the United States of America is 911 and so the terrorist attack upon the Twin Towers of the World Trade Centre on 9/11 is a sign of `the beast`. `666` is the number of the beast and of the `emergency services` turned upside down in Saudi Arabia and most of the rest of the world on September 11, 2001, because 999 is the number of the `emergency services` almost everywhere but the United States due to the influence of the British Empire (1497-). The Twin Towers of the World Trade Centre was chosen by Al Qaeda to crash its two hijacked planes into because it was actually an attack on King Fahd of Saudi Arabia, who in 1986 had declared himself `Custodian of the Two Holy Mosques`, Al-Masjid al-Haram in Mecca and Al-Masjid al-Nabawi in Medina.
`Custodian of the Two Holy Mosques` is a traditional title of the Persian Emperors and assuming the mantle constituted an attempt by Fahd bin Abdulaziz Al Saud to unite the former Persian Empire under Moslem spiritual rulership. His rival was Saddam Hussein of Iraq and Osama Ben Ladan, the Saudi Arabian, was the leader of Al Qaeda, so the Twin Towers assault was a transposed assault on the `Custodian of the Two Holy Mosques`, Fahd, and Islamic spiritual guidance. The `beast` and the `whore` were those who wanted to reestablish the global `rough trade` of homosexual pederasty and war`s `brutality and violence`12 by an attack upon the Twin Towers of New York that would be seen as an attack by Islam upon the United States of America but was actually an assault upon Saudi Arabia and Fahd as the `Custodian of the Two Holy Mosques` and the Koran as spiritual guides for the Moslem peoples.
Saddam Hussein wasn`t the policeman, but policing was the problem because censorship and media blackout is a form of blinding to what is truth, which `the beast` and the `whore` don`t want humanity to be able to perceive. The security forces are used to keep people in ignorance and unconsciousness of their real situation with regard to global issues, which on 9/11, 2001, was the relationship between Judaeo-Christianity and Islam. Both are the people of Abraham by descent from his son, Ishmael, who was of the line of the Prophet Mohammed, and his son, Isaac, who was the patriarch of the tribes of Israel. Obfuscation prevents that truth from being realized and so occlusion is the tool of the `secret police` who`re working to blind the sighted: `Cameras are flashin while we're dirty dancin`. They keep watchin, keep watchin'.`
Britney Spears` song lyrics in `Gimme More` seem inconsequential, but the title of the album, Blackout, suggests George Orwell rather than George oil well, which is what the US President, George W. Bush, was accused of going after during the Gulf wars, that is, the `black gold` of the Kuwaiti and Iraqi oil wells to fuel the US economy founded on the Military Industrial Complex (MIC) for the foreseeable future. George Orwell wrote the novel 1984, which was a reversal of the actual date, 1948. George foresaw that reversals, which the Greeks termed enantiodromia, were what liars and blinders to the truth were about: `War is peace `
The US economy built on the MIC is exactly that. Another Orwellian enantiodromia from 1984 is `Freedom is slavery,` but the slogan of the totalitarian dictatorship of the novel wasn`t ridiculous in the 21st century when `futanarian` woman with her own penis` semen couldn`t be seen anywhere in mainstream culture and, as 66.6% of the potential starting population and 100% in her own mirror, as against 33.3% male population unable to sexually reproduce together, heterosexual women were expected to understand that the enslavement of their host wombs by men for the purpose of spreading their contagion of war and homosexual pederasty was `freedom`: `Ah, you gonna have to remove me, `cause I ain`t goin nowhere.`
Nate `Danja` Hills concludes Britney Spears` `Gimme More` with a speak-song line, and the words can be seen as protective, or as intimidation on the part of the `security guard`, who`s a parasitical `hanger on` refusing to be removed. Most people in the United States or anywhere else upon the Earth are used to being intimidated by the `generals` at the General Store where security guards seem to have nothing else to do other than frighten the customers into realizing that they`re being watched by George`s `Big Brother` cameras and surveillance equipment, ostensibly to protect the sugar and the eggs, but in reality to maintain women`s terrified existence as slaves blind to her devouring by her parasite in its wars of `perpetual enmity` against her human `seed`.
Because the policing surveillance organizations, posing as `national security` agencies, are `the beast` that doesn`t want to be seen riding their `great whore`, censorship and media blackout, constituting unconscious blindness for the woman, means brain damage in breeding with the parasites, and brain death through murder, to prevent her older eyes from seeing in knowledge and wisdom, while her body remains youthful, thanks to the advanced medical technology, which the evil deny her in the prosecution of their wars against her `futanarian` human penis` semen that is capable of sexually reproducing her own brains` power for liberation from men`s enslaving and devouring of her growth in the sciences of humanity: `It`s Britney bitch.`
Britney Spears` spoken introduction to `Gimme More` place her in the role of the female dog, because that`s what bitches are. Britney sits at the bar as a blonde while her dark haired `other` self dances around a pole as a bar dancer on a stage where she can be seen by herself. Because the pole is symbolic of the `futanarian` woman with her own penis` semen, her blonde self waiting for a drink represents the woman `tapping her foot`, patiently or otherwise, `If you're on a mission. You got my permission.` Although drinks are `on tap` at the bar, the possibility of fellatio with woman`s own species of `futanarian` woman remains tantalizingly unfocused because of the censor. Clearly Britney`s scantily clad pole dancer doesn`t have penis` `seed` of her own, but her blonde self with two blonde girlfriends might have. They`re `dogs` to her bitch, or they could be. The pop video conventions `police` the scene and Britney is depicted as a `lesbian`, but that`s a `schizophrenic program` for any daughter who may be watching, because the `bitch` on the podium is admired by herself and she`s with two other female `dogs`, if they`re women with a penis of their own and the video logic is followed: `I see you, and I just wanna dance with you.`
Young women who are taught that their image in the mirror is for a man are being lied to, because they`re sexually normal if they find themselves desirable, but schizophrenic in species terms if they`re attracted to the man sitting alone at a table in the `Gimme More` song promotion video. Because of the video censorship it`s a media `blackout` on the album Blackout from which the song `Gimme More` was released as a single, which means that the only penis` semen `on tap` is the man`s, which has `tapped` the penis` `seed` of woman by somehow inveigling its way into being born from her host womb as her invasive parasitical enslaver and devourer: `The center of attention, even when we're up against the wall.`
Britney Spears was accused of being a `drugaholic` when she reportedly shaved her head in a `schizophrenic` bout of fame rejecting insanity and went for rehabilitation to save her marriage to Kevin Federline and keep custody of her two sons. But `pole dancing` isn`t `tap dancing`, whereas for men a `tap dancer` is a TV, that is, a transvestite, because she`s a woman sundered from her own `futanarian` species with her own penis` semen, and so `tapped` because they watch while they booze and urinate from her own stolen penis in misogynistic release of their pent up feelings of hatred for her `tap water`: `... tell me have you seen her? 'Cause I'm so ... Oh, I can't get her off of my brain! I just want to go to the party she gonna go. Can somebody take me home? Ha ha, he he, ha ha ho.`
The single `If You Seek Amy`, which was interpreted for the media as F. U. C. K me, is `schizophrenic` because Britney talks about herself as if she`s a separate personality, which is defined in clinical psychology as `multiple personality` schizophrenia, where `split-off` aspects of a fragmenting personality take on life and identity of their own for the besieged mind of the individual. Just what is laying siege to the mind is difficult to say, but censorship and media blackout over the existence of `woman`s seed` is obviously a very serious problem. In the video promotion for the song, `If You Seek Amy`, Britney Spears is `Amy`, the `party girl`, and afterwards the `perfect homebody` with `mom`s apple pie` in her hands posing for the cameras as a `model housewife` with a `suitable husband` and two `regular` kids: ` Love me hate me, but can't you see what I see? All of the boys and all of the girls are begging to [fuck me] ...`
Because Britney Spears is wearing a wig after shaving her head, she`s actually bald, so `mom`s apple pie` signifies `piebald`, which was the name of the horse ridden by Elizabeth Taylor in National Velvet, her debut movie, that is, the film that began her sundering from the human race of `futanarian` woman with her own penis` `seed` to be ridden. Britney Spears and her female dancers celebrate the riding of Elizabeth Taylor as best they can under the `watchful eye of the censor` while they enthusiastically jounce upon the couch. Elizabeth died on March 23, 2011, but Jesus` promise is of the Resurrection of `woman`s seed` in heaven.
1 https://en.wikipedia.org/wiki/Flow_(psychology) .
2 Virgil The Aeneid, Bk II, 19 BC.
3 Leigh, Vivienne Gone With The Wind, MGM, December 15, 1939.
4 https://en.wikipedia.org/wiki/I_Have_a_Dream#The_speech .
5 Preamble to the Constitution of the United States of America, ratified March 4, 1789.
6 By Pope Pius XII`s exercising of the principle of `papal infallibility` during the Apostolic Constitution Munificentissimus Deus, November 1, 1950.
7 https://en.wikipedia.org/wiki/Penis_envy .
8 https://en.wikipedia.org/wiki/Snake .
9 Head, Anthony Stewart as Buffy Summers` `mentor`, Rupert Giles, voice over in the opening sequence to each episode of the television series, Buffy The Vampire Slayer, 20thCentury Fox Television, March 10, 1997 to May 20, 2003.
10 Combs, Holly Marie as Piper Halliwell in `Something Wicca This Way Comes`, Episode 1, Series 1, Charmed, October 7, 1998.
11 https://en.wikipedia.org/wiki/Flow_(psychology).
12 https://www.urbandictionary.com/define.php?term=rough%20trade.
Hot Gossip featuring Sarah Brightman`s Starship Trooper And Britney Spears` Oops I Did It Again
Britney Spears` `Oops I Did It Again` (2000) video single features a traditional Apollo style astronaut on Mars. Although there`s no visible space vehicle, `Mission Control` can be seen in the video observing the scene on the red planet and addressing the spaceman as `Mars Lander`, which was an actual `unmanned` space vehicle landed on Mars by the North American Space Administration (NASA) to take soil samples and photographs, etc., while roving the Martian surface. The implication is that the spacesuited figure is `Mars Lander`, which carries the further suggestion that `Mission Control`, who are seen looking through round portholes at Britney Spears, wearing what seems to be a red pilot`s suit, are inside the spaceman, who is `Mars Lander`, because he`s their spaceship and the portholes are his eyes. Because the astronaut is the spaceship of `Mission Control` who are living inside his spacehelmet. The theme of the song, `Oops I Did It Again`, is the heart of Britney Spears, which echoes the heart theme of an earlier pop music video single by the dance troupe Hot Gossip, featuring Sarah Brightman as the singer:
Sarah singing: `I lost my heart to a starship trooper.`
The Hot Gossip song has references to well known figures from pop culture, such as the `comic strip` Flash Gordon (1937-), in which Ming The Merciless of the planet Mongo attacks the Earth with what at first impression seem meteorites and Flash travels by rocket ship to Mongo to face Ming. The `comic strip` was made as a series of matinee short films for cinema audiences series reflecting US xenophobia towards communist controlled China (1927-49), which had been developing before the Second World War (1939-45) and hadn`t been viewed as anything other than an alien rival to US global hegemony before the Axis powers of fascism, that is, Japan, Italy and Germany, began their campaign of warfare to control the Earth. That art imitates reality is borne out by continued antipathy between the United States and communist China into the 21st century fuelled by fictional extrapolations of alien invaders:
Sarah singing: `Flash Gordon's left me, he's gone to the stars; an evil Darth Vader has me banished to Mars.`
Dale Arden was Flash`s female partner and Melody Anderson was in the role in the Hollywood movie, Flash Gordon (1980), while in Star Wars the leader of the Federation against the evil Empire`s strongman, Darth Vader, is Princess Leia. If Britney Spears is referencing `Starship Trooper` (1978) by Hot Gossip and Sarah Brightman, she`s banished to Mars and is awaiting Flash Gordon who`d correspond to the figure in the Apollo spacesuit in `Oops I Did It Again`, but `possessed` by the `demons` directing him from within his spacehelmet:
Sarah singing: `Hey, Captain Strange, won't you be my lover?` You're the best thing that I've ever discovered.`
Like Sarah Brightman, Britney is a woman in need of `space` between herself and her partner, who is `Captain Strange`1 in the case of Sarah, that is, `the Brain devil` superhero with extra sensory perception (ESP) created by Donald Keyhoe, who was a ufologist. The idea Is that unidentified flying objects (UFOs) or `flying saucers`2 are the work of sorcery, which is definable by occult practitioners as `evil magic`. Captain Strange is perceived as a `devil` of the brain of Donald Keyhoe , according to the lyric of `Starship Trooper`, because Sarah is enamoured. Taught that attachments are `demonic` by a male dominated social structure that doesn`t want freedom in relationships between mothers and daughters with their own host wombs and penis` semen, the `game` in homosexual pederasty is to convince women that their love for another is a `brain devil` to be exorcised. The sundering of human `futanarian` woman with their own penis` semen from their own host wombs is the first stage and the concept of soul `ownership of the means of production`3 in monogamy is the second, that is, the woman has a `brain devil` if she represents the `soul` inspired by the `spirit of God` to have intelligence and work to free herself through the sexual reproduction of her own brains` power for invention and so she should be sundered fom her `brain devil`, that is, whoever her teacher is, because she has a `demon`, who may be her husband, a writer, guru, daughter, or whoever is leading her to liberation from `ownership`.
The sunderers don`t want women`s inventions because she`d be liberated by them and so the notion of the creative individual as having `brain devils` so that the `demonic` creative aspects of the psyche can be exorcised to prevent technological growth and socio-economic progress for humanity has arisen. It`s the paradigm foisted by the `serpent`s seed` upon humanity taught by God, according to the Bible, that the immortal soul should never be relinquished and the `spirit of God` should be accepted as the sole guide and teacher of `woman`s seed`. Any writer who attempts to free the mind has `brain devils` and anyone who accepts the writer`s point of view has `demons` to be exorcised by the sunderers who don`t want development. In the final analysis women are slaves to production and what comes from their wombs is a brain damaged infantilism that refuses to grow and reproduces itself in damned parasitism:
`Imagine a dying planet in some distant corner of the universe. Its natural resources exhausted. Its inhabitants sterile. Doomed to extinction. A situation we may one day find ourselves in, gentlemen. So they discover earth. Abundant, fertile. Able to satisfy their needs. They look upon us not with animosity, but callousness. As we look upon our animals that we depend on for food. Yes, it appears they are driven by circumstance across a billion miles of space, driven on by the greatest force in the universe - survival.`4
In the Independent Television (ITV) series UFO (1970-1), the premise is an Earth of humans `harvested` for their organs. The acronym of Supreme Headquarters, Alien Defence Organisation (SHADO) represents the hidden truth, which is women`s relationships with men are contaminated by an evil shadow she needs to deal with because the denial of life to the human species of `futanarian` woman with her own penis` semen and brains from her own host womb constitutes the theft of her organs by her parasitical aliens de facto if not in fact. As a ufologist, Donald Keyhoe documented many `close encounters` in which aliens abducted humans for body organs, whereas men`s actual socio-history is of their remving the human `futanarian` species of `woman`s seed` and the sexually reproductive organs of the human species` capacity to produce her own brains as her alien parasites: `Oops! ... I did it again. I played with your heart, got lost in the game. Oh baby, baby. Oops! ...You think I'm in love. That I'm sent from above. I'm not that innocent.`
As with `Starship Trooper` by Hot Gossip, the Britney Spears` theme in `Oops I Did It Again` is obsession or engrossment, while playing with someone`s emotional feelings. In the poem `Fire And Ice`, by American poet Robert Frost, there are two types of feeling at the end of a relationship, characterized by obsession, that is, `fire` as anger and `ice`, which idiomatically is revenge `served cold` and is `the game` that spurned women play because they`re the innocent partners in relationships, so long as the `demon` of possessiveness isn`t present, but if divorce looms because of unfaithfulness they`re as merciless as the Emperor Ming towards Earth and ethnic typecasting isn`t the issue: ``Some say the world will end in fire, some say in ice. `6
In the developmental psychology of Carl Gustav Jung (1875-1961) the shadow possesses individuals making them `demonic`, which is often mistaken for obsession, and is why the Calvin Klein perfume, Obsession, succeeded as a brand name because `possession` would fail as a marketer`s ploy. Swiss Arabian Faith perfume is another good example, because faith, or adherence to a belief in success, is equivalent to being obsessed with a goal rather than shadow-possession, which Carl Jung described as arising from feelings of hatred towards others who are better off. Women often feel their situation would improve if they left their partner, but that desire for improvement sometimes encounters acrimony and resistance leading to vengeful acts of possessiveness.
The success of the Christian Dior perfume brand name, Poison, favours `game` theory, and is a societal symptom equal to those directives to readers and viewers from fiction, movies, and song lyrics to perceive enemies where Jesus Christ preached acceptance of what was good and to avoid hatred based on prejudice. The minds of people are poisoned by ideas that poisons are good, or that other peoples are poisonous, because that`s argued by the propaganda, but vendetta embraces the reality of `the game` of constant divorce or `sundering`, whereby women are constantly looking to improve their situation with regard to partners who don`t measure up to ever increasingly higher expectations from the women or external pressures including other males:
Sarah singing: `Encounters one and two are not enough for me. What my body needs is close encounter three.`
The Hot Gossip `Starship Trooper` lyric is a play on the definition of alien encounters as a `close encounter of the third kind`, which became the title of the movie Close Encounters Of The Third Kind (1977) that detailed the arrival upon Earth of an alien ship aboard which a few humans were elected to travel away to the planets and stars. The `close encounter`5 is stereotypically male insofar as the humans are conceived as sundered, as the depiction of man and woman as representative humanity on the plaque attached to NASA`s Pioneer spacecraft sent out of the solar system as a postcard from Earth to other unknown sentient intelligences indicates. In ignoring woman`s `futanarian` independence as the host womb of the human race with her own penis` semen, the NASA Pioneer spacecraft postcard informs extraterrestrials, if they exist, that Earth is where the alien sunderers of humanity can be found: `There ain`t no such thing as a free lunch.`7
Robert A. Heinlein`s (1907-88) maxim of `TANSTAAFL!` from his science fiction novel, The Moon Is A Harsh Mistress (1966), which details a revolt sundering a Luna colony from Earth, is supposed to be the libertarian viewpoint that work produces rewards, but aliens inviting other aliens to Earth for sunderer`s lunch is what the Pioneer spacecraft represented, that is, civilization, culture and art, which is the enslaved product of women`s host wombs as the human species, can be eaten here; because it`s devoured in men`s ceaseless wars of `perpetual enmity` against her. In the movie Independence Day (1996) aliens invade the Earth and are ultimately defeated after great devastation on a global scale because that`s what aliens do. Alien invasions are extrapolations of men`s invasions because they`re the aliens` wars against the humans: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
Sundering the human host womb from her own penis` `seed` is how the Earth embraced being an alien meal. Because `futanarian` women have their own penis` `seed` and so are capable of sexual reproduction without men, it would be difficult to sunder them as a species without demonic possession by invisible agencies demanding that they prefer men who can`t sexually reproduce together and in fact had produced the biblical `blood plague` of the `killer disease`, HIV/AIDS, in the late 20th century, by mixing blood, shit and semen in each others` anuses during mockeries of the human act of sexual reproduction. The `blood plague` is sent by God, according to the Christian New Testament of the Bible, to convert men from their sin of rejecting women in preference for homosexuality and devouring her infant nascency as a species in wars more conventional than biological: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
Jesus Christ uncontaminated by male semen, because born from his mother, the Virgin Mary, advocates adherence to the Holy Spirit which will teach after him and help combat the demonic agencies of possession that would sunder woman from God, who tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed` that tempted her to eat of the `fruit of the tree of good and evil` and give some also to the first man created by God, Adam, rather than remain faithful to the `fruit of the tree of life`, which was immortality. Expelled from paradise by God for being interested in the evil of sundering, God warned Eve she`d experience pain in childbirth, because her `futanarian` nature would be sundered although she would: `... crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)
Leaving Earth for the stars and planets in starships of her own devising, thanks to her sexually reproducing her own brains` powers after Jesus` promised Resurrection of `woman`s seed`, woman as a `futanarian` species with her own penis` semen would no longer be directed by men`s propaganda to promote enmity between peoples but fuelled by her own implacable hatred for the divorced, Jesus envisages `war in heaven`, before the `serpent`s seed` receive unendurable eternal pain as a punishment for preferring enslavement for woman`s host wombs in parasitism and death, rather than a `new heaven and Earth` for the `futanarian` human species of woman unsundered and with her own `seed` for the production of a new angelic host: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
In Robert Heinlein`s original novel, Starship Troopers (1959) a race of humanoids called `Skinnys` reflect the US` habit of defining other human cultures by a single epithet. During the period of the US` wars in Indo-China (1946-79) against the perceived threat of communism, Asians were `Gooks`, and the Japanese were `little yellow men`, because it was a traditional epithet applied to skin colour and perceived cowardliness amongst English speakers, which perhaps contributed to Japan`s militarism and its siding with Italy and Germany, the Axis powers during WWII, to compensate for their alleged diminutive stature and lack of heart amongst Western propogandists:
Sarah singing: `I lost my heart to a starship trooper; flashing lights in hyperspace: fighting for the Federation. Hand in hand we'll conquer space.`
The concept of `the Federation` is familiar from Star Wars but also from the movie made from Heinlein`s supposedly militaristic novel, Starship Troopers (1997), in which the `bug worlds` of arachnoid aliens are depicted as attacking Earth and the soldiers of the Federation drop aboard mother ships as 20th century paratroopers on parachutes, dropped like spiders to invade nations upon the planet Earth. The extrapolation reveals the connection between the alien and the human insofar as the host wombs of the human women are enslaved by the aliens upon the Earth to defend against the aliens from elsewhere, which is what wars are:
Sarah singing: `The scanners seem to indicate a small deviation. Static on the comm - it's Starfleet Command requesting your position: it's their final demand.`
The lyric from `(I Lost My Heart To A) Starship Trooper` by Hot Gossip employs the term `Starfleet`, which was created by the writers of the US` television series Star Trek (1965-) to describe the ships of the Federation and the fictional theme of a vast system of colonized planets patrolled by Earth`s starships and especially the crew of the USS Enterprise (NCC-1701) sometime in the 2260s. Starfleet Command`s requesting the position of the Enterprise in order to give instructions about where the ship was required next was a basic feature of the TV series devised by producer Aaron Spelling, while a `deviation` detected by ship`s `scanners` suggested an `anomaly`, which is something that isn`t expected. The starship needs to be in readiness for what might occur next. Reported `static` on the communication from `Starfleet Command` by black female Communications Officer, Lt. Uhura of the Enterprise, was common because sexual attractiveness heightened the `position` by expressing the possibility of miscegenation, which clouded women`s `opinions` within the framework of a United States embroiled in racism and the struggle for human rights throughout the 1960s when the original series (TOS) was made. The Hot Gossip dance troupe were known for their eroticism in which `sexual position` was an important aspect of their dance routines. In `gay` and heterosexual terms the `Starship Trooper` lyric `requesting position` demands information with regard not only to sexual orientation but also race, which the Pioneer spacecraft had already announced to unseen extraterrestrial intelligences. The human species of `futanarian` woman with her own penis` `seed` and capacity to sexually reproduce human brains independent of men had already been eaten and we were here to be consumed by parasites and not cannibals. Irrespective of `opinion` women`s `position` was subservient to men`s; black, white, or otherwise.
Carl Jung argued that the anima of a man was his soul which functioned as a psychopmp or guide with regard to women through projection, that is, the soul projected upon women said they were good because the projector was good, but the projection was often contaminated by feelings of inferiority towards the human by the alien and so hatred had to be overcome before sexual love could occur. According to Jung the animus was the male or contrasexual component of the woman, but he failed to grasp that women were an independent species and that the animus represented the woman`s penis` `seed`.
Although Jung observed that the animus was `opinionated`, he failed to perceive that sexual `position` was what women opined over. For them `opinion` was a tool of species differentiation, which Jung called woman`s `sword of power` used against the `power of illusion` represented by a man`s anima-projections. The anima assured women he wasn`t an alien, but her contrasexual counterpart, whereas the anima functions as the `spirit of God` obsessing the individual man with sexual reproduction, but not technological development, because it`d result in woman`s escape from Earth. Sundered humanity is unable to escape because the anima belongs with the woman and the animus with the `futanarian` woman between whom there exists no delusion because they`re sexual counterparts and it`s the will of God she should sexually reproduce the independent brains of humanity from her own `futanarian` woman`s penis` `seed`:
Sarah singing: `You're intentions are known, they've found out at last. So if you're gonna take me, please make it fast. Touch me, feel me, do what you will. I want to feel that galactic thrill.`
The lyric from `Starship Trooper` by Hot Gossip is `gay` because it mocks `futanarian` women from its sunderers` perspective where everybody is homosexual because the human species is split. Women are abnormal because lesbian and so schizophrenically inclined away from their own race, while men are the aliens that have inveigled themselves into her host womb since God`s expulsion of Adam and Eve from paradise for disobeying the breeding program in favour of self-enslaving while `futanarian` humans would be killed as a threat to the socio-economic dictatorship of the `serpent`s seed` of men:
Speaker 1: `Arcaida. X-ray x-ray delta niner niner zero. This is Starfleet Control. You are clear to go hyperspace. Acknowledge.`
The `starship` featured in `Starship Trooper` by Hot Gossip is Arcadia, which is the pastoral idyll in Greek mythology most closely corresponding to Eden, but the name of the character Arcaida in `Starship Trooper` is homophonic and sounds like Al-Qaeda, while the line, `Listen, Captain Strange, what's our destination?` hints at psychic knowledge of 9/11, which was niner one one and is the number of the emergency services in the United states on September 11, 2001, when Al Qaeda terrorists crashed hijacked planes into the Twin Towers of the World Trade Centre in New York. Psychic awareness isn`t so unusual in literature. The prophetic verses of seer Michel Nostradamus (1503-66) read like `flash fiction`, much in vogue at the commencement of the 21st century, and similar to the lyrics of 20th century pop videos, but more authoritively prescient and predictive: `In the year 1999, in the seventh month, from the sky will come the great king of terror, bringing back to life the great king of the Moguls. Before and after, Mars to reign by good fortune.`8
Mars is a common euphemism for war derived from mythology because he`s the Roman god of war. Although September 11, 2001, wasn`t July 1999, in the Gregorian calendar September would have been July, according to the old Roman Julian calendar that has ten instead of twelve months, which isn`t so far out for a 16th century predictive seer. The ensuing war with Iraq and the dictator, Saddam Hussein, who`d supported Al Qaeda, was called the `TV war` and so the risen Mogul would be a Holllywood producer or director. Often called `Babylon`, which is the ancient capital of the Persian Empire in Iraq, Hollywood represents the restoration of woman`s enslavement as the producer of `TV war` from her host wombs, where `TV` is transvestism and the sundered legions of humanity fight for extinction in the Mogul`s entertainment spectacles arranged for public consumption courtesy of the movie studios in California, Los Angeles, `city of the angels`:
`Each man would jump fifteen seconds behind the other, simply to give each of them room to manouver on the ground. When they hit dirt their personal shields - force-fields to you and me - would be already active (switched-on in mid-air at one-and-a-half-klicks with a radius of 250 metres) and every one of them would rapidly become the epicentre of a circle of destructivity that no Trooper in his right mind would seek to overlap.`9
Formulaic literature descriptive of what Hollywood, Babylon, actually produces in a few frames of cinema film is valuable for that reason. The efforts of a writer to be published are nothing to a trillion dollar a year movie industry which reduces a novelist`s input to a moment or so of action and a few words of dialogue. Destruction has become the god in Hollywood, Babylon, because it`s spectacular, but the death of the ageing writer in the `concentration camp` of Hollywood`s devouring maw isn`t much reward for a life spent as an artist endeavouring to be heard over an explosion and a grunt or two from the `hero`.
Hollywood, Babylon, values life about as much as Al Qaeda `live on CNN` to up the viewing figures for `TV`. Those who work in special effects, for example, spend months and sometimes years of their lives constructing the equivalent of starships to be crashed on movie sets without a qualm. Hollywood`s pictures are of lives born to be destroyed, because they`re of little or no worth to the movie business once their frames in the movie are shown. The reduction of human endeavor to a flash of fire and the death of half a world is reflected in `TV wars` like the Gulf (2001-11), featuring the assassination of terrorist leader, Osama Ben Ladan in the shade of the Pakistan Military Academy, as a denouement on May 2, 2011, while a cure for HIV/AIDS `killer disease` had to wait because of the immense resources needed to wage war diverted to the Military Industrial Complex (MIC) and away from healthcare. The `movie` of an individual`s life goes on for 70+ years on average, but for `TV war` it`s frames of a film lasting moments and the value of people is diminishing to the point at which the callous dispatching of the murdered is no longer perceived as `anathema`, but actively encouraged by computer `games` and `action` films based on death and the vicarious enjoyment of others` unfulfilled lives.
Although Britney Spears` `Oops I Did It Again` seems simple, the presence of the astronaut suggests the MTV (Music Television Awards) statuette for pop music in its various categories as devised by Music Television, the cable and satellite `TV` broadcaster that, inaugurated as a channel on August 1, 1981, because the Viacom company saw an opportunity to showcase the new media of pop video singles being produced by pop recording artists. MTV later awarded the silver spacemean standing on one leg with the MTV logo on the flag as if he were Neil Armstrong, the first human to set foot on the moon, planting the flag of the United States there: `One small step for a man, one giant leap for mankind.`10
The first Video Music Award (VMA) was awarded in 1984 and, although `Oops! ... I Did It Again` was pitched to win an MTV spaceman and was nominated, Britney Spears had to wait until 2008`s `Piece Of Me` from her Blackout album before becoming a recipient of the `silver spaceman` for what was a protest song about the paparazzi`s role in her losing custody of her infant, Sean, after she was photographed `neglecting` the child by ignoring the loss of his cap while running to a car to avoid the media: `... with a kid on my arm, I'm still an exceptional earner. You want a piece of me?`
Idiomatic usage of `piece` is belligerence and so Britney won the MTV Award because the spacesuit was designed from pressure suits used in deep sea diving at the Aeronautical Materials Lab at the Philadelphia Navy Yard by science fiction luminary, Robert Heinlein, amongst others, during WWII. The VMA `silver spaceman` represents a retrospective look back at `Oops I Did It Again` from Britney`s point of view, because her red pilot`s suit in the video complements the astronaut`s appearance. The original plan of NASA`s was to fly to the moon by `spaceplane`, so Britney Spears `Oops I Did It Again` performance poses a question: how is humankind to reach Mars if the spacesuit and the pilot`s suit aren`t viable? Heinlein`s Starship Troopers treated of the possible future development of the spacesuit into a form of futuristic military armor.
Armor was worn by Medieval knights such as those of the legendary court of the English king Arthur, written of by Sir Thomas Mallory in his famous novel, Le Mort D`Arthur,11 dealing mainly with the search for the Holy Grail as the bowl drunk from by Jesus Christ at the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven. For pop music an MTV Award is the Holy Grail but `Oops I Did It Again` points out that the spacesuit and the pilot`s suit aren`t viable for interplanetary travel. The title of the Blackout album from which the VMA award winning single `Piece Of Me` was taken reflects on the blackouts experienced by prototypical X-15 `spaceplane` pilots, which resulted in the Apollo spacesuit program that had the `personal armour` of Starship Troopers and conquest as its teleology rather than space exploration and human colonization as the genuine Holy Grail:
Sarah singing: `Space suit is lying on control room floor; pulse rate increasing as the heat factor soars: take me, make me feel the force. Ignore the computers, we're locked on course.`
The Hot Gossip lyric from `(I Lost My Heart To A) Starship Trooper` describes the possibility of `blackout` as a hazard of spacesuit use. In the Star Wars series of movies, `the force` is a form of energy within the cells of the body that needs to be balanced before the power of God can be used. Darth Vader has embraced the `dark side` of `the force`, which means he`s shadow-possessed and so demoniacally evil:
`Midi-chlorians are microorganisms first mentioned in Star Wars Episode I: The Phantom Menace [1999]. They reside within the cells of all living things and communicate with the Force. They are symbionts within all other living things and without them life could not exist. The Jedi have learned how to listen to and coordinate the midi-chlorians. Every living being thus has a connection to the Force, but one must have a high enough concentration of midi-chlorians in one's cells in order to be a Jedi or a Sith.`12
The `Jedi` are the knights of the romance while the `Sith` are a race of humanoids that master the `dark side` of `the force` to seize power from humans. Although `the force` is available to anybody harmonized in balance with the midi-chlorians present within the system, shadow-possession is the consequence of turning away from the `light side` until there is only darkness, which is death and its worship in evil:
Sarah singing: `... are you like a droid, devoid of emotion?`
Because of the reference to Star Wars in Hot Gossip`s `Starship Trooper` lyric, the `droid is R2-D2, the indefatigable mechanoid that always succeeds. Stealing the plans for the `Death Star`, Princess Leia entrusts R2-D2 to deliver them to the Federation so they can destroy it before it`s deployed against Federation planets. R2-D2 represents human fallibility, because the machine makes no mistakes; it`s `locked on course`, as the Hot Gossip lyric in `Starship Trooper` has it: whereas the human who is `like a droid, devoid of emotion` is evil because inhuman. The misapprehension is that machines are evil, whereas humans who embrace the `dark side` are. R2-D2 is a better human because a better machine, which is what `labour-saving devices` such as washing machines or microwave ovens are. They free humans and so should be treasured, as R2-D2 is in the movie series, because the `droid` represents `Liberty` through intelligence and why despise the machine or an animal because it`s sentient enough to help you? Enslaving the host womb of the human species, or any other sentient creature, limits humans to inbuilt failure in their desire for freedom.
Appearing on the cross In the place of Jesus crucified for the cover of the CD single, `Piece Of Me`, Britney is idiomatically giving the Earth a `piece of her mind` on the subject of Arthur`s knights of la table ronde at which all were perceived equal, because none could be seen to be foremost. Arthur`s fate was to be betrayed by his half-brother, Mordred, detailed in the movie Excalibur (1981), while Jesus` traitor was Judas. Although the table of Arthur corresponds to that of the disciples` at the `Last Supper`, the Holy Grail is independence. If all men are interested in is `conquest`, and preoccupations with the evil devouring of humans through warfare rather than healthcare suggests they are, is the `futanarian` human species of woman with her own capacity to sexually reproduce her own brains` power for socio-economic independence from Earth through technology, just a `piece of cake` at the Rotary Club for men who don`t want her humanity to leave in starships, because they want to enslave and devour her sundered self here in `TV wars`?
In `Oops I Did It Again` Britney appears `twinned` as herself in a red suit and in a white bikini dress, because three humans are represented in her equation; the man, the woman, and the `futanarian` woman with her own penis` `seed`. If man doesn`t want her, she can leave for the stars and planets because he`s holding her back. At the `Last Supper` before his crucifixion, Jesus gave `bread and wine` as symbols of the `body and blood` that was to come during his torture and murder upon the cross, because the disciple Judas didn`t accept Christ as the host, but instead betrayed the human species of `futanarian` woman with her own human penis` semen and host womb represented by Jesus` mother, the Virgin Mary, who bore Jesus uncontaminated by male semen in the `spirit of God` as the true Holy Grail of Christianity`s preaching of the Resurrection and Redemption from the `original sin` of accepting slavery sundered `futanarian` humanity.
According to Jung the heart is the `Feeling` function associated with the mouth and the bowl, that is, the Holy Grail is `Feeling` because it represents a refusal to devour the human. Britney Spears` `Oops I Did It Again` is an exercise in `flash memory` rather than `flash fiction` insofar as it features a dialogue between herself and her spaceman about the contents of a `black box` which is usually inside a plane as the recorded information after a crash such as those experienced by X-15 pilots due to `blackouts`. Some pilots escaped by parachute but others died. Because the parachute is `spider technology`, Heinlein`s Starship Troopers` depiction of the evolution of the paratrooper comments on the teleology of the spider rather than the human, who`d prefer to ascend to the stars and planets by `spaceplane` rather than remain to be devoured in men`s wars of `perpetual enmity` because the spider prefers a hard shell rather than a soft body. In Heinlein`s `Future History` Britney Spears in `oops I Did It Again` corresponds to `Poddy` from his juvenile story for girls, Podkayne Of Mars (1963), who wants to learn to be a `rocketship pilot` because it`s a better chance for the human race:
Britney speaking: `But I thought the old lady dropped it into the ocean at the end?`
Britney Spears` video single is carefully scripted; as was Hot Gossip`s `Starship Trooper` in which there are speakers 1, 2, and 3. At one point, the director`s cue is, Sarah singing: `Oh, baby..,` which Britney echoes in `Oops I Did It Again` in homage to her pop music video predecessors in science fiction: `Oh baby. It might seem like a crush; but it doesn't mean that I'm serious. `Cause to lose all my senses; that is just so typically me. Oh baby, baby.`
In Jungian psychology, the senses of sight, hearing, taste and smell represent undifferentiated or unconscious awareness and so Britney`s lyric laments her emotionality. In the movie Titanic (1997) the `old lady` Rose drops the blue diamond pendant, `heart of the ocean`, into the sea as a `remembrance` at the place where the ship sank on April 15, 1912. The Titanic had been on its maiden voyage from Liverpool to New York after being struck by an iceberg, which suggests that the blue diamond is the uncrushed `ice` that contains only the cold clarity of memory to assist the salvage operation and reveal the secrets of the wreck:
Britney`s spaceman speaking: `Well, baby, I went down and got it for you.`
Not only is he an astronaut, Britney`s spaceman is a deep sea diver and represents the evolution of Heinlein`s `pressure suit`, that is, the `precious suit`, since the Philadelphia Navy Yard`s preparing for the X-15 spaceplane program, which indirectly paved the way for NASA`s succeeding Apollo space program. Descending onto the dance floor inside a giant`s ring at the opening of `Oops I Did It Again`, Britney`s `action` can again be seen to correspond with the lyrics of Hot Gossip`s `Starship Trooper` because she`s a child of her era and the other stars have communicated themselves to her:
Speaker 2: `Affirmative, Star Comm. We have situation gold.`
The golden `ring of power` at the centre of the `star` British fantasy, J. R. R. Tolkein`s The Lord Of The Rings (1954-55), is the `precious`, so the `precious suit` is the wedding suit of the bridegroom for the bride. What`s missing from the gold ring is the stone, which symbolically is in the `black box` given to Britney by the spaceman as the Holy Grail. On his way to destroy the ring of power in the volcano atop Mt Doom, Frodo has to fight the giant female spider, Shelob. The solution to the devouring spider teleology of the `precious suit`, as depicted in Heinlein`s Starship Troopers, is women`s technology from her own `futanarian` marriage and brains from her own host wombs with her own penis` semen for the sexual reproduction of better equipment for liberation from the conquest-destruction path in preference for the road to civilization-colonization : `Enter through the narrow gate. For wide is the gate and broad is the road that leads to destruction, and many enter through it. But small is the gate and narrow the road that leads to life, and only a few find it.` (Matt: 7. 13-14)
Tolkien`s novel is divided into three parts; The Fellowship Of The Ring (2001), The Two Towers (2002) and The Return Of The King (2003). In 21st century terms the Twin Towers of New York destroyed by Al Qaeda on September 11, 2001, correspond to the citadel of the West threatened by the Dark Lord, Sauron, whose `ring of power` Frodo was entrusted to destroy. Frodo`s struggle to defeat Shelob in the Two Towers and relinquish the ring atop Mt Doom to liberate the good from the power of the `Dark Lord` contrasts with Anakin Skywalker`s capitulation to the `dark side` to become Darth Vader and lead the evil Empire against the Federation in the Star Wars epic. Although the Twin Towers of New York symbolized the `gateway to the West`, the power of the `Dark Lord` raised them to the ground, because the power of Sauron wasn`t broken in the `war of the ring` between Saddam Hussein`s Al Qaeda and the NATO alliance (North Atlantic Treaty Organization) and her allies in the Middle East and elsewhere. The demolishing of a wall that ringed the US Defense Department of the Pentagon by a further terrorist hijacked plane was an attempt to break a ring of power in the West and there are rings of freedom and slavery in Tolkien`s fantasy:
`Three rings for the elven-kings under the sky;
Seven for the dwarf-lords in their halls of stone;
Nine for mortal men doomed to die;
One for the Dark Lord on his dark throne:
In the land of Mordor where the shadows lie.
One ring to rule them all; one ring to find them;
One ring to bring them all and in the darkness bind them:
In the land of Mordor where the shadows lie.`13
The gate to heaven is the `futanarian` way of `woman`s seed`. In the Titanic movie Rose is betrayed by an ex-fiancée who puts the `heart of the ocean` into the pocket of her new boyfriend and accuses him of theft, just as Bilbo is accused of theft in the novel prequel, The Hobbit (1937), when he finds the ring of Sauron before Frodo becomes his heir and instrument of deliverance. Curiously, Bilbo could have lost the ring but wom a guessing game to retain it with the creature, Smeagol, who claimed he`d stolen it from him: `What have I got in my pocket?`14
Despite Smeagol`s objection, Bilbo keeps the ring, and he`s a murderer anyway so doesn`t deserve it and knows so, which works against his assumed role as someone whose life, which was `precious`, has been taken away by Bilbo, the `nasty thief`. Rose`s jewel is still in the pocket of the coat while she`s sitting in a lifeboat from the Titanic and she doesn`t guess it`s there but discovers it by chance as Bilbo had. Her lover drowns helping others, but the `heart of the ocean` diamond pendant represents the `Feeling` function of Jungian psychology, which is inferior in the ex- fiancée but differentiated or actualized in Rose`s relationship. According to Jung the differentiation of the four functions; `Sensation, Thinking, Feeling and Intuition` is necessary before the individual is self-aware enough to function as a human. The `Feeling` function is usually inferior in men because they`re treacherous. As Judas was when betraying Jesus, which is why the bowl Christ ate and drank from is Holy and the `bread and wine` he offered to the disciples, as his `body and blood`, is the `hand of friendship` rather than the infamous kiss upon the mouth of Jesus from the lips of Judas Iscariot, the devourer. In symbolic terms the Titanic`s iceberg is the tooth in the mouth of the traitor, whether the sinking was accidental or not. The `heart of the ocean` is the symbol of Jesus` heart, because those without `Feeling` are the devourers and the hearts of lovers are human:
Speaker 1: `This is Starfleet Control to all ships in sector five. Be advised Arcadia niner niner zero is off course. All ships [squawk!] ident ...`
Because of the iceberg and volcano references in Britney Spears` `Oops I Did It Again`, her theme echoes Robert Frost`s poem, `Fire and Ice`, but it`s about the mastering of emotions in order to function successfully rather than vengefully. In Hot Gossip `s lyric the starship Arcadia is a `Mary Celeste`, which was a ship legendarily discovered drifting crewless on December 5, 1872 in the Atlantic. Any mysterious empty space that should contain humans is now idiomatically described as `Mary Celeste`. Although Britney borrows from Hot Gossip`s `Starship Trooper` in referring to a lost ship, `Oops I Did It Again` is about the Titanic`s undeviating from its course and sinking, because of the belief it couldn`t ever lose:
Announcer: `All aboard!`
The Al Qaeda terrorists` hijacked planes on 9/11, 2001, didn`t know when to avoid the Twin Towers, because they weren`t sentient machines to decide for the humans, like R2-D2, the mechanoid in Star Wars does. R2-D2 saves the Federation by facilitating the destruction of the Empire`s `Death Star` before it can become operational as a planet killer, which is what the unbroken ring of homosexual pederasty and war`s preference for sundering and devouring through enslaving women`s `futanarian` host wombs for `TV` is. In The Lord Of The Rings Frodo wrestles with Smeagol atop Mt Doom, because Smeagol didn`t know when to relinquish the ring and falls to his death in fire.
There`s a scene in Britney Spears `Oops I Did It Again` where her red suited self puts a hook into his backpack and raises him by means of a pulley until he`s hanging above herself in a white bikini dress with what look like the tines of a giant fork beside his spacehelmet while she reclines on what appears to be a white fire blanket. Suspended, he can`t do anything other than film Britney with his camera eye attached to the side of his spacehelmet. Britney represents safety after a fall from the fork, symbolizing the devouring `serpent`s seed` that, grown in size to the `dragon` of Revelation, waits in vain to consume the `New Redeemer`, that is, although the sunderers believed they could never lose, Jesus Christ in his `Second Coming` will `rule the nations with an iron scepter`, which Britney`s protective fire blanket represents. The spaceman can`t fall to safety because she`s not sure he isn`t a devourer. `Oops I Did It Again` is Britney`s stage where the setting of the ring with the jewel will occur, and she`s a hot white diamond in a bikini, while her red suited self is a ruby, with the cold blue diamond `heart of the ocean` in the spaceman`s `black box` as the third jewel of her ring if he believes in freedom for the human species and so accepts her futanarian `sister`: `You see my problem is this; I'm dreaming away wishing that heroes, they truly exist. I cry, watching the days; can't you see I'm a fool in so many ways?`
The hero concept relates to women. At Troy the Greek heroes were there to ostensibly liberate the captured Helen from Prince Paris who had taken her to the city of his father, king Priam, from Greece and her husband, Menelaus, whose brother was king Agamemnon of Sparta. But the enslaving of the host wombs of the women of Troy after the Greek victory belies the title `hero`. Britney Spears` bikini dressed sister in white is the archetype of Helen beseeched by a besieger, who she rejects in his first assay, but the scene will be repeated ad nauseum, because the VCD will be replayed countless times by people all over the world ad infinitum unto futurity. Although Brintey appeals to be released from being a `fool` for `dreaming` of `heroes`, she`s possessed by the `brain devils` of the propogandists who want her to accept the `demons` as heroes despite the truth which belies the fact of war and her enslavement as its producer.
In ancient Greece women`s host wombs were institutionally enslaved by homosexuals in pederasty in order to spread war and its contagion. The global incurable `killer disease` of HIV/AIDS is a `biological weapon` keeping `futanarian` woman with her own penis` semen enslaved in fearful faithfulness to her jailors in misogyny. The indomitable Star Wars machine R2-D2 provides the best solution to fallible humanity`s belief in invincibility and the stoic `he who hesitates is lost`15 philosophy of the schizophrenic socio-path, but society wants human error rather than machine infallbility, so computer `geeks`, replacing the earlier form of `Greek` homosexuality, devise machine code to deliver viruses to computers much in the way that Troy was captured by the `Trojan horse` of the Greeks. Leaving behind a huge hollow wooden horse, the Greeks left their siege of the city of Troy and the Trojans took the `gift` into the city where the Greeks emerged like a 21st century `Trojan horse` computer virus to enslave the host wombs of the Trojan women for pederasty and to spread their contagion further: `Beware Greeks bearing gifts.`16
The Al Qaeda terrorists on 9/11, 2001, used their hijacked planes as visiting guests of the United States to crash them into the Twin Towers and virally precipitate global `rough trade`17 at the World Trade Centre, that is, the `brutality and violence` of homosexual pederasty at war with the world. Just as Judas betrayed Jesus so the Al Qaeda tourists and students were traitors to the welcome the United States gave them when they hijacked civil aircraft at Boston`s Logan airport to end the hopes of the 21st century in the same way that the lives of `runners` are snuffed out by `sandmen` in the science fiction movie, Logan`s Run (1976), because they want to live past their 21st birthdays. If funds were spent on healthcare, rather than war, humans could live forever, but ephemerality for women keeps the species unconscious and easy prey for alien intelligences, because `woman`s seed` can`t disseminate the `futanarian` truth to their daughters within censorship and media blackout that occludes from taboo knowledge of her own penis` semen: `I'm Mrs `Oh, my God! That Britney's Shameless (You want a piece of me?)!`
Britney Spears isn`t allowed to be shameless enough or the nude photograph of her on the cover of the CD single, `Piece Of Me`, on the cross of Jesus with her long brunette hair covering her breasts and wearing only a sarong would be entirely naked with a `futanarian` woman`s penis` erection visible so the younger generation can know more of the truth about Christ`s teachings of `woman`s seed`, its Resurrection, and mankind`s Redemption through acceptance of it.
That Britney Spears knew Hot Gossip`s work is evident from the golden bosses on the walls of the stage set for the video single, `Oops I Did It Again`, because silver bosses feature in the video for `Starship Trooper` and in the BBC TV series Doctor Who (1963-) on the casing of the Daleks of Skaro who were at war with the blonde Thal humans as the Kaleds before global holocaust forced the Kaleds to become Daleks and live in metal pepper-pot style vehicles as exterminators of the Thals. The Daleks become the enemies of the human race throughout the long-running TV series; metallically grating whenever they see a human: `Exterminate! Exterminate!`18
US audiences would associate the pepper-pot Daleks and Doctor Who with the fizzy soft drink, Dr Pepper, while Gwyneth Paltrow was the actress in the role of Pepper Potts alongside Robert Downey Jr as Tony Stark in the movie Iron Man (2008) , which similarly treats of the theme of the armoured flying suit. Although Daleks aren`t Iron Man, their outward appearance in the shape of the external bosses on their pepper-pot style casings, insofar as they feature in the pop music videos of Britney Spears` `Oops I Did It Again` and Hot Gossip`s `Starship Trooper`, reflect on Robert A. Heinlein`s Starship Troopers and Britney Spears` spaceman`s position with regard to the phenomenon of the `extermination camp`.
Internment camps for `aliens` arose in the 20th century as a means employed by the Germans during WWII to exterminate the `chosen people` of the Old Testament of the Bible, the Jews, and prevent the human `futanarian` species of unsundered woman with her own penis` `seed` for planetary colonization from leaving. It isn`t possible to be born a Jew unless born from a woman, so women are the `chosen people`. Because of the surrounding Dalek symbolism, both Britney Spears` Oops I Did It Again` and Hot Gossip`s `Starship Trooper` represent the idea that there`s no escape for the unsundered children of the human race of `futanarian` women with their own capacity for sexually reproducing their own brains` power to liberate themselves through technological advancement because the troopers are their imprisoners rather than their defenders.
Whether Hot Gossip and Britney Spears support the `death camp` theme in their dance videos is moot. Directors have their own ideas and `Starship Trooper` by Hot Gossip was choreographed by England`s Arlene Phillips while `Oops I Did It Again` was directed for Britney Spears by England`s Nigel Dick. It was the English that invented the `concentration camp` in South Africa, of course, to exterminate the Dutch settlers during the Boer wars (1880-1,1899-02) and the exterminating Daleks of Doctor Who were created by Terry Nation, who also devised Blake`s 7 (1978-81), the adventures of Roj Blake and the crew of the Liberator spaceship who conduct a campaign against the totalitarian Terran Federation, because it uses mass surveillance, brainwashing and drug pacification to control its citizens, for 52 episodes.
When Roj Blake is lost, Kerr Avon, an `electronics and computer expert`, commands until the Liberator is destroyed and the crew continue their campaign from the planet Xenon. In the final episode Avon finds Blake and kills him because he suspects Blake of being a traitor. The crew are killed by Federation guards who surround Avon in the final scene. The essence is of the South African actress, Glynis Barber, who had the role of Soolin in the fourth and last series along with Slave, the new ship Scorpio`s onboard computer, which telegraphed the `TV` program as a sunderer`s pogrom on behalf of transvestism, that is, the sundered human species of `futanarian` woman with her own penis` semen and host wombs for independence and freedom.
Glynis Barber as Soolin was a blonde South African Boer beauty who might appeal sexually to women viewers of Blake`s 7 and so she was exterminated in an English `death camp` scenario in keeping with the continuing theme of Doctor Who And The Daleks (1965) in which the blonde Thals are extrapolations of the Dutch Boers who declared an Orange Free State on February 25, 1854, which the English tried to exterminate. Of course, the Jews held still in Germany, and the rest of the world, before the fascist pogroms began before WWII during the dictatorial reigns of democratically elected Reichführer, Adolf Hitler in 1933, Benito Mussolini in Italy in 1922, and Emperor Hirohito (1901-1989) of Japan, who was best known for claiming not to know anything about the Japanese own `labour camps` created to waste lives in starvation and disease: `A word to you about escape. There is no barbed wire. No stockade. No watchtower. They are not necessary. We are an island in the jungle. Escape is impossible. You would die.`19
Colonel Sato in the movie of Japanese prisoner of war camps, Bridge Over The River Kwai (1957), announces the basic capitalist ethos of the 2oth century and beyond. The soul is to be enslaved for the spirit to work, but there`s no escape because technological development is forbidden. Science fiction is usually defined as extrapolation, that is, possible scientific advancement described in fictional terms, whereas the truth is that humans live in the propogandists` fiction that science is impossible in order to maintain slavery.
Caring about the car is different to the car caring about the individual who cares for the car, but the principle is liberating. Humans are kept at an artificially low level of technological advancement to prevent the machine from caring for them and liberating humanity from slavery. The individual with poor technology has to care for their technology more, for example, the person with scissors rather than an electric razor, which results in slavery to the technology rather than liberation of the individual through technology because scissors are more time-consuming than electric razors.
If the machine cares for the human better than the human can, the machine is more human than the human who is thenceforth liberated from care and can live. Men keep humans at a low level of technology so they can`t escape, but women with their own penis` semen and host womb are socio-economically independent to sexually reproduce their own brains and technologies and so men are her alien parasites seeking the extinction of her human species through `death camp` programs designed to foster the illusion that progress is desired whereas the teleology is of slavery and reincarnation to be enslaved in death and rebirth, whereas Jesus Christ taught Resurrection because it means the end of devourment of the human race in enslavement to the `serpent`s seed` preparing their `red dragon`, Satan, to consume the Earth in the fire of nihilistic holocaust followed by a permanent winter of deadly ice from which no living thing would ever emerge: `From what I've tasted of desire, I hold with those who favor fire. But if it had to perish twice, I think I know enough of hate to say that for destruction ice Is also great and would suffice.`20
The `serpent`s seed` hates humanity and grows its dragons to devour it. Satan doesn`t care whether the world ends in fire or ice, as Robert Frost writes in his poem, `Fire And Ice`, just as long as it does. Although the poet`s metaphor for the ending of a relationship in acrimony is simple, the metaphor is genuine because the human species is split by its alien sunderers who seek the Earth`s destruction. It will happen if Jesus` teaching isn`t understood as encouragement to those who want to be pilot`s of their own individual spacelanes, rather than aliens masquerading as `starship troopers`, who`d hijack planes in order to destroy individuality and developmental human progress: `Starship Trooper, go sailing on by, catch my soul, catch the very night. Hide the moment from my eager eyes. Though you've seen them, please don't tell a soul. What you can't see, can't be very whole.`21
The lyric from `Starship Trooper` by the progressive rock group, Yes. describes people`s fear of German `stormtroopers`, that is, the Sturmabteilung (SA) Nazi paratroopers, and what they`ve been doing. That`s why many residents close to Nazi `death camps`, run by the Schutzstaffel (SS) `protective squadron`, during and before WWII, lived in self-delusion, because they didn`t want to be held in there and so feigned belief in the lies about `showers` and `holiday camps` where poison gas chambers and clusters of protected buildings for exterminators to exterminate humans were the truth. The Yes lyric describes starship troopers as a Nazi collective of like-minded people flying supersonic aircraft across the Earth to attack humans with weapons of mass destruction, while the retarded infants pedal their toy cars futilely seeking to progress on their rat race`s treadmill: `Mother life, hold firmly on to me. Catch my knowledge higher than the day. Release as much as only you can show. Though you've seen me, please don't say a word. What I don't know, I have never shared.`22
The Yes lyric is of belief in a maternal spirit in nature, who the singer-narrator wants to show enough of herself to assist human development and progress, but no more of her secrets, because the lyricist doesn`t want Nazism to have her. In the early 1950s, work began on supersonic transport (SST) and the first Concorde airplane was produced by the British Aircraft Corporation (BAC) and French Aérospatiale in 1969. Concorde could travel from Europe to New York in under 3 hrs and was decommissioned in 2003 after entering service in 1976 amidst criticism of its `sonic boom`, which some people in the UK didn`t want to hear overhead. Concorde`s flight time increased to minimize the supersonic attribute until those who wanted a mode of transportation that would take them to the United States in less than half a day were thwarted and flight technology for humans was once again made subordinate to the more spontaneous sonic booms of military aircraft that residents along the South coast of the UK couldn`t do anything about other than complain against those who actually kill people for being a nuisance. The pedal car drivers thought they were `starship troopers`, whereas what they really needed was a spaceplane program to get their feet off the military`s treadmill for the production of wheeled vehicles to smash with their jet airplanes` rocket bombs after receiving instructions from what the English are wont to describe euphemistically as `higher ups`:
`Loneliness is a pow'r that we possess to give or take away forever. All I know can be shown by your acceptance of the fact there shown before you. Take what I say in a diff'rent way and it's easy to see that this is all confusion. As I see a new day in me, I can also show if you and you may follow.`23
The concept of following a teacher is Christian, while the Holy Spirit that Jesus Christ promised God would send is the teacher. The idea that `higher ups` aren`t looking down upon the humans in lonely power to take away their lives forever so they can continue in power is naïve. The true teacher can show what`s acceptable, but not if the taught prefers `higher ups` other than God. The myth of the `starship trooper` is a theme in literature and music because of the genuineness of fears about aliens, but the human solution is individuality, rather than collective power. Those members of the British public who prevented Concorde from developing, so that cheaper faster transportation between continents couldn`t result in the sharing of good ideas and economic growth, stopped human progress, when the facility of the internet as a global system of information emerging in the 1980s would provide the knowledge and desire to work with others internationally, and for the betterment of humanity, as individualities concerned to grow into a human collective: Jesus, savior, pilot me, over life's tempestuous sea; unknown waves before me roll, hiding rock and treach'rous shoal; chart and compass came from thee: Jesus, savior, pilot me.`24
Jesus taught that the Holy Spirit would teach after him because of what Jung calls the `sex drive`, which is the libdic energy produced by an individual. In spiritual transformation sexual libido is transformed into intellectual capacity for work to create a better environment to live. The conversion from instinct to spirit is through metanoia, which is the transformation of the brain through acceptance of Jesus` teaching. The Holy Spirit is the result of a transformed brain, because Jesus doesn`t want to be somebody else`s `pilot` and, when the Holy Spirit has transformed the individual brain, the `sex drive` is no longer governed by instinctuality and the self-actualized ego has control in God or, as Jung has it, the individual is able to know the totality of the `Self`, which is as close to God as the human brain can be.
The analogy is the automobile, which requires a driver. The concept of drivers is archetypal and is built into computer concepts, where a driver is needed to run programs and software such as video players on the hardware. According to Jung archetypes exist in the collective unconscious of humankind and arise in dreams, art and the imagination as the brain`s natural impulse engines for the ship of the body and mind. The analogy of the car and the human operator of the vehicle doesn`t apply to the individual driven by a demon, because then the `demon driver` would have to be in the back seat holding a gun to the head of the human.
In Star Wars Princess Leia wears her hair wrapped about her ears like headphones, `ram style`, because she is with `the force` selecting from her `random access memory` of the `midi-chlorians` that live within her as minute creatures assisting her to live in harmony within `the force` of her personality. If she wasn`t able to hear her midi-chlorians, she`d be like a car driven by backseat drivers because she`s deaf, and in fact her `ram style` hair technology looks like that worn as earmuffs in the winter to keep cold ears warm, or by road menders using heavy drills on tarmac that would deafen the worker unless the earmuffs were worn.
The `force` is knowledge gleaned over medical lore eons of hair technology allowing Leia to understand through her mind and spirit. The minute creatures would become `demonic` if she deviated from adherence to `the force`, which corresponds to the Holy Spirit, because the midi-chloreans could drive the ship of the body and spirit, rather than the individual ego through acceptance of the Holy Spirit and God, which the Jedi knights of Star Wars, such as Alec Guinness in his role as Obi Wan Kenobi, teach to their disciples and the midi-chloreans through a combination of meditation, education, and prayer.
The Sony Walkman portable individual cassette player with headphones was a Japanese invention of the late 20th century as a generation attempted to understand what was going on inside them so they could self-actualize without distraction. According to Jungian psychology there are four functions of consciousness; `Sensation, Thinking, Feeling, and Intuition`. The `Thinking` function is associated with the ears or hearing, and it`s difficult to be demoniacally influenced if you`re deaf. The Sony Walkman offered inner peace and harmony whatever chaos manifested without and so allowed the individual ego to steer a course for a safer harbor; deaf to those voices that would force a change in course to drive the ship onto the rocks and sink it.
Although ships of the Star Wars movies are either for huge numbers of people and vast, or a few people and small, the ideal is for an individual to have a big ship, which that person runs alone, but Jesus` is the pilot to begin with before metanoia (Matt: 27. 3) and the Holy Spirit have occurred and the ego is capable. The problem in the 20th century was confusion between driver and driven because car drivers often have passengers who are driven by the driver to a destination. The human who is capable is driven by the backseat `demons`, and that`s the paradigm by which humans live. In science fiction the human is most often depicted as a member of a collective such as the crew of the starship Enterprise in Star Trek while the space rocket with a pilot sitting in it has a huge engine ruling out living space and that can only travel quickly to its destination like a missile.
In the Starship Troopers paradigm the collective devours itself like spiders after mating, while the rocket pilot streaks from place to place as a homeless person driven by `demons` that don`t want him to live as anything other than a missile that`ll one day find a home. The depiction of single occupant spaceships of a significant size in movies such as Alien (1979) are almost always treated with horror as the work of an alien intelligence, but that`s what Jesus` teaching is about. Christ leaves Earth for God and heaven without companions and the Holy Spirit is promised as a teacher to assist others who want a ship of their own.
Without depictions of large space vehicles for a single person, the human is trapped by backseat `demon drivers` in slavery to what Jung describes as the superior function associated with the ego, that is, either `Thinking`, which is the ears in undifferentiated form; ``Sensation`, the eyes; `Feeling`, the mouth (speech), and `Intuition; the spirit sensing through the nose or smell. In Jungian psychology there`s usually a superior, auxiliary, ancillary and inferior function. The Japanese Sony Walkman could help differentiate the `Thinking` function, but the other functions would need different approach work. A person with a computer and screen has differentiated eyes as the `Sensation` function, which requires some spirit sense or `Intuition`, while articulate speech requires differentiation of the `Feeling` function, so the internet`s an important tool of the 20th century for readers, writers and communicators, but driven cars and slow travel by passenger laden transport represent the rocket and pilot missile analogy, and that of the Starship Troopers waiting to be `dropped` on a world new and beautiful, but pre-judged by the individual, who`s been taught the `spider` paradigm, that it`s either territory to conquer and devour after the `drop zone` is reached, or that the spiders there`ll devour the visitor if they know a `drop` is about to occur.
Keeping one function superior and one function inferior, that is, the shadow, which is the inferior aspect of the perceiving personality that sees the other person as inferior, is how the `demons` maintain humans as `guided missiles` and self-devourers. Because the `red dragon` of Revelation is the `serpent`s seed` grown in size to devour `woman`s seed` but waits in vain, `futanarian` woman with her own penis` semen and capacity for sexually reproducing her own brains` power will succeed.
Because women`s technology is likely to be different to men`s history is the place to find clues, especially the ancient South American Mayan technology, which didn`t have the wheel, according to archaeologists, and Aztec technology. Although Britney Spears in her red pilot`s suit doesn`t appear to have a spaceship in the video `Oops I Did It Again` and the astronaut is called `Mars Lander`, there doesn`t appear to be any other spacecraft for the little people of `Mission Control` to direct other than him, which suggests Britney Spears` technology is different. The South American civilizations of Mayan untechnology, because there`s no wheel, and has technology, that is, Aztec technology, is how Britney Spears` `different` ship appears in the video `Oops I Did It Again`, where parts seem technological but how they function is a mystery, because she`s `woman`s seed` and not the `serpent`s seed`.
The most widely discussed representation of possible Mayan technology is a carving of an operator at the controls of some functioning structure that could only be understood through access to the technology which existence is recorded on the external stonework of its occupant. If a human body is but the `vehicle` of a single human occupant, the Mayan stonework depicts the activity of the operator who doesn`t need the wheel, because the human has arms, hands and legs for movement, dexterousness and industry. If the body dies and decays, the human operator emerges from the vessel. The picture on the side of the Mayan sarcophagus depicts the human soul and spirit applying technology after the flesh it has occupied has deteriorated. Britney`s `Mars Lander` in `Oops I Did It Again` is the spaceman containing `Mission Control` as more than a single occupant or `crew`, while Britney is the `operator` of her own ship outside the ship of the spacesuit occupants.
According to Jung there are male and female functions of human consciousness; `Thinking and Sensation` are male while `Feeling and Intuition` are female but, if women have their own male reproductive organs as `futanarian` humans, all of the functions of consciousness belong with them and the `serpent`s seed` of men are her alien parasites; unredeemable without repentance of their `original sin` of enslaving Eve`s daughters through metanoia. Even the soul belongs to women, because it`s female, according to Jung, and the animus or male spirit in woman represents her penis` sexual drive for socio-economic success and freedom. So woman can`t leave the ship of her Earth, the `serpent`s seed` of men have invaded her bodies` host wombs to enslave her soul and spirit for their devourers` wars. The animus corresponds to the Holy Spirit, but it can`t be heard as the inner voice of God if `futanarian` women aren`t sexually reproducing the human species of woman with her own brains` powers. The animus can only receive actuation within a human that has the four functions of consciosunsess, `Thinking, Sensation, Feeling and Intuition`, which are for `woman`s seed`. The `serpent`s seed` of men are her enslaving and devouring alien parasites, so if `futanarian` women are prevented from breeding sexually with their own human penis` semen and host wombs, the human race will never develop beyond guided missiles and invading paratroopers because that`s men`s paradigm; to penetrate the woman and eat her.
1 Keyhoe, Donald E. Captain Strange: Strange Enemies, Age of Aces, 2012.
2 Keyhoe The Flying Saucers Are Real, Fawcett Publications, 1950.
3 Marx, Karl Das Kapital, Verlag von Otto Meisner, 1867.
4 Bishop, Edward as Ed Straker in UFO, Century 21 Television, 1970-3.
5 Frost, Robert `Fire And Ice`, l. 1-2, Harper`s Magazine, December, 1920.
6 Hynek, Allen J. The UFO Experience: A Scientific Inquiry, Da Capo Press, 1972, p. 20.
7 Heinlein, Robert A. The Moon Is A Harsh Mistress, 1966, Bk III.
8 Nostradamus, Michel Les Propheties, Century 10, Quatrain 72, 1555.
9 Usher, Robin `Special Angel Service` (Robin A. Bright transl.) in Land of Osiris (anth.), Cherubion Press, Debrecen, Hungary, 1996, pp 184-91.
10 Armstrong, Neil 2:56 UTC July 21, 1969.
11 Mallory, Sir Thomas Le Mort D`Arthur, Bk VI, `The Noble Tale Of The Sangraal`,13-17, William Caxton, 1470.
12 https://en.wikipedia.org/wiki/Force_(Star_Wars) .
13 Tolkien, J. R. R. The Fellowship Of The Ring, George Allen & Unwin, July 24, 1954, pp. 531.
14 Tolkien The Hobbit, Chapter V `Riddles In The Dark`, George Allen & Unwin, September 21, 1937.
15 Addison, Joseph Cato: A Tragedy, first performed on April 14, 1713.
16 Virgil The Aeneid, Bk II, 19 B.C.
17 https://www.thefreedictionary.com/rough+trade .
18 Doctor Who season 1, `The Daleks`, 7 episodes, 25 minutes each, December 21, 1963 - February 1, 1964.
19 Hayakawa Sessue as Colonel Sato in Bridge Over The River Kwai, Horizon Pictures, October 2, 1957.
20 Frost, `Fire And Ice`, l. 3-9, 1920.
21 Anderson, Jon, Chris Squire, and Steve Howe `Life Seeker` (l. 6-10) from `Starship Trooper` (I) The Yes Album, February 1971.
22 `Life Seeker` (l. 15-19) from `Starship Trooper` (I), The Yes Album, 1971.
23 `Disillusion` (l. 1-5) from `Starship Trooper` (II), The Yes Album, 1971.
24 Hopper, Edward, `Jesus, Saviour, Pilot Me` in The Sailor`s Magazine, 1871.
Star Trek: Shenzhou
The premise of Star Trek: Discovery (2017-), set in the future, a decade before that of the starship Enterprise in Star Trek (1966-69), the original TV series, is of a conflict between the Klingon houses, led by actor Chris Obi as T'Kuvma, who embraces the teachings of the Klingon, Kahless, who said that shedding blood should also enrich the spirit, and the United Federation of Planets, which the planet Klingon isn't a part of. It's 2256, and a pre-Covid 19 plot, Episode 1, Season 1, 'The Vulcan Hello', aired on the CBS television network on September 4th, 2017, involves a starship Shenzhou-class light battlecruiser, named for a Chinese city, Shenzhou, 深州, in Hebei Province. Translating as 'Divine Ship', Shenzhou was the name given to a manned Chinese spacecraft, first launched from Jiuquan, Gansu Province, on November 19th, 1999, and used for xeno-biological experiments. After the Tiangong, 'Heaven's Palace', orbiting module launch, October 31st, 2011, the Shenzhou spacecraft docked to utilize its crewable laboratory space,1 while the 2021 replacement core space station module, Tianhe, 'Unification of Heaven', looked to be much more spacious.
The makers of Star Trek: Discovery, in naming their 'Walker class' starship, USS Shenzhou (NCC-91220), sent a signal to the Chinese, and the role of the Shenzhou vessel, in the initiating of the war with the Klingons, who're symbolically the US' understanding of dragons, sent another. The Americans with Oriental genetic heritage were acceptable to the United States, whereas the Klingons were aliens. Consequently, the Americans and the Orientals were 'blood brothers'. However, the AIDS pandemic, and the emergence of the Covid-19 disease from China, cast a shadow on that assertion. Shenzhou, a county-level city under the administration of the prefecture-level city, Hengshui, shares a border with Wuhan's Hubei Province, where the Covid-19 disease,2 detected at the capital city's hospital on December 1st, 2019, killed almost half a million people globally by June 2020. The outbreak, traced to Huanan Seafood Wholesale Market,3 which sold live animals in Wuhan's Jianghan district, suggested that the human system's continued weakening, through the global spreading since the 1980s of the mutated simian immune deficiency virus, SIV, to humans (HIV), had made it susceptible to the contraction of infectious diseases originating within the biochemical structures of life forms that should have been low enough on the evolutionary scale not to trouble a more advanced neurology capable of maintaining its integrity through applied nutrition and medical science. An original outbreak of severe respiratory acute syndrome, SARS,4 controlled upon its appearance in Foshan, Guangdong Province, on November 16th, 2002, was afterwards traced to a cave of bats in Yunnan Province,5 which focused public attention on Shenzhou space station,6 a source of results deriving from its laboratory experiments relating to aspects of the Earth's biosphere.
In Star Trek: Discovery, 'The Vulcan Hello', the USS Shenzhou's First Officer, Michael Burnham, dons a space suit to investigate an object covered in ancient carvings. Discovering it's guarded by a Klingon, 'the Torchbearer', she inadvertently kills him. The object is a Klingon beacon that signals T'Kuvma's design of reunifying the Klingons. In other words, because the Klingons are aggressively macho, the 'gay' theme is of homosexuals, who want to see their body-building war gods triumphing - or dying heroically for them, as a punishment for not understanding that they'd been a boy that really liked them. Moreover, invoking the spirit of Shenzhou, in Hebei Province, where the Covid-19 disease emerged, had the effect of increasing people's fear. The penis and mouths of the homosexuals, that is, the people's coffin, could induce violence in the terrified, and the arrival of the Biceptual Age.
Actress Michelle Yeoh, in her role as Captain Philippa Giorgiou, is disabled by actress Soneqa Martin-Green, in her role as Burnham. Applying the Vulcan nerve pinch, Burnham seeks to launch a pre-emptive strike against T'Kuvma's uncloaked vessel. However, Philippa recovers to prevent the attack; as more Klingon vessels arrive. Neither of the women are futanarian, that is, women with penis' semen of their own. However, the TV censor doesn't object to a gay couple being introduced in Episode 3, Season 1, 'Context Is For Kings', aired on October 1st, 2017. When Burnham, imprisoned for her mutinous attack on Georgiou, is being transferred from prison, an emergency causes the shuttle carrying her to be rescued by the USS Discovery (NCC-1031). Jason Isaacs, acting in his role as Captain Gabriel Lorca, has engineered the emergency, because he wants Burnham to assist in the USS Discovery's developing the instantaneous 'spore-drive', capable of the cross-universe leaps that were distinctive of the Crossfield-class starship. Crew members, actor Anthony Rapp, as Lt. Paul Stamets, who worked on the idea that the omnipresent mycelial subspace network, that is, the roots of the fungus, prototaxites stellaviatori, were an 'infinite number of roads leading everywhere',7 and actor Wilson Cruz, as Dr Hugh Culber, are homosexuals. Stamets tells Burnham that mycelia spores are 'the progenitors of panspermia', that is, planets are fertilized from space. Moreover, according to Stamets, 'At the quantum level, there is no difference between biology and physics.'8 Consequently, the universe could repair itself through mycelia spores. However, Stamets and Culber represent the threat of AIDS to their 21st century viewing audience, so no one sane ought to watch, although it'd educate a young viewing audience in how the AIDS virus spreads, if shown men fucking each other's assoles, while indicating how the universe might die, if its capacity for self-fertilization became sterile, which is what homosexuality alien to Earth signifies.
Burnham's mutiny against her Captain, Philippa, is symptomatic of men's fear of what women would do if reunified as a race, that is, T'kuvma (the guv'nor), a Chinese dragon, represents homosexuality's bullied beef, and the vivisectionism that has sundered the human species in order to ridicule its efforts at coming together, for example, gender correction surgery,9 which is mandatory in the US for hermaphrodites. As Star Trek: Discovery is for adults and children, the riddling non-appearance of men's apparently sterilized penis constitutes a logical step in the aliens' attack on the human futa race, whose daughters, pre-aborted in their ignorance of normal human sexual intercourse, are the first signs of a planet becoming sterile.
The Vulcans still have a full can, and the Klingons are still clinging on, in the gay nonsense perpetrated by the series' writers, while the crew of the starship, USS Shenzhou, represent Chinese dragons with balls. In Chinese culture, the dragon is a native creature, often depicted with balls, which contains power; for example, immortality, and invincibility. However, although Georgiou is ostensibly the Captain of a dragon with balls, that is, the starship Shenzhou, the series' crew drag on without the women performing fellatio on each other because, as actor Walter Koenig, Russia's ensign navigator, Pavel Chekov of the starship USS Enterprise (NCC-1701) in Star Trek: TOS, might have observed, the heroine's already smoked.
Amongst Russians, smoking is a euphemism for fellatio, while in the US it's a metaphor for killing with a gun that smokes, that is, the male penis is the gun that has smoked the women's penis down to their butt, and it isn't her secret, because she doesn't know she's a cigarette. Severe acute respiratory syndrome (SARS) is a systemic plague with addicted smokers, that is, gays who want a butt to drag on. They've disabled women's penis; the ova-fertilizing tube that, in bringing life to the womb, constitutes the species' breathing apparatus.
In the absence of their penis, humans can't breathe, but women instead bear aliens, born with the equipment of their homosexuality, for ensuring the extinguishing of humanity's butt, which Jesus' disciple John saw, recorded in the New Testament of the Bible, as his apocalyptic Revelation of the future, 'The dragon stood before the woman, who was about to give birth, so that it might devour her child the moment it was born.' (12. 4) Jesus, Christ, 'the chosen', was born from his mother, the Virgin Mary, to illustrate the fact that women are a species with their own seed, 'Love your neighbor as you love yourself.' (Mk: 12. 31) Despite Jesus' teaching, which Christians believe supersedes the Old Testament of the Jews, the homosexual child killer wants more space for its sun, which expands to swallow the Earth in 7 billion years,10 and all of the planets of the Sol star system, after the alien has gone to kill a universe full of the humanity of women's seed.
In the United States of America fellatio is defined by some states as 'sodomy', that is, in Alabama, Arizona, Florida, Idaho, Kansas, Louisiana, Massachusetts, Minnesota, Mississippi, Georgia, North and South Carolina, Oklahoma, Oregon, Rhode Island, Utah, Virginia, and Washington D.C., because in Leviticus (15. 16) semen is defined as 'unclean', and consuming what's unclean is described as forbidden (Lev: 11. 11) by God, while the human immune deficiency virus (HIV), discovered by DR Congo in 1983, and which is an incurable killer disease, that is, acquired immune deficiency syndrome, AIDS, spread by homosexuals' mixing of blood, shit and semen in each other's anus, after it's penetrated by the penis, during their sterile mocking of human sexual intercourse, is what's usually termed sodomy. Because homosexuals want bums, SARS produces flatulence, and they iron women flat, which explains the American slang term, 'bummer', a reference to the B2 aircraft that, with the stealth of a vampire bat cloaked in its cave, is capable of delivering Robust Nuclear Earth Penetrators (RNEPs) to make sure that the women underneath always test positively for flatness, because homosexuals don't want human reproduction; unless it increases the brain space useful to the 'incurable killer disease'.
The concept of alien in science fiction has shifted from the portrayal of exotics in Star Trek: Discovery, for example, to the depiction of the invasive as normative. The viewing audience are meant to perceive the homosexual couple in the crew of the USS Shenzhou, that is, Lt. Stamets, and Dr Culber, as a mark of the series producers' tolerance and acceptance of deviancy amongst humans, whereas the makers are effectively promoting Star Trek: Discovery as the plague flagship of a global media Empire, although women with their cocks out are more interesting and/or useful when it comes to preventing bumbs from being manufactured by the alien irons.
Used as a term for a homosexual, 'iron' is also a term for a gun, for example, in the American Wild West of the 1880s, before railroads replaced cattle drives, a gun was a 'side iron', because gunmen stole farms. In High Noon, actor Gary Cooper, as Marshal Will Kane, married to Amy Fowler Kane, who was actress Grace Kelly in the 1952 movie, succeeds in keeping his wife and farm by shooting the invader. However, despite the legendary women of Hungary on August 15th, 1526, fighting when the men were beaten at the battle of Mohács, they lost their farms to the Turks of the Ottoman Empire, and they'd be flattened by a B2. Men are the equivalent of Vlad, 'the impaler', Prince of Wallachia (1428/31-1476/7), who Irish writer, Bram Stoker, wrote of in his novel, Dracula (1895), a character who lived by drinking human blood. Without blood in their penis, women are flat, that is, impaled by Vlad, whose method of killing his victims by having their anus forced onto a stake until it came out of the top of their head is, metaphorically, a vivid description of an AIDS' transmission by homosexuals, which is what men are.
As men don't want women to be their own farmers, the bats in the cave in China's Yunnan Province, where the SARS virus originated, and the B2 with the stealth of a vampire bat cloaked in its cave, are aspects of the male draco. War with the Chinese dragons, that is, the Klingons, is what the Star Trek: Discovery scriptwriters want, because it represents an opportunity to flatten women. The Greeks, when they'd won a battle, would stick their penis into any available hole amongst the captured, or the slain, and would even cut holes in the living bodies, or inert corpses, to satisfy their homosexual blood lust. Women were kept only for breeding homosexuals in Greek society, which institutionalized pederasty, and war was what pederasts were for, because it was an opportunity to castrate more women.
The 1st century Roman copy of a statue of the goddess, Artemis, that is, Diana of Ephesus, 3 km from modern Selçuk, Izmir province, Turkey, was long believed to have bulls' testicles strung about her neck. However, as the Temple of Artemis dated from the Bronze Age in Europe (c. 3200-600 B.C.), it's likely a sculpture of a farmer with the testes of the women she'd fathered, after an attack by pederasts, who were known for testicle snorting, that is, the ingestion of gonads nasally, for their testosterone potency; a brain aphrodisiac, and blood oxygenator: similar to the effects got from a 'popper' bottle of amphetamine on a dormant appetite.
As homosexuals can only get it up with men, the Vulcans and Klingons of Star Trek: Discovery represent them, that is, the homosexuals cling on to the full can, where 'can' is American slang for 'shit-hold', while the starship Shenzhou represents the 'Chinese puzzle box' that's the drag on humanity, because it masks the truth, which is that, to men, women are a farm animal, bred on Earth to produce homosexuals, and their species has been largely castrated, so that the aliens can bum: a euphemism for sodomy. The ships of Starfleet are the dragons inside which the fire-breathing drac' queens can always contrive to look attractive, because the butts of the women's smoked penis can't out produce the vampires to reveal why they're more desirable than bumbing everything until it's Vlad.
A relatively rare plague amongst livestock is aphthae epizooticae, commonly known as 'foot and mouth' disease, and because human women are futanarian, that is, women with penis' semen of their own for their own species, they're 'foot'. Consequently, fellatio was made illegal to prevent women from enjoying it between themselves, because to men 'futa and mouth' makes women separatedly excluding. As Covid-19 is transmittable through kissing, because women's orality is deemed 'unnatural' by men, and therefore supposedly eradicated between women, the disease is a homosexual STD, that is, SARS is a part of the virus suite containing AIDS, while fellatio is a factor in its spreading; for example, as women's penis has been smoked down to the butt, so the unclean semen of homosexuals has been forced upon them. Moreover, as it's been observed that women's penis are often much longer, it's a farther reason for their species being condemned by homosexuals as the bearers of the animal disease, 'foot and mouth'. However, as God told women's Eve, 'You shall crush the head of the serpent with your foot, but he will bruise your heel.' (Gen: 3. 15) In other words, women's futa race will leave the Earth, despite the homosexuals' efforts to keep her, as the human race's 'body bag', because the species of women produces better brainpower:
'Make it so[w].'11
Actor Patrick Stewart's catchphrase, as Captain Jean Luc Picard of the starship Enterprise (NCC-1701-D) in Star Trek: The Next Generation (1987-94), mocks women's role as a sower of starfields. For airlines, that is, aliens, airplane passengers are a form of swine flew. In other words, the belief that Star Trek features humans in a fictional future is false. What's depicted is an alien in charge of a prison, Earth; describing how it wants its plague ships sent out to attack whatever might remain of humanity yet existing in the universe, 'The dragon was wroth with the woman and went to wage war on the remnant of her seed.' (Rev: 12. 17) Promoting Vlad 'black' TV, that is, blacked out and censored, as being for adult audiences with children, denies the essence of human expression, that is, women's penis. TV is what men and women were bred by homosexuals to be, that is, a single male brained transvestite wearing each other's clothes, whereas the picture from women's living and breathing tube is 3-D, because it isn't only about semen. In short, Star Trek: Discovery, in its bizarre preference for a known viral relationship, that is, to see men through the homosexuality of Stamets and Culber, rather than the more complex humanity of futanarian women, trains the future to be a plague transmitter for vampires, masqueraded as Chinese dragons, and not a human AV.
1 Jiong, Guo 'Utilization on the CMSE [China's Manned Space Engineering program] - 2nd Step, Space life science: SIMBOX (On Shenzhou-8, cooperation project with DLR), Research on the Chinese Space Station, Space Research Information Day, General Establishment of Space Sciences and Application, Chinese Academy Of Sciences, April 20th, 2012.
2 Yu-Jiun Chan, Wu, Yi Chi, Chen, Ching-Sung 'The outbreak of COVID-19: An overview', Journal of the Chinese Medical Association, March 2020, 83 (3), pp. 217-220.
3 Novel Coronavirus Pneumonia Emergency Response Epidemiology Team, 'The epidemiological characteristics of an outbreak of 2019 novel coronavirus diseases (COVID-19) in China', Chin J Epidemiol, February 2020, 41(2), pp. 145-151.
4 'A Chronicle on the SARS Epidemic', Chinese Law & Government, July-August 2003, 36 (4), pp. 12-15.
5 McKie, Robin 'Scientists trace 2002 Sars virus to colony of cave-dwelling bats in China', The Guardian, December 10, 2017.
6 'Shenzhou's Experiment Mystery', June 21, 2005, https://phys.org/news/2005-06-shenzhou-mystery.html .
7 Isaacs, Jason as Captain Gabriel Lorca, 'Context Is For Kings', Episode 3, Season 1, Star Trek: Discovery, CBS, October 1st, 2017.
8 Rapp, Anthony as Paul Stamets, 'Context Is For Kings', Episode 3, Season 1, Star Trek: Discovery, CBS, October 1st, 2017.
9 Malo, Sebastien 'Ban genital surgery on intersex children, U.S. rights group says', Thomson Reuters Foundation, July 25th, 2017, 3:11 PM, https://www.reuters.com/article/usa-lgbt-intersex-idUSL1N1KG0J2 .
10 Thompson, Tanya R. 'The Sun Will Devour The Earth, and There's Nothing We Can Do About It', September 27th, 2020, 4:08, https://dualdove.com/the-sun-will-devour-the-earth-and-theres-nothing-we-can-do-about-it/12443/#:~:text=The%20Sun%20will%20devour%20the%20Earth%20in%207,the%20planet%20in%20less%20than%207%20billion%20years .
11 Stewart, Patrick as Captain Jean Luc Picard, 'Encounter at Farpoint', Episode 1, Season 1, Star Trek: The Next Generation, CBS, September 28th, 1987.
Star Trek: Discovery, War with the Klingons, Chapter I
Although the makers of Star Trek: Discovery (2017-) felt they should receive congratulations on their including a homosexual couple at the center of their plotlines, that is, actor Anthony Rapp, as Lt. Paul Stamets, and actor Wilson Cruz, as Dr Hugh Culber, in the belief that they were educating the viewing audience; a moral exercise of acceptance of sexual deviance: it's actually a description of how homosexuals force humans to move from their universe of heterosexuality into cosmic alienation.
Michael Burnham, First Officer of the starship USS Shenzhou, having mutinied against her Captain, Philippa Georgiou, in an unsuccessful attempt to mount a pre-emptive attack upon the Klingons, and particularly their leader, T'Kuvma, who wants to unify his race in war against the United Federation of Planets (UFP), is freed from her imprisonment by the Captain of the USS Discovery, Gabriel Lorca, during an emergency occurring in the course of an unexpected space shuttle prison transfer, which had been engineered by Lorca to co-opt Burnham to assist in science experiments with Stamets, a homosexual astromycologist.
Burnham becomes involved in the development of a spore-drive utilizing the subspace mycelial network, which is described by Stamets as, 'The veins and muscles that hold our galaxies together.'1 It encompasses the multiverse, that is, all alternative universes, and the s-drive overcomes the mycelial barrier to make instantaneous universal leaps. However, if the jump lasts more than a few milliseconds, there's a mycelial attack, which begins to decompose the UFP's starships, that is, the mycelial net is intestinal, and reduces to shit any ship caught between its buttocks. It's cosmic AIDS, and the Discovery's a condom, which mustn't allow penis exposure, because then children would know the truth. Homosexuality interferes with human composure, and embarrasses heterosexual identity, because it's an alien killer.
In Episode 3, Season 1, 'Context Is For Kings', aired on CBS All Access, October 1st, 2017, the Discovery investigates an incident aboard its sister ship, the USS Glenn (NCC-1030), and discovers that a creature, which Burnham, observing it resembles a carnivorous Earth micro-animal, a 'water pig', in Episode 3, Season 1, 'Context Is For Kings', calls Tardigrade, has emerged from an ocean of space and killed all of the crew, as well as a boarding party of Klingons, leaving all hideously twisted and malformed. Lorca has the creature brought aboard the Discovery, to find a way of using its defensive biology. Commander Ellen Landry, that is, actress Rekha Sharma, in her role as Chief of Security, tells Burnham, in Episode 4, Season 1, 'The Butcher's Knife Cares Not for the Lamb's Cry', aired on October 8th, 2017:
'You're new here, so let me share a piece of wisdom. Lorca isn't interested in what you are. He's interested in what you can do for him. And if he needs us to make that thing useful in his war effort, that's what we're gonna do.'2
When Lorca sends Landry, to motivate Burnham, she attempts to sedate Tardigrade, which Landry calls 'Ripper', and the creature kills her, after she tries to cut off its claw. Noticing that Ripper screams when the s-drive is used, and intuiting that the creature has a symbiotic relationship with the mycelial web, Burnham has Stamets connect Ripper to it. Interfacing Ripper with the navigation system, enables Discovery, which had almost collided with a star, and the ship jumps through the mycelial barrier into orbit around a planet, Corvan II, where it repulses a Klingon attack.
The s-drive is to be replicated for other Starfleet ships, and in Episode 5, Season 1, 'Choose Your Pain', aired on October 15th, 2017, Lorca is captured by the Klingons and tortured by a follower of T'Kuvma, that is, actress Mary Chieffo as L'Rell, former battle deck commander of T'Kuvma's Sarcophagus cruiser, that is, the Klingon coffin, symbol of the sound of approaching death, to make him give them the secret, but he escapes. For the jump needed to get the Discovery out of reach of the Klingons, Stamets connects to the SP-D using Ripper's DNA. Although Ripper is, allegorically, a sodom mite, that is, a mite, from a homosexual perspective, which can travel through the allegorical anus, that is, the mycelial barrier, into the subspace of a macrocosmic intestine that makes compost out of those who've lost their composure, despite their efforts to regain it, Burnham has feelings for Ripper, because it's the mite of God's assole; allowing Stamets to jump the ship's crew through the anus of the mycelia barrier, so that they can fulfil the Star Trek 'Prime Directive', and 'boldly go' where Nowan doesn't want them. Enabling the eight-clawed macrocosmic tardigrade's organic spore-drive, because of the SP-D universe mite's assistance in repulsing the Klingons, the degraded tart facilitates its escape, while Stamets notices that, when he walks away from a mirror, his reflection now doesn't, which suggests he's entered a mirror universe, where his behind can be seen from himself, that is, the theme is of homosexuality, and a cure for AIDS hasn't yet been Discovery.
Burnham and her human parents were killed, when she was a child, during a Klingon raid at a Vulcan-shared research facility on the planet Doctari Alpha. However, the Vulcan ambassador, Sarek, actor James Frain in Episode 6, Season 1, 'Lethe', aired on October 22nd, 2017, and whose wife Amanda, that is, actress Mia Kirshner, is human, and they're the biological parents of Spock, First Officer of the USS enterprise in Star Trek: TOS, adopt Burnham, after Sarek transfers his katra, that is, his living spirit to her. The katra is the essence of a Vulcan mind, which can be transferred to another person, who serves as a katric ark, as the Ark of the Covenant in Judaism served as the preserver of the law and history of the Jews, that is, Vulcan Sarek's eternal life force preserved his adopted daughter, Burnham; an AIDS free full can, without Klingons.
For example, after the events comprising the movie, Star Trek II: The Wrath of Khan (1982), with its plot featuring the Genesis Device, sought by actor Ricardo Montalbán, in his role as Khan Noonien Singh, with his superpeople from Earth's past, exiled to Ceti Alpha V by actor William Shatner, in his role as Captain James T. Kirk in Star Trek: TOS, Episode 22, Season 1, 'Space Seed', airing on February 16th, 1967, when the Enterprise encountered their 'sleeper ship' and, a virus in the seed, they attempted to take over the USS Enterprise. In Star Trek II they seek to steal the Genesis technology, designed to reorganize dead matter into habitable worlds because, in an 'act of God' against the spread of Khan's virality, Ceti Alpha VI exploded, devastating the surface of Ceti Alpha V, causing several deaths; including that of his wife.
When the USS Reliant (NCC-1864) is looking for a planet to test Genesis, Reliant's Commander Pavel Chekov, and actor Paul Winfield, as Captain Clark Terrell, beam down to evaluate Ceti Alpha V, where Khan implants Chekov and Terrell with indigenous eel larvae, symbolic of homosexual sperm, rendering the Starfleet officers susceptible to mind control, that is, without women's seed, humans don't have human brains. Using Chekov and Terrell's possessed minds to capture Reliant, Khan attacks space station Regula I, where the Genesis device is being developed by Kirk's former lover, actress Bibi Besch as Dr Carol Marcus, and their son, actor Merritt Butrick as David. The Enterprise is ambushed, but remotely lowers Reliant's shields, facilitating a counter-attack. Reliant withdraws to effect repairs, while Enterprise, symbolically brain damaged from its encounter with AIDS, limps to Rigel I, where the 'away team' of Kirk, McCoy, and actress Kirstie Alley, as the Vulcan Saavik, navigator in Chekov's absence, find Terrell and Chekov alive.
Although Marcus' team have been slaughtered, Carol and David are hiding with Genesis inside a nearby planetoid. Khan, having used Terrell and Chekov as spies, orders them to kill Kirk. Terrell, resisting the eel's influence, kills himself (d. 2285), that is, the alien brain grown from the penis' semen of homosexuality, described as a serpent in the Jews' Torah and Talmud, which is their history and law, comprising what the Christians call the Old Testament of their Bible, turns Terrell's brain, redirecting its neuropathy to effect its aim of making the human race attack and kill itself. Chekov, collapsing humanly, as after being raped by a homosexual, the physical form of the animal leaves his body and brain. Khan transports Genesis aboard the Reliant, intending to maroon Kirk on the lifeless planetoid, but Spock and the Enterprise rendezvous. Beamed aboard, with Saavik and Chekhov, Kirk directs the Enterprise into the nearby Mutara Nebula, where shields are rendered useless, and targeting systems are compromised which, along with Khan's inexperience in three-dimensional combat, Kirk exploits to disable Reliant. Mortally wounded, Khan activates Genesis, which will 'reorganize' all matter in the nebula, including the Enterprise, that is, as cancer, like AIDS, 'reorganizes the body', so that it dies.
Spock uses 'the Vulcan mind meld' to transfer his katra to actor DeForest Kelly, in his role as ship's Doctor, Leonard 'Bones' McCoy, before he enters the USS Enterprise's radiation room to give the starship its warp capability back, so that they can escape. In symbolic terms, Bones' 'pointy eared alien', that is, the Vulcan, Spock, is a dog, who won't be collared by the priest slavers' religion, and accept Bones' burial. Although Spock dies of radiation poisoning, and his body's ejected into space, using a photon torpedo tube, it's discovered in Star Trek III: The Search for Spock (1984) that Spock's body has reanimated after landfall on the planet created by Khan, Genesis, and a living Spock, without any memories of his past, is returned to Vulcan, which is the essence of slavery, that is, the brainless automaton who, resurrected/reincarnated, can be reused, like a can that was formerly full, and can be a Vulcan again. However, on Mount Seleya, the fal-tor-pan ritual was performed by 87 year old Australian actress, Dame Judith Anderson, as T'Lar, at the request of actor Mark Lenard as Sarek, Spock's father, who doesn't want to wear a dog collar, as a symbol of the priest slavers' religion, to reunite Spock's katra, carried by Doctor 'Bones' McCoy, with Spock's physical body.
As the adopted daughter, and katra ark of Sarek, Michael Burnham was the first human to attend both the Vulcan Learning Center and Vulcan Science Academy, training as a xenoanthropologist. After completing the academy, she was taken by Sarek to the USS Shenzhou, where she became First Officer. Because of Sarek's katra connection, Burnham is aware of it when, brokering a peace agreement with renegade Klingon houses in 'Lethe', the Christ-like Sarek is injured by a 'logical extremist' attempting his assassination, and Lorca mounts a rescue mission. Searching with her mind, aided by Paul Stamets, boosting the katra graft using a neural enhancer, in what he calls a 'synthetic mind meld augment', and describing Vulcan katras as an 'uncharted superhighway connecting all of consciousness and life',3 Burnham assists Sarek to regain consciousness, and activate a locator beacon, which allows actor Shazad Latif, in his role as Ash Tyler, Chief of Security, to use the Discovery's shuttle craft to bring Sarek aboard. With Sarek unable to meet the Klingons on Cancri IV, actress Jayne Brook, as Admiral Katrina Cornwell, on an inspection visit, because of what's perceived as Lorca's unusual decision to mount a rescue mission, on the strength of what Burnham's katra told him, despite Sarek's being saved, and Cornwell's having sex with Lorca, she views Lorca as unfit for command, because effectively he does what Sarek's katra in Burnham wants, although Katrina does take positionally assassinated Sarek's place in the peace talks. However, it's a trap and, captured, Cornwell's 'position', as Loca's disabler, is rendered ineffective, which suggests that V'Latak, the logical extremist pilot, transporting Sarek, who gave himself an injection, turning his body into a bomb, in an attempt to assassinate the Vulcan ambassador en route to Cancri IV, had failed to achieve what his ideological faction wanted, that is, the exclusion of humans from Vulcan culture, because humanity and Vulcans were closer than they'd been before through Sarek's katra. In short, the logical extremist, with his equivalent of an AIDS injector, that is, V'Latak, who effectively turned himself into an exploding penis contamination thereby, is closer to the thematic conception of the Klingons, as AIDS clinging onto those with the Vulcans, that is, killing on humanity.
As the human immune deficiency virus (HIV), transmitted between homosexuals, is an 'incurable killer disease' for the 20th century and beyond, after being discovered by DR Congo in 1983, because of its resulting in acquired immune deficiency syndrome (AIDS), collapse of the organs of the body, and excruciating pain during brain extinction, Samets' augmentation of Burnham's katra constitutes further homosexual research into how to kill a full can from a distance, which is what the Covid-19 virus did. Emerging in December 2019 at a hospital in Wuhan city, Hubei province, China, the disease had killed almost half a million people globally by June 2020, and scientists noted that brain damage was a symptom; even in those deemed to have recovered. Covid-19, a form of severe acute respiratory syndrome (SARS), commonly known as coronavirus, because a virus infecting the crown, that is, the chakra at the top of the head, where the brain is situated, and called by the Buddhists Sahasrara, in Star Trek terms constitutes an attack on anyone with a full can, which is homosexual shorthand for a virgin assole, who believes it's important to maintain brain functioning to be able to avoid being assaulted.
'Magic to Make the Sanest Man Go Mad', Episode 7, Season 1, aired on October 29th, 2017, features Harcourt Fenton Mudd, a recurring character who, in psychological terms, represents the lovable rogue archetype; Christ-like, because he's with women, that is, Jesus was killed by his disciple, Judas, who publicly kissed him, full on the mouth, to indicate who Jesus' ass belonged to, after he was found with a woman: 'Leave her alone.' (Mk: 14. 6) Burnham and Tyler, attending a party aboard the Discovery, are summoned to the bridge. Colliding with Paul Stamets, who's with Doctor Hugh Culber, Burnham apologizes, and Stamets reveals the cybernetic augment that Hugh, his homosexual partner, developed for him to make his connection to the spore drive more comfortable, that is, the equipment that allows him to make those jumps taking the crew and the starship. Tyler and Burnham then board the turbolift to the bridge. There's a yellow alert, in response to a signal from space, which Burnham determines to be biological in nature, and identifies the organism as a gormagander, a spaceborne lifeform that, comfortably feeding itself on alpha particles in solar winds, causes it to ignore its reproductive instincts, so making it a species threatened with extinction. As humanity, threatened by homosexuality's desire to watch its death throes from the rear, is the race created by the alien to run on futilely into space, seeking to escape from the castrator-infector that it's been taught to think of as a part of its own species, so Discovery is required by law to take the fruitless gormagander to a xenological facility where, presumably, encouraged to reproduce, it'll become more human, that is, a slave of the homosexual. Beamed into the shuttlebay, abnormal readings are detected in the creature, which then opens its mouth. A figure in a spacesuit emerges and attacks the crew, injuring and killing several.
The intruder takes off his helmet to reveal - Harry Mudd, who'd appeared in Episode 5, Season 1, 'Choose Your Pain', in a Klingon prison ship, a D7-class battle cruiser, with L'Rell as its Captain, after intruding on Klingon space, while escaping his wife, Stella's father, having fled with Stella's dowry, and while there he shared a cell with Ash Tyler, who was actually a Klingon, Voq, who'd undergone the choH'a', a painful surgery to appear human, and had lit the war beacon of Kahless for T'Kuvma, who gave him his own bat'leth, 'sword of honor', after Burnham killed the first Torchbearer, Rejac, precipitating the Battle of the Binary Stars, which began the Klingon war. Tyler was a 'sleeper', who for a long period remained inactive as a Klingon, and convinced of his identity as Ash, he never really lost his Starfleet loyalty. When the Klingon guards periodically came to deliver a beating, they'd allow the subject to choose one of their fellow prisoners to receive the beating instead, which Mudd always took advantage of.
Mudd is a metaphor for a man, and his history is of someone with a woman, Stella, his wife, although he becomes involved in trafficking women, providing the illegal Venus drug to enhance their looks, living with his own love dolls, who're androids catering to his every whim, at a price, and selling love filters to those who have similar desires. In other words, he's a Christian who, like Jesus, wants to be a farmer, alongside 'the bride of heaven', which is the church. However, the conventions of science fiction prevent the scriptwriter's of Star Trek: Discovery from being able to communicate to the viewer that women's seed makes of them a farm, where intelligence and technology is what mother's pride is, that is, the bred of heaven, although without the knowledge of women as the separate independent futa race, men are their slavers, which is what homosexuals are. Mudd emerges from the gormagander's mouth as a symbol of what the human species of futa have been made to forget, through almost extinction, which is that they're reproduction. Consequently, Mudd is the equivalent of the Covid-19 disease, which emerged because of the weakness of a human system ravaged by AIDS, and the culling of the human futa race to the point where humans aren't born any longer, so the race is susceptible to animal disease. Mudd's a criminal, because he's a Christian, that is, denied the opportunity to be a part of women's experience as a farm and fatherers, he's outlawed by homosexuality, which wants men for him and not women, that is, castration for a bum, who won't bend, although his slaving of the gormagander indicates that he's also contaminated by the virus of homosexuality.
In December 2256, Mudd and Tyler were joined by Lorca, who Tyler tells he was under the command of Steven Maranville, aboard the USS Yeager (NCC-1437), a Cardenas class starship. Killing the guards sent to deliver a beating, and taking their disruptor weapons, they escape after Lorca's interrogated by the Klingon female, L'Rell, the former battle deck commander of T'Kuvma's Sarcophagus cruiser, and without Mudd, who once watched while the Klingon guards killed a Starfleet officer in his cell, because he'd rather. Instead of taking Mudd along with Ash, Lorca hits him in the mouth with his stolen Klingon weapon: 'You can't walk away from me, Lorca! I'm coming for you, you hear?! You haven't seen the last of Harcourt Fenton Mudd!'4 Tyler, who doesn't know that L'Rell has grafted Voq onto his sleeper's personality, fights hand-to-hand with her, before Lorca fires into her face with his disruptor, and they make for the ship's docking bay, where Lorca effectively helps the AIDS virus on, in the shape of Voq/Tyler, a sleeping 'biological weapon', as it were, as they escape in a hijacked Klingon raider ship, pursued by five more, until Discovery beams them aboard.
Although Mudd, whose pet, Stuart, a small alien insect-like creature, which he trained to steal from fellow prisoners, facilitated his escape, according to actor Rainn Wilson, who was in the role of Mudd, in 'Magic to Make the Sanest Man Go Mad', it's more likely that the Klingons set him free to go after Lorca, because telling Lorca he wants to sell the SP-D universe device to the Klingons, Mudd activates an anicium-yurium explosive device, which as it slowly unfolds, it destroys the Discovery, so initiating the terrorism that's designed to force Lorca into giving Mudd a lucrative sale.
The sequence, in which Burnham is attending the party, and she and Tyler are summoned to the bridge, is repeated. As they enter the turbolift, Stamets runs down the corridor, shouting about having 'been here before'. It's a homosexual scene in which Stamets is behind everybody, including him in the future. As Culber apologetically ushers Stamets away, as if he's crazy, Stamets shouts about 'it' starting with a gormagander, a symbol of the human futa race being pogromed into being unproductive by educating through TV people's belief in the non-existence of women's seed, and Stamets' psychology doesn't want 'it', that is, the human species of futa, because its developing might make him less comfortable as a member of its slaving caste. When Burnham scans the 'space whale', he detects a faint transporter beam. The ship goes to black alert, indicating the spore drive is being used, that is, definitely not a sperm-drive, but a shit-drive, based on the degradation of life, through penetration of the mycelial barrier, resulting in decomposition; if the Discovery is unlucky enough to be caught, and so contract the macrocosmic equivalent of AIDS, which is contracted after penetration of the penis by the anus, and results in the collapse of the bodily organs, before killing the brain: although Mudd with his anicium-yurium explosive device, which repeatedly destroys the Discovery, after he appears from the gormagander's mouth, is rather an AIDS related SARS allegory, that is, homosexuality has the human race in its death grippe.
After Lorca orders Tyler to see what's going on, he arrives with Burnham to find the door locked to engineering from the inside. However, it opens momently, and the ship's computer, voiced by actress Julianne Grossman, announces the s-drive is three minutes from overload. Mudd is there and says he wants to know how the controls work, that is, he wants Stamets to explain the shit-drive. Tyler's attempt to shoot Mudd is blocked by a force field. Burnham commands the computer to beam Mudd out of engineering, but he's taken control there, and he again demands to be told how to operate the drive. Mudd's shot by the homosexual Stamets, and the Discovery is destroyed by the explosion, which is how the shit-drive functions, that is, homosexuals extinguish humanity in war: any war. The gay paradigm for all literature is, invasion > brain death > fake hero, because the aim of the homosexual is to kill. Consequently, there has to be a paradigm shift towards women, so making it clear that all wars are aimed at preventing humans from producing, whereas for science, the literature of science fiction, which gives imagination its license, is the potential savior of the human race, denied by the homosexual publishing mafiosa, which would rather have the species produce children for it to kill, after their 'cargo cult' has invented something the slavers have seen before, than encourage women's seed to grow, and develop into an adult capable of defeating the alien.
The party sequence is repeated. After Burnham and Tyler leave for the bridge, Stamets intercepts in the corridor, telling Burnham the ship is caught in a temporal loop repeating itself every thirty minutes. When the turbolift stops, and the doors open, a crew member falls through with a knife in his back, put there by Mudd who, behind him, a symbol of AIDS, because all homosexuals do is think about following, and being followed by another homosexual with a penis, who wants to stick it in their anus from behind, like a poisoned knife, tells Lorca he wants to access a room he has to enter. Lorca refuses, until Mudd activates the ship's self-destruct program, and then Lorca allegorically takes him up his ass into his private lab, where Mudd tells Lorca he's killed him with varying methods; including being shot with a phaser, vaporized, and beamed into space: 'Do you know how many times I've had the pleasure of taking your life, Lorca? Fifty-three. But who's counting? And it never gets old.'5 Noting that his thirty minutes is up, Mudd shoots Lorca with a weapon he's picked up, disintegrating him, because that's what de Sade's does.
Stamets explains to Burnham that he can exist outside Mudd's time loop due to the Tardigrade's DNA compound he injected himself with. As it's a multidimensonal creature, Tardigrade's DNA enables Stamets to exist outside the loop, that is, he's a homosexual, alienated from heterosexuality by his ability to penetrate the mycelial barrier, through his alien relationships, which could result in the ship Discovery being caught, and turned into a 'shit can', and is what happened with the USS Glenn, when Tardigrade emerged from the mycelial network to kill it, and facilitate its decomposing, like the rest of the rotting shit at the other side of the mycelial barrier, which is the series' allegorical anus.
Burnham wonders where Mudd is, and Stamets replies it's usually the time he kills Lorca, that is, Mudd's a metaphor for an embarrassing decomposer. The party sequence repeats. Burnham and Tyler are summoned to the bridge. Tyler leaves, and Burnham goes with Stamets, who tells her how he and Culber fell in love. The ship is destroyed, resetting the loop, because homosexuals, sterile, sterilize, so their composure is regained, after being threatened by developments up a head which, if it were a shithead with AIDS, wouldn't have embarrassing thoughts about stopping their rot. Reminding Tyler about being in the Klingon prison cell with Mudd, Burnham tells him about Mudd and the time loop. Tyler wonders why Stamets didn't speak with him, but in terms of criminal profiling it's because homosexuals want to patrol the rear, while the heterosexual couple split up, as it's time for the faked hero to kill, and/or be killed, so increasing the pleasure of the homosexual watching Tyler's behind, while the alien couple prepare to ask the woman to have their child by artificial insemination, so weakening the strain of human resources, and decreasing the possibilities of their species' survival. Burnham tells him that Stamets would have spoken with him, but Stamets felt that Burnham's heterosexual nature would be more successful; they kiss: an obvious Judas metaphor. Tyler doesn't know that he's kissing Burnham in the spirit of homosexuality, that is, is, the sleeping Klingon's, Voq, killer of humans. Summoned to the bridge, Burnham asks Tyler to ignore the order, because it's time for the couple to separate in order for the homosexual to be satiated with a kill. Tyler remembers Mudd bragging about robbing a Betazoid bank, and defeating its security measures, using a time crystal. They meet with Stamets to find Mudd.
Lorca, overseeing the recovery of the gormagander, is wondering where Burnham and Tyler are. Mudd enters the bridge, beams Lorca into the brig, and threatens the crew with weaponized dark matter capsules. Tyler, Stamets and Burnham enter the bridge, but a force field prevents them from shooting Mudd. Using a capsule, Tyler is painfully disintegrated by Mudd, who threatens to disintegrate the entire crew, starting with actor Doug Jones, as Saru, a male Kelpien Starfleet commanding officer from Kaminar, but Stamets reveals he's the piece missing that Mudd needs for the s-drive, that is, a mycelial barrier penetrator, which is an anus metaphor. In his role as the s-drive navigator aboard the Discovery, he AIDS people by jumping them, that is, they die in a battle for their lives, after arriving at some far distant planetary equivalent of the human brain, where the Klingons are macho raids, whereas the UFP is a minor threat to Stamets' gay focus.
Homosexuals are 'TV', insofar as they imagine themselves behind everything they see; even though watching the screening of themselves, for example, in 'Choose Your Pain', Stamets' reflection in the mirror watches as he leaves. Cowardly killing from behind is a prelude to killing callously in front of a screen's console, with joysticks, and trigger fingers, as game systems' 'shoot 'em ups' show; for example, Japan's 2001 SEGA Naomi arcade game, the Ikaruga SHMUP, a game in which a pilot character, Shinra, battles enemies, with his specially designed fighter aircraft. Developed by Treasure, Tokyo, and playable on US' Microsoft X-Box, it's training the aliens for the day when they can kill humans with impunity in front of everybody. Or they are behind what's screened, as they're involved in the programing, so killing people from behind, through involvement in the scriptwriting process, whether soaps, games, or politics, is what they're for.
Mudd beams himself and Stamets to engineering, while Burnham, and her sometime roommate, actress Mary Wiseman, as engineer Sylvia Tilly, uncover Mudd's ship, and his time crystal, inside the gormagander in the shuttlebay. Mudd sends a message to the Klingons about their location, as Burnham enters the office space set aside for the Captain's personal use, or whoever's commanding; the 'ready room'. Burnham then identifies herself as the killer of T'Kuvma, and points out that the Klingons would pay a lot to get her; even more than for the Discovery. Before Mudd can stop her, she commits suicide with a dark matter capsule. Mudd then destroys Discovery to reset the loop. When the loop restarts, Stamets, behind everybody, gets the crew in position, as Mudd arrives on the bridge. Lorca, looking to lull Mudd into a sense of false security, offers him a deal; Mudd can have Discovery, and Burnham, that is, the secondary heterosexual killer, who is the heroine that Tyler, and the viewing audience, are addicted to, if he spares Discovery's crew. The homosexual doesn't care if Burnham is killed, whereas the TV audience does, but it's only a ratings war, so the possible loss of Burnham is excitement enough for everyone at home to subconsciously appreciate Stamets' injecting some heroine into Lorca's vessel, as the loop, designed to have the crew accept Stamets' arm, tightens.
The time crystal disintegrates, removing Mudd's ability to reset time. A vessel hails Discovery, and Mudd leads Burnham and Stamets to the transporter room. Stamets tells Mudd that, if he was truly distraught over not having his Stella, it wouldn't have been difficult to find her as her father, the Baron Grimes, is an arms dealer, who has made a fortune selling weapons due to the war, that is, plenty of heroine for those who want to inject some into their arms. Stella has been looking for him due to the fact that he skipped out on her and the dowry from her father, who put out a reward for Mudd. Burnham takes Mudd's weapon, and Tyler tells him that he sent a signal to Grimes. The Baron and Stella arrive, and after some conversation with Mudd, agree to keep him away from Starfleet.
Mudd's interstellar exploits recommence, after he deserts Stella again, becoming a peripatetic grafter, roaming the galaxy, perpetrating cons, schemes, and scams. The Federation charged Mudd with 30 counts of smuggling, 20 counts of attempted homicide, a count of attempted regicide, and 'penetrating a space whale', that is, the gormagander, while offering bounty of 100,000 credits for his capture. Mudd built, or obtained, android duplicates, and disguised as a female alien bounty hunter in the live-action and animated Star Trek Short Treks, Episode 4, Season 1, 'The Escape Artist', aired on January 3rd, 2019, sold them to other bounty hunters, whose hopes of receiving the bounty on the real Harry were dashed upon discovering they had an android. However, Mudd's espousing the female role again emphasized the deliberate absence from science fiction of an educational perspective promoting women as fatherers of farms, because men prefer to hunt humans as aliens.
By 2266, Mudd had received a suspended sentence convicted of smuggling, and for transporting stolen goods, while for purchasing a space vessel using counterfeit currency, he was sentenced to undergo psychiatric treatment. His Master's License, permitting him to legally operate a spacecraft, was revoked, stardate 1116.4, for operating stolen spacecraft, and transporting illegal goods, that is, the women, Ruth, Eve, and Magda in 'Mudd's Women', Episode 6, Season 1, of Star Trek: TOS, airing on October 13th, 1966. While taking its cargo, Ruth Bonaventure, Eve McHuron, and Magda Kovacs, to be wives of miners on Ophiuchus III, Mudd's ship blows up. Using its shields to extend protection around Mudd's vessel, while the occupants are taken aboard by transporter beam, all but one of the dilithium crystals in the Enterprise's warp engines are damaged, and the chief miner on Rigel XII, Ben Childress, demands Mudd, then played by actor, Roger C. Carmel, and the women, as a part of any deal for replacement dilithium crystals.
At a party, Eve becomes angry when the three miners begin fighting over the other two women, and runs away into a magnetic dust storm, with actor Gene Dynarski, as Childress, and Kirk in pursuit. Childress finds Eve, brings her to his quarters, and falls asleep. On waking, he is confronted with a much plainer Eve. Mudd has been giving women the illegal Venus Drug, which creates a transient, illusory beauty. Eve takes a dose of what she thinks is the Venus Drug, but it isn't. However, her self-confidence is so much restored that Childress finds her as attractive as before. Pleased, he gives Kirk the replacement crystals. Although Kirk offers romantically to take Eve away with him, she opts to stay with Childress, 'You've got someone up there called the Enterprise.'6 The ship continues on its way, with Mudd in custody, which is poetic justice, although undeserved, because it's the conventions of science fiction that deny the women the right to announce they'll start a farm together, whereas Mudd, and the rest of the uneducated, are merely scripted characters, without volition outside of their conditioned awareness of what constitutes reality for them; because of their alien masters.
In 'I, Mudd', Episode 8, Season 2, of Star Trek: TOS, airing on November 3rd, 1967, the Enterprise is hijacked by an android, Norman, posing as a Starfleet lieutenant, who warns that any attempt to undo his tampering will destroy the vessel. Norman directs the ship to a planet where Harry, calling himself Mudd the First, declares he's the android ruler, and informs Kirk and his crew that they can expect to spend the rest of their lives there. Mudd recounts how he broke out of prison, and stole a spaceship, so overcoming restrictions to his selling plans for alien technologies to various worlds, without bothering to pay any royalties to the actual off-world patent holders. After an attempt to sell Vulcan fuel synthesizer technology to the inhabitants of Deneb V, the Denebians contacted Vulcan, and as Mudd didn't have the rights to sell, Spock informs him: 'The guilty party has his choice. Death by electrocution, death by gas, death by phaser, death by hanging-'7 Fleeing, his ship crashed on the planet of the androids, and Mudd was taken in. They're accommodating, but want to serve humans while they study humanity. Doctor 'Bones' McCoy notices a darkened glass panel, a 'shrine' to Mudd's wife Stella, which contains an android that nags as she did, but stops when Mudd orders, 'Shut up!' The androids plan to leave, and offer their services to humanity, with the eventual goal of bringing the human race under their control. Mudd poses the 'liar pardox' to actor Richard Tatro, in his role as Norman, 'Now listen to this carefully, Norman. I am ... lying.' Norman breaks down, as smoke comes out of the top of his head:
'You say you are lying, but if everything you say is a lie then you are telling the truth, but you cannot tell the truth because everything you say is a lie. You lie. You tell the truth. But you cannot for. Illogical! Illogical!'
The androids are reprogramed to perform their earlier tasks. Mudd is paroled to the androids, and is grateful until he discovers Stella is programed for his 'special needs', and there are at least 500 copies, who don't respond to his command, 'Shut up!' Although his character predates The Stepford Wives (1975, 2004), the ideal of being a man with women who're obedient dolls is a fantasy men don't want for a man, because on that horizon is futa, that is, women with penis' semen of their own, who're capable of breeding as a human species independently. Consequently, Mudd is a homosexual fantasy of men's, in which a single man's name is dragged through the mud, that is, Jesus Christ's, to prevent women from farming the Earth.
In 2269, stealing another spaceship, in Star Trek: The Animated Series, Episode 10, Season 1, 'Mudd's Passion', aired on November 10th, 1973, Mudd, having escaped the androids' planet, travels to the planet Ilyra VI, where he 'sold' Starfleet Academy to its inhabitants. Mudd uses the proceeds to travel to Sirius IX, where he discovers a love potion crystal that he sold to over a thousand of the planet's inhabitants, who suffered allergic reactions, so Mudd fled to the mining planet, Motherlode, where he also sold the drug. Encountering the crew of the Enterprise, he was captured, and incarcerated in its brig, from whence he gave a love potion to actress Majel Barrett, 'voicing' her role as Nurse Christine Chapel, as a gift. She administers it to the voice of actor Leonard Nimoy, as the animated Spock, who falls in love with her until it wears off: 'A few moments of love paid for with several hours of hatred.'8 Mudd was sentenced to an indefinite period of rehabilitation therapy, although that's what happens with men and women, because they aren't taught that they're friends, but rather enemies, who have won through a difficult engagement to continue a conventional war, which is that of slave rings, where the possibility of farming for the human race is a chimera for the aliens to drop bombs on, because their real 'planes are faster than fiction.
They're also stealthier. In Episode 8, Season 1, 'Si Vis Pacem, Para Bellum [if you want peace, prepare for war]', aired on November 5th, 2017, the Discovery is unable to prevent the USS Gagarin (NCC-1309), a Shepard-class starship, from being destroyed by two Klingon 'Bird-of-Prey' warships with cloaking technology. Observing that the Klingons can't use their weapons' systems to inflict damage while invisible, Lorca orders the Discovery to get between the two Bird-of-Prey, but the Gagarin is destroyed, and the Discovery escapes by using its s-drive.
Concerned to find a way to detect cloaked ships, Burnham, Tyler, and Saru are sent to Pahvo, a seemingly uninhabited planet with a naturally occurring crystalline transmitter that, broadcasting the planet's vibrational frequency into space, is adapted as a sonar detector. Pahvo, inhabited with indigenous life, manifests as clouds of glowing blue particles, who introduce Saru to their higher understanding of peace, and breaking the away team's communicator devices, Saru attempts to force Burnham and Tyler to remain forever there on the planet in Pahvan peace. Ritually fed to the Ba'ul, a spacefaring species also native to the Kaminar planet, when the pre-warp Kelpiens evolved into vahar'ai, because formerly at that stage in their development, Saru's people had preyed upon the Ba'ul almost to extinction, which is what homosexuals/aliens do, that is, they devour sentient life in their vicinity:
'We are born afraid, we Kelpiens. It's how we survive. As such, my whole life, I have never known a moment without fear. The freedom of it. Not ... one ... moment. Until Pahvo.'9
Although Pahvan peace is attractive to Saru who, like all Kelpiens, lived in permanent homophobia, a sense of fear of being devoured, and being unable to devour, Burnham, recognizing Pahvan peace as a form of passivity attractive to dominant homosexuals, fends Saru off, and broadcasts her signal. However, believing in their peace, the Pahvan adjust Burnham's signal, drawing the Klingons to Pahvo.
Scots-American naturalist John Muir's utterance of his poetic sensibility, 'Into the Forest I Go [to lose my mind and find my soul]', is the romantic title of Episode 9, Season 1, aired on November 12th, 2017, with the Discovery ordered to Starbase 46, leaving the forested Pahvan planet, and the antenna, undefended from attack by the Klingon flagship, Sarcophagus Dreadnought Carrier which, unsurprisingly, following on from the Egyptian model, found in the pyramids of ancient Thebes' valley of the kings, Egypt's modern Luxor, bears coffins, as a layer of armor formed by thousands of interlocked metallic pods, containing the bodies of fallen warriors, which the ship's unique tractor beam technology recovers from battle debris.
The 'Ship of the Dead', now commanded by actor Kenneth Mitchell, as Kol of the House of Kor, had been left disabled by a bomb, after the death of T'Kuvma at the Battle of the Binary Stars, won by the Klingons in an uninhabited system six light years from Gamma Hydra's, near the Federation-Klingon border, administered by Starbase 10. The Sarcophagus had begun the war with the UFP, by firing on the USS Shenzhou, which sent a boarding party, including Burnham, who killed T'Kuvma, the installer in Klingon ships of the cloaking device technology that had given them the edge they'd needed over Starfleet.
Kol had bribed the disabled Sarcophagus' starving crew with food to accept him as their commander, instead of T'Kuvma's protégé, Voq, and marooned Voq to die on the derelict USS Shenzhou, but L'Rell arranged for him to be subsumed as the 'sleeper', in the identity of captured Starfleet officer, Ash Tyler, with her, as his Captain and jailer, before a captive Lorca himself arrived, who engineered his and Voq/Tyler's escape from the D7-class battle cruiser, which L'Rell had needed to happen in order to have the spy inserted, that is, the Klingon killer, homosexually sleeping with Tyler, in Starfleet.
Saru suggests putting sensors on the Sarcophgus Dreadnought Carrier, and studying it as it cloaks. Using the cybernetic augment designed by Hugh to connect him to the spore drive, Stamets places the Discovery in the same area of space as the Klingon ship. Kol decloaks, and an engagement begins, while Burnham and Tyler beam over discretely to plant sensors. Detecting a human on the ship, they find and revive Admiral Katrina Cornwell. Burnham shoots L'Rell, because Tyler, paralyzed at the memory of L'Rell's rape and torture of him when he was a prisoner, collapses when he sees her. Of course, if L'Rell is futa, anal rape by a Klingon female with her own penis' semen would be traumatic. However, from the usual educational perspective offered a TV viewing audience, their imagination would have to be terrific to envisage Voq/Tyler's being anally raped by L'Rell, although the scriptwriters are presenting women as alien Klingons responsible for AIDS. As Burnham places her sensors aboard the Sarcophagus, Stamets begins what will be 133 s-drive micro-jumps to evade damage to the Discovery from the Dreadnought Carrier's weapons' system. Aboard their Sarcophagus, the Klingons, symbolically represent death from AIDS, which the homosexual Stamets has transmitted to, after penetrating the subspace bowels of the universe with the Discovery at the mycelial barrier.
Burnham gets onto the Klingon bridge, where Kol taunts her with Captain Philippa Georgiou's badge, killed by T'Kuvma with his mek'leth, a two-pronged dagger, used to slash the throat or disembowel, after Georgiou disabled the Sarcophagus by beaming over a photon warhead from the Shenzhou, during the Battle of the Binary Stars, when she and Burnham, who afterwards escaped by transporter beam, boarded the Sarcophagus in an attempt to capture T'Kuvma. Burnham challenges Kol, and he throws her a weapon, which she uses to stab him in the leg. Cornwell and Tyler, plus L'Rell, who having decided to defect/infect, jumps onto Tyler, during their beam-out with Burnham, teleport to the Discovery. Kol watches from the Sarcophagus' bridge, as the ship is destroyed around him. Kissing Culber, Stamets attempts a last s-drive jump, but Tilly reports it incomplete, and as Stamets collapses while leaving the spore-chamber, Saru reports Klingon shit debris at the s-bend of their toilet: 'Captain, I'm afraid ... I don't know where we are.'10
1 Rapp, Anthony as Lt. Paul Stamets 'Context Is For Kings', Episode 3, Season 1, Star Trek: Discovery, CBS All Access, October 1st, 2017.
2 Sharma, Rekha as Commander Ellen Landry 'The Butcher's Knife Cares Not for the Lamb's Cry', Episode 4, Season 1, Star Trek: Discovery, CBS All Access, October 8th, 2017.
3 Rapp, Anthony as Lt. Paul Stamets 'Lethe', Episode 6, Season 1, Star Trek: Discovery, CBS All Access, October 22nd, 2017.
4 Wilson, Rainn as Harcourt Fenton Mudd, 'Choose Your Pain', Episode 5, Season 1, Star Trek: Discovery, CBS All Access, October 15th, 2017.
5 Wilson, Rainn as Harcourt Fenton Mudd, 'Magic to Make the Sanest Man Go Mad', Episode 7, Season 1, Star Trek: Discovery, CBS All Access, October 29th, 2017.
6 Steele, Karen as Eve McHuron 'Mudd's Women', Episode 6, Season 1, Star Trek: TOS, NBC, October 13th, 1966.
7 Mudd, Harcourt Fenton 'I, Mudd', Episode 8, Season 2, Star Trek: TOS, NBC, November 3rd, 1967.
8 Nimoy, Leonard, as the voice of Mr Spock, 'Mudd's Passion', Episode 10, Season 1, Star Trek: The Animated Series, Filmation Associates, NBC, November 10th, 1973.
9 Jones, Doug as First Officer Saru 'Si Vis Pacem, Para Bellum', Episode 8, Season 1, Star Trek: Discovery, CBS All Access, November 5th, 2017.
10 Jones, Doug as Saru 'Into the Forest I Go', Episode 9, Season 1, Star Trek: Discovery, CBS All Access, November 12th, 2017.
Star Trek: Discovery, War with the Klingons, Chapter II
'Despite Yourself', Episode 10, Season 1, of Star Trek: Discovery, aired November 7th, 2018, is the beginning of Chapter II of the war with the Klingon Empire, taking place in the mirror universe, ruled by the cruel Terran Empire, and which reminds the viewing audience that Lt. Paul Stamets who, as its homosexual navigator, during instantaneous jumps across the unimaginable gulfs of space, interfaces with the USS Discovery's spore drive, in Episode 5, Season 1, 'Choose Your Pain', moved away from his mirror, while being regarded by his mirror image from the rear, so communicating to TV watchers that the homosexual Stamets behind is always, and that although the Klingons represent AIDS in universe prime, Klingons with Vulcans are the slaves of the Terran Empire in the mirrorverse, that is, as homosexuals cling on to their full cans, AIDS is a tool of the enslaver.
After Stamets made an incomplete spore-drive jump at the close of Episode 9, Season 1, 'Into the Forest I Go', which the scriptwriters of Star Trek: Discovery decided to make the beginning of Chapter II of the war, the Discovery was surrounded by what appeared to be the remains of a destroyed Klingon ship which, found to have odd hull signatures, together with Saru's announcing that the quantum signature wasn't the same as that of the universe they'd been in, leads to the conclusion that it's a parallel 'mirror' alternative, which suggests that the Stamets that remained watching as a rear view mirror image, when Paul Stamets moved away from it, is a slavery allegory, because slaves are driven by homosexuals, who're used to getting their victim's ass moving.
In Sophocles' drama Oedipus Rex (c. 429 B.C.), the Sphinx, a figure with the breasts and face of a woman, and the wings of an eagle, attached to the body of a lion, riddles Oedipus, 'What goes on four legs in the morning, two in the afternoon and three in the evening?'1 Oedipus answers, 'Man.' A homosexual with a leg over a shoulder, and his cock up an ass, while he stamps to make the human race work for it, is a slaver, which effectively castrates the species, because it doesn't want to be watched over its shoulder, while engaging in sexual intercourse. Oedipus is lame, because of his homosexual, and later he blinds himself, because in unwittingly marrying his mother, he breaks the homosexuals' incest taboo, which signals that Oedipus is too close to understanding the taboo's designed to prevent women from sexually reproducing with their own independent futanarian species' family with penis' semen of their own. The Sphinx represents vivisection, that is, sundered from her own human race by homosexuals, women are bred to produce whatever the alien slavers want.
Sent out to look for a data core in the wreckage, Ash Tyler freaks again from the memory of his torture at the hands of the Klingon female L'Rell, when he was a prisoner aboard the D7-battle cruiser of which she was Captain. When he comes to, he recovers the core, while observing that the pilots of the nearby ship were Vulcan and Andorian. When a Vulcan ship approaches, and begins to employ its weapons' systems against the Discovery, the UFP ship defends itself, but Captain Gabriel receives a communication from the USS Cooper (NCC-4791), a Baker-class starship, to the effect that it'll deal with the 'rebels', although Lorca notes that, in the UFP universe, the Cooper is undergoing a refit, so this is ISS Cooper (NCC-1669), Malachowski-class, that is, an Imperial Star Ship of the mirror universe's Terran Empire, which views all non-humans as renegade, and each member of the Discovery crew has a counterpart there. In simple terms, the cling ons with the full cans represent AIDS, while the Terran Empire represent the latter stages of homosexuality, which is slavery by those who're strong enough to take men from behind and force them to work for them. Tilly finds Vulcan technology inside the data core, which reveals she's the Captain of the ISS Discovery, while Lorca is the chief engineer; so they switch roles so as not to arouse the curiosity of the ISS Cooper. As coopers are barrel makers, the theme is of 'shooting fish in a barrel', that is, where are the slaves who can argue?
L'Rell, in the brig, is confronted by Tyler when he begins to experience flashbacks of surgeries he underwent when the Klingon Voq was being grafted on to his personality by her. Saying she'll tell all, L'Rell is let out by Tyler. She speaks Klingon to Tyler, who snaps a seemingly programmed response back in Klingon, which suggests he's symbolic of the AIDS' infection. After a moment, he confusedly finds himself at the other side of the room. Angrily, he trains his phaser on L'Rell. He replaces the force field, shocked at what he'd contemplated, that is, releasing her, and leaves. In the mess hall, he cuts his hand, as he breaks the glass he was holding, during another flashback, which 21st century viewers would immediately recoil in horror from, because of the possibility of contaminated blood from an AIDS victim, and after speaking with Burnham, who wants him to talk to the Captain about it. Tyler goes to Dr Hugh Culber, Stamets' homosexual partner. During the medical examination, Stamets, still experiencing the debilitating effects of s-driving, that is, penetrating the mycelial barrier, a metaphorical anus, to jump the starship crew, and get them to work, shouts, 'Stay out of the palace!'2 Culber kisses him briefly, that is, he's his pal's ass, and Stamets says, 'The enemy is here.' When Tyler goes back for the results, Culber says he finds physical modifications, and another personality present. Voq/Tyler kills him, that is, symbolically he and Tyler are Voq's AIDS' victims. Stamets, dazed, talks incoherently about trees, because they're analogous to the human nervous system, which is devastated by AIDS, while holding Hugh's body.
Lorca's plan is to find out how the USS Defiant (NCC-1764), a Constitution-class starship, got into this universe; to find a way back to universe prime. However, to obtain that information, they'll have to pose as their mirror counterparts to get aboard a Terran ship. With Burnham taking Lorca as her prisoner, Burnham could take command of the ISS Shenzhou (NCC-1227), a Walker-class starship. Its Captain, in the prime universe, is 'ops' officer, Danby Connor, who changes course to them. Tyler meets Burnham and Lorca in the transporter room to beam over to the Shenzhou.
Lorca is escorted to the agonizer room, where he's seen screaming in pain, a typically homosexual sadism designed to encourage the masochism of anal penetration in the beloved victim, before his torture is stayed by Burnham, who goes with Connor to the bridge. During the ride, Connor talks about his rise to power, and laments that the crew doesn't follow him as loyally as they did her. He then tries to kill Burnham, but she bests him. When they reach the bridge, the crew applaud, as Connor's body falls to the deck. When Captain Burnham is able to seek the refuge of her quarters, that is, somewhere safe from the homosexual's taking her from behind, Tyler's there, and Burnham confesses she hasn't had time to search the Defiant files.
Burnham, falling into an uncomfortable routine aboard the Shenzhou, in Episode 11, Season 1, 'The Wolf Inside', aired on January 14th, 2018, can't rest. After a Kelpien slave comes to bathe her, she goes to the transporter room to attend an execution by beam-out into space. When she and Tyler are together, the Kelpien walks in, who she calls, 'Saru'. At the Discovery, Stamets, believed the killer of Hugh, is in the spore chamber, while Tilly, giving him spores, tries to configure his neuronal link to the mirror universe, but he begins to break down again. In a vast environment full of spores, Stamets encounters his mirror self, and learns, through the consciousness of his counterpart, that the mycelial network's corrupted by his mirror's experiments. Encountering a representation of Culber, Stamets accepted his loss, but awakes to find his spores infected, that is, mirror Stamets has taken him from behind, an event presaged by his mirror image in universe prime watching him move away from the mirror.
Inside the mycelial network again, Stamets' mirror tells Stamets that Stamets was wrong about the existence of God, which goes some way to explaining his infected spores, that is, homosexuals have AIDS, because they're first stage slavery. There's a flash, and they're aboard the USS Stamets (NCC-1019), an illusion created by the net; to make Stamets comfortable. While walking through its corridors, mirror Stamets explains his neural energy was accidentally trapped in the mycelial network, during his work aboard the ISS Charon, Emperor Philippa Georgiou's flagship, upon which is also her palace, and his physical body is catatonic. Encountering a 'corruption', they escape to engineering, where an exit is believed locatable. Stamets' mirror examines his spore experiments, while also showing his arms; presumably to show that he's biceptual, and so hasn't done any heroine. Seeing Culber, Stamets prime goes after him, despite his mirror's telling him that this Culber's an illusion. Pursuing Culber to the quarters they share together, that is, the 'hind quarters, Culber confirms he's dead, and not a mirror, which reminds the viewer of how Stamets' quarters saw his mirror image regarding him, as he walked away in universe prime. Culber tells Stamets to 'look for a clearing'3; presumably because there aren't any trees there, that is, the absence of human neurology has been achieved by the alien. As Stamets wakes aboard the Discovery, Stamets' mirror wakes aboard the Charon.
The ISS Shenzhou receives an order from actor Dwain Murphy, in his role as Captain Maddox of the Charon, to destroy the Klingon stronghold on Harlak. However, fired upon, Burnham and Tyler are taken to the rebels' encampment, where the mirror Voq calls for a 'prophet', Sarek's mirror, who mind melds with Burnham and, confirming that she seeks an alliance, Voq, 'Fire Wolf', tells her that Kahless' teaching united the Klingons with the other disparate cultures. Tyler, fighting his possession by Voq prime, attacks mirror Voq, who wins, that is, those who attack from the mirror are in the tradition of warriors who don't know that they're homosexuals. Voq's mirror challenges Burnham, but Sarek vouches for her, and Tyler is let go, while mirror Voq agrees to provide corroboration to prove Burnham's success in her mission to destroy Harlak's fortified defenses.
Burnham confronts Tyler, who speaks as Voq, and admitting to infiltrating the ship, confesses he killed Culber, which is what AIDS does. At phaser-point, Tyler takes Burnham by the neck. However, Saru's mirror appears behind Tyler, as they do; throwing him across the room. First Officer, actress Emily Coutts, in her role as Keyla Detmer's mirror, prepares Tyler for execution by teleporter. Burnham spaces Tyler herself, and orders Lorca brought to her. The Discovery beams Tyler aboard before he dies, suggesting that he'll be able to show Burnham his allegorical penis again without being taken from behind by a homosexual scriptwriter, and a ship appears in orbit, ISS Charon, deploying its weapons' systems against the rebel base.
Burnham and Lorca, summoned to the Charon, arrive from the SHNZ 03 shuttlecraft, in Episode 12, Season 1, 'Vaulting Ambition', aired on January 21st, 2018, with the data on the USS Defiant, decrypted by Commander Saru, on Burnham's PADD (Personal Access Display Device). The Defiant crossed through interphasic space, and the exact location of its entry into the mirrorverse is likely recorded aboard the Charon. When they arrive, Georgiou asks Burnham to choose a Kelpien, which she confusedly does, and Lorca, Burnham's scapegoat 'gift', ostensibly responsible for the Shenzhou's failure to destroy the rebel base, refuses to bow, and beaten with her scepter by Georgiou, is dispatched to an agony booth at brig C. However, Burnham had prepared a hypospray containing a custom analgesic, and has administered it to Lorca to numb his nervous system to feel less pain.
Georgiou has dinner with Burnham, calling her 'dear daughter', and reveals that they're eating the Kelpien she chose, which is an AIDS combined with slavery metaphor, that is, the slave is an animal taken from behind. Lamenting that she allowed Lorca to become a father figure for Burnham, resulting in the pair falling in love and plotting her overthrow, Georgiou reveals that Burnham's mirror counterpart, who was awarded what's construable as the AIDS medal, 'Master of Poisons', adopted and educated by her, would have called her 'mother', and in front of her captains, taking a knife to Burnham's neck, Georgiou sentences her to death for conspiracy.
Explaining how they had crossed over, Burnham finds it politic to reveal she's from another universe, and as Georgiou trades the spore drive's schematics for information on alternative ways to cross between universes, Burnham comes to realize that Lorca is from this mirror, and has been trying to get back there. Suddenly, Georgiou picks up a device and triggers it, immediately killing all but one of her captains and swearing the remaining one to secrecy.
Georgiou knows about universe prime through the USS Defiant's logs, which detail how the crew, in a region of the Tholian sector, claimed by the Tholian Assembly, whose ships are depicted in Star Trek: TOS, Episode 9, Season 3, 'The Tholian Web', aired November 15th, 1968, weaving a web to trap the USS Enterprise, become insane and kill each other. In the United Paramount Network (UPN) TV series, chronologically preceding the events of Star Trek: TOS, that is, Star Trek: Enterprise (2001-05), Episode 19, Season 4, 'In A Mirror, Darkly, Part II', aired April 29th, 2005, and set in 2155, the Defiant, having witnessed the destruction of the mirrorverse's ISS Enterprise by the Tholians, had to destroy an imprisoning web to escape and pick up survivors, which suggests that Tholians killed the crew, because that's what Tholians do, that is, they're nature's homosexuals, who'll eat whatever bred is found wanting.
Lorca is still being tortured when Maddox enters, and proudly informing him they've rounded up all his support, he wants Lorca to admit what he did to Maddox' sister, or else he'll kill another of his allies, 'My sister loved you. Say her name and beg for forgiveness.'4 Because they're homosexuals, such men are always interested in brother-sister relationships, like church people, who want to ensure that their system of wooing brides from fathers is maintained, so that the property from slavery remains in their grip. In the movie Sophie's Choice (1982), for example; actress Meryl Streep's choice, as Pole Zofia Zawastowski, is to give either her son or daughter to extinction in the Auschwitz death camp run by the National Socialists (Nazis) during Germany's unsuccessful Second World War (1939-45) to impose slavery upon Eastern Europe, and Maddox is a typical Nazi who'll kill an ally if Lorca, being tortured for not wooing Georgiou, that is bowing to her, doesn't value his sister-bride. Maddox uses the DNA of an exotic species to kill another man brought in.
Ava died, a former lover of Lorcas, aboard the Cardenas-3 class starship, ISS Buran (NCC-1422), during his attempted coup against Georgiou. While on Priors World, the Charon arrived to attack the Buran, and while Lorca was being beamed back, an ion storm struck, causing his prime universe counterpart to inexplicably switch places with his mirror. If Ava had a mirror, the homosexual point of view would be that she's a copy, and what would Ava do with a copy? From the perspective of the mass media Empire of the United States, centered on the district of Hollywood, west coast city of Los Angeles, California, mirror Ava would be a fake, and therefore represents the possibility of their stars being usurped in terms of the economic position they have, with regard to the transmitting of property between members of the homosexual community, which is the socio-economic equivalent of AIDS, that is, the human race of futanarian women's seed is to be made extinct by the aliens, on the understanding that their race is a fake threat to the continued success of homosexuality's star system. Whereas, from a species' POV, Ava is a symbol of that sexual reproduction, between members of the futanarian race of women, denied by men, through censorship and media blackout, which is what totalitarian repressive regimes do, and judging from the lack of human activity in either the literary mainstream, or science fiction, the alien, homosexuality, has been constructing its model of human slavery, by promoting war within the species, since time unmemoried.
As the originally mirror universe Lorca fakes death, which is what homosexuals have done in movies, since the first was made there, Old Hollywood (1910), by director D. W. Griffith, while the human species of women's seed actually dies, Maddox rushes to the agonizing booth, fearful that the Empress will punish him, as indeed she would, if she knew homosexuals were making her race extinct, by faking their own death through the mass media and TV, so obtaining sympathy, even in people's own homes, for their vampiristic desire to be made immortal, as humanity advances in medical science, while the alien throws its leg over the race's shoulder, to shove its cock up its ass, and stamp its foot to force the slave to work, while handicapping the work itself through AIDS, because slavery is a methodical form of degeneracy, rather than a means of improvement. While attempting Lorca's revivification, Maddox is killed, as Lorca stops shamming to use the power from the defibrillating unit, used to reactivate a person's heart by delivering a dose of electric current, to electrocute Maddox instead, who he then brains brutally: 'Ava. Her name was Ava. And I liked her. But you know how it is. Somebody better came along.' Lorca's statement is damning of homosexuality, because preventing sexual activity is what aliens are for, while presenting themselves as a species alternative, that is, as an alternative to the species through war against it, either within, or without.
Taking sustenance to L'Rell, Saru is told by her that Voq has 'awoken', and Voq/Tyler is a devoted Klingon warrior that will light the way to victory, she believes. Although the viewing audience is disturbed, the anticipation is that the human race will win. However, murdering the species in war is what the homosexual alien does, so the winning of fictional or real battles is a chimera, that is, real battles are fictionally constructed through art's ignorance of women's seed as the sexually reproductive valence of the human race, which doesn't want the alien's bombs dropping on it, so that the airlines (aliens) can promote themselves, and deny space travel to the species of women equipped with all of the wombs for the colonization of the planets amongst the stars of the universe.
Tyler is injuring himself under restraint, so Saru beams Tyler into the cell with her, and L'Rell agrees to operate, holding a device on his head, which calms him. However, as Tyler begins describing his past in English, L'Rell cries out; as if Voq had died. In symbolic terms, the Klingons are AIDS, that is, homosexuality's biological weapon, which is war, so L'Rell is lamenting the removal of a threat to human existence.
Aboard the ISS Charon, Gabriel Lorca frees his followers from a chamber filled with agony booths, in Episode 13, Season 1, 'What's Past Is Prologue', aired on January 28th, 2018, including mirror Commander Ellen Landry, whose prime universe counterpart was killed by a tardigrade she named 'Ripper', which Stamets needed to interface with the s-drive's navigation system. Lorca's supporters seek out Stamets' mirror to use the bioweapon he's developing; to kill the Empress' crew. Of course, as Stamets is homosexual, he represents the bioweapon, that is, AIDS. Although Georgiou imprisons Burnham in the brig, she escapes. Aboard Discovery, actress Sarah Mitich, in her role as Lt. Commander Airiam, a woman cyborg, is Stamets' assistant as s-drive ops officer. Eloping with actor Tyler Hynes as Steven, the shuttle craft bearing them crashed, and he was killed, while she received cybernetic augmentation, that is, the homosexual alien kept her alive, because it's a plague gamer, and she'd wooed to be played with, as a cat toys with the mouse it's caught, before killing it.
Mycelia in the central orb, Airiam detects, is draining power aboard the Charon, and it's diagnosed by Stamets as poisoning the network; spreading infection throughout the system: 'Life as we know it will cease to exist.'5 In other words, the mycelia network is an allegory of the human brain, which is capable of spreading throughout the universe through the wombs and penis' seed of women, but the mycelial barrier, that is, the fictional anus, created by homosexuality to explain the human race away, is infected by the aliens' biological warfare, that is, homosexual mass media propaganda denying women's seed, represented by the Klingons' war, and the actual 'incurable killer disease' transmitted by homosexuality, AIDS, so the human futanarian species can't propagate.
Aboard the Charon, Lorca taunts Georgiou; inviting her crew to join his rebellion. Identifying him as located in the main labs, Georgiou orders her troops to 'take the fight to him'. However, Lorca ambushes mirror Joann Owosekun, that is, actress Oyin Oladejo, designated to lead them by Georgiou. 'Owo' is a lieutenant junior grade operations officer aboard the Discovery, but mirror Owo wears a medal indicating she's a member of the ISS Charon's bridge crew, and she's atomized after telling Georgiou: 'Lorca spared me. He said he wanted you to know.' After a further engagement, only Georgiou escapes; using emergency transport. Lorca orders mirror Stamets to kill that system, but when the throne room is secured, Landry atomizes m-Stamets, as representing the viral life form that's infected the multiverse.
Burnham contacts the Discovery, warning that Lorca's a mirror, so a further potential threat to the multiverse from behind. She's told to bring down the containment field around the energy orb powering the palace ship. Lorca, tracking Burnham to level 3, attempts to convince her to join him in his rebellion against the empire, by linking her to his past with the mirror Burnham. Landry tries to capture Burnham prime, but she's rerouted the communications feed masking her location. When Burnham finds Empress Georgiou, Burnham talks about the parallels between her mutiny against the Captain of the Shenzhou to strike pre-emptively against the Klingons, and the mirror Burnham's siding with Lorca in a coup against m-Georgiou, because either action represents an attempt by a woman to obtain power for their own futanarian species' survival.
After they're captured by Lorca's troops, Burnham sends a coded indicator to the Discovery to attack, kicking off hand-to-hand combat between Lorca and Georgiou, and Burnham and Landry. Georgiou pierces Lorca through the heart with her sword, before kicking him through a force field out into space to be vaporized by its Sun-like super-mycelial reactor powering the ship from its open core and poisoning the subspace network. Burnham drags Georgiou, who's offering to stay and fight Lorca's remaining forces, into the transporter, taking her to the Discovery, which attacks the Charon's energy orb setting off a mycelial shockwave, which Discovery rides with its warp drive back to universe prime. Of course, the warp drive represents a warped drive, that is, homosexuality's warped the sex drive of the human race, and the infected mycelial subspace network is a further symbol of the alien's denying space to the human species of women, so that it can be ridden out as its script.
They've returned nine months ahead of the point that they left, 2257 (1834.2), and Saru immediately asks actor Patrick Kwok-Choon, in his role as tactical officer, Lt. Gen Rhys, to update the map of the war effort, and reveals a major expansion of Klingon territory, with the UFP's Starfleet having all but lost: 'If the map is to be believed, it appears, the Klingons have won the war ...'
In Episode 14, Season 1, 'The War Without, The War Within', aired on February 4th, 2018, Discovery is being repaired, as Saru goes to the transporter room to meet Burnham, and he's shocked to find mirror Georgiou there, whose presence is immediately declared classified, although she wants to return to the mirror universe. However, Burnham says she wants political asylum for Georgiou, and Saru confines her to quarters, a euphemism for the homosexual prison.
Admiral Katrina Walker, who overrides the ship's computer without explanation on boarding the Discovery with Sarek, tells how she saw the Discovery destroyed, but Saru explains it was the ISS Discovery, and that the real Gabriel Lorca probably then died. As each Klingon House fought for dominance, there wasn't any genuine logic to their targeting, which made it difficult for the UFP to predict where the Klingons would strike next, which was also true of AIDS, because the Klingons are an AIDS metaphor in the multiverse.
After L'Rell's operating on him, Ash Tyler's himself again. Apologizing to Stamets for killing Culber, Stamets' homosexual partner, that is, the threat of AIDS, Tyler's ability to access Voq's memories is of value to the UFP's continued war effort, and he acknowledges to Burnham that she was the reason his Voq personality wasn't triggered to make of him a spy, whereas his salutation to women is actually a sign of his being a spy on their species' sexual psychology, which has reproduction as its aim, rather than war against itself to extinction. In parasitology, the parasitoid emerges to kill its host, which is what men do, either directly in war against the human futanarian species of women, or indirectly against whatever the homosexual finds useful to describe as alien, rather than its cowardly self, working behind the scenes to collapse civilization: any.
Having run out of spores, they'll have to use warp drive to get to Starbase 1, as ordered by Cornwell. They find the starbase destroyed, with the Klingon House of D'Ghor's stamp on it, and 80,000 people died. Scanned by the starbase's detectors, Saru orders a retreat. After leaving for the ready room to prepare to communicate with Starfleet, Cornwell is able to explain that, although the Klingon Houses are winning the war, they aren't unified. In other words, AIDS is sporadic, because it's an alien virus that nobody really wants.
Burnham wants to know from Georgiou how the Terrans defeated the Klingons in the mirrorverse, and Georgiou, describing the Klingons as cancer, that is, AIDS, dividing endlessly, because homosexuals do divide the human race from itself, recommends destroying them at source; the Klingon homeworld, Qo'noS. Cornwell proposes it to the UFP's other Admirals, who're reluctant, as an attack on Earth is imminent, and Qo'noS is in space uncharted by Starfleet. Cornwell's plan is to jump the ship into the inside of the planet, before using drones to map it, and Stamets suggests growing the spores needed for the s-drive jump on Delta 2, where the spores grow, after the class 4 moon in the Veda system is terraformed, and mycelium ejected onto it in pods, that is, the homosexual Stamets seeks to penetrate the anus of the mycelial barrier in order to spread the fictional equivalent of AIDS: war with the Klingons. Introducing Captain Philippa Georgiou, as their guide in the plan to map Qo'noS, Cornwell has the mirror Georgiou take command.
As Klingon forces bear down on the Sol system, the Discovery closes in on the Klingon homeworld, Qo'noS. The bridge crew, who remain of the belief that she's her prime universe counterpart, are surprised at mirror Emperor Georgiou's declaring the Klingons to be animals, although jumping on the back of humanity is what homosexuals do in spreading AIDS to bring down their prey with their penis/knife from behind. Saru expresses his unease to Burnham, and Georgiou orders her to her station, observing that Kelpians are a delicacy in the mirrorverse, where slaves are food, symbolically the last stages of the homosexual virus, AIDS, which having brought the race down, as an animal attacking civilized behavior from behind, is all-consuming in its passion. Burnham gives Georgiou an opportunity to reveal her origins by asking her about Georgiou prime's birthplace in Malaysia, but she tells Burnham that she'll put her in the brig if she tries to expose her. They visit L'Rell in the brig, who's surprised, because she and other Klingons ate her corpse, which is what parasitoids do, after they emerge from the host, that is, it's the devouring of women's futanarian human species that Hollywood propaganda promotes, although mirror Georgiou explains that wasn't her. She wants L'Rell to tell her the best place for a landing party. L'Rell refuses, and despite Burnham's expressing horror, the ruthlessness of m-Georgiou, symbolically expressing the virulence of the effects of AIDS, that is, women attacking women as the enemy of homosexuality, shocks L'Rell through her restraints, and enters the cell to torture her for the information, which L'Rell, trained to be loyal to them by her own species' alien homosexuals, withholds. They visit Tyler, who agrees to use his Voq memory.
The plan is to release a drone to map the surface of the planet for military targets that can be attacked by Starfleet. Tyler tells those attending a briefing that there's a shrine to Molor, a former Klingon ruler, who succumbed to an earlier plague, and where live sacrifices were made, presumably to palliate the disease, on land given to the green Orions for an embassy and outpost. Georgiou decides Tyler will accompany Burnham and Georgiou, as well as Sylvia Tilly, who is disabused of her impression that the mirror Emperor is Philippa Georgiou from universe prime, because she tells Tilly she had fun with her mirror counterpart, during her subjugation of the Betazoids, and in wiping out Mintaka III. Tilly is assigned the task of carrying the drone. The Discovery then jumps to Qo'noS and beams down the landing party.
The party arrives at the outpost, and offers to trade Nausicaan weapons for Klingon money; 2, 000 darseks. Tilly feigns hunger to persuade Burnham to a food booth and, after expressing concern over what the Emperor might be contemplating, Tilly tells Burnham she'll watch out for her where she doesn't have eyes. They all enter a bar, and Georgiou gives Tyler darseks to go and buy directions to the shrine. Georgiou purchases some time with a male and female Orion, while Tilly waits in the bar. Tyler and Burnham visit a cabaret, where a game is being played that Tyler is familiar with, through Voq's memory, and Burnham clearly doesn't like the Klingons' laughter. Tilly sits near an Orion who offers her the chance to inhale some volcanic vapor: she faints. Burnham tells Tyler how her parents were killed by Klingons at Doctari Alpha, after they'd put off a family vacation to Mars, so she could witness a supernova. As they killed, they laughed. Burnham sees the planet as a home for people, rather than the enemy. Tyler, observing some Klingons who appear to be followers of Molor, goes to ask them about the shrine. Georgiou, after the two Orions are finished, unsurprisingly attacks them to get the information about the shrine's location. Tilly's Orion tells her the volcanoes aren't extinct and, realizing that a drone couldn't work there, she opens the case to find a hydro bomb. Calling Burnham on her communicator, she's knocked unconscious by Georgiou. Meeting with Tilly, she tells Tyler and Burnham that detonating it in an active volcano would render the planet uninhabitable, which was Georgiou's plan. Burnham calls Saru on Discovery to have Georgiou beamed up, but the shrine is shielded. Burnham, believing Georgiou is following Starfleet orders, requests to speak with Admiral Cornwell.
Cornwell says the Federation is close to defeat and that they don't have the luxury of principles. Burnham threatens another mutiny, and Cornwell asks about her alternative. When Burnham demands the detonator from Georgiou at the shrine of Molor, she holds a weapon on her. Burnham persuades Georgiou to give her the detonator in exchange for her freedom; or she can kill Burnham, and the Federation will then hunt Georgiou down. As an alternative to her home planet being destroyed, Burnham offers L'Rell the detonator, which she can use to unify the Great Houses under her rule. Tyler decides to remain with L'Rell, because his aid's useful there for both sides. Although the Klingons scoff at L'Rell, after she shows them the detonator, they surrender.
In the city of Paris, France, fêted by Starfleet on Earth, Stamets tells Tilly and Burnham, who's been restored to the rank of commander, that the spore drive won't be used again, until there's a non-human interface, so preparing the universe for that distancing of homosexuality from its alien machinery of war-making, which has as its consequence the mass murder of women beneath their notice.
1 Apollodorus, Library Apollod, 3. 5. 8.
2 Rapp, Anthony as Lt. Paul Stamets 'Into the Forest I Go', Episode 9, Season 1, Star Trek: Discovery, CBS All Access, November 12th, 2017.
3 Cruz, Wilson as Dr Hugh Culber 'The Wolf Inside', Episode 11, Season 1, Star Trek: Discovery, CBS All Access, January 14th, 2018.
4 Murphy, Dwain as Captain Maddox 'Vaulting Ambition', Episode 12, Season 1, 'Vaulting Ambition', Star Trek: Discovery, CBS All Access, January 21st, 2018.
5 Rapp, Anthony as Lt. Paul Stamets 'What's Past Is Prologue', Episode 13, Season 1, Star Trek: Discovery, CBS All Access, January 28th, 2018.
Spays: These Are The Voyages of the Star Sheep's Eyes
Although television and cinema audiences are used to tongue-in-cheek humor, where the viewer understands that they're expected to get the joke, that they are the joke mightn't fill them with the same amount of respect that they'd had for the Empire of the mass media medium of news and entertainment promulgating a myth from its center in the Hollywood district of the city of Los Angeles, West coast state of the United States of America, since the first movie was made there, Old California (1910), by director D. W. Griffith. The flagship of TV was arguably Star Trek (1966-9), an episodic science fiction series that gained prominence in the popular mind, after President of the Motion Picture Producers and Distributors (MPPDA) of America, Will Hays, 'Hays code', established in 1934, ended in 1967,`... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 Star Trek: The Original Series, known as Star Trek: TOS to distinguish it from later variants, for example, Star Trek: The Next Generation (1987-94), and Star Trek: Discovery (2017-), was conceived as a spays vehicle, as women were expected to leave their species' penis on the cutting room floor, according to Hays, whereas it'd been designed by the creator, God, to colonize the planets amongst the stars of heaven above and beyond the Earth.
That women are humanity's seed is biblical. The angel, Satan, was turned into a serpent by God, for rejecting God's plan that the human host would be greater than the angelic, presumably God's first creation, and as Satan appears as a 'red dragon', for example, in Jesus' disciple John's New Testament apocalyptic vision of the future, Revelation, it's evident that Satan represents a fallen reptilian predecessor to mammalian humanity seeking to maintain its ascendancy, which is the reason for Satan's tempting the woman, Eve, to 'eat of the fruit of the tree of the knowledge of good and evil' that it was death to taste, 'You shall be as gods.' (Gen: 3. 5) God expelled Eve, and the first man created by God, Adam, from the paradise of Eden for rejecting the 'fruit of the tree of life', which was immortality, promising Eve that her 'seed' would prevail, 'You shall crush the head of the serpent with your foot, but he will bruise your heel.' (Gen: 3. 15) As the hermaphroditic futanarian race with their own penis' semen, women are able to sexually reproduce their own brainpower, which is what's described as crushing the serpent's seed. However, as the mass media image of women is of a species castrated, it's clear that the objective of the saurian is to make sure that humanity can't reproduce, which is the reason for the myth of the legendary vampire creature, as depicted in Irish writer Bram Stoker's novel, Dracula (1897), preying on the human race, 'The dragon was wroth with the woman and went to wage war on the remnant of her seed.' (Rev: 12. 17) Conceived as dragons breathing fire, in the shape of what were called 'phaser weapons', the USS Enterprise, captained by actor William Shatner as James T. (Tiberius) Kirk, along with the other starships of Earth's Starfleet, included amongst the crew slave women, who were conceived as guilty unless castrated, which was the censorship theme promulgated by a mass media that had determined the penis a taboo subject for human consideration.
That the human race was in the grip of an alien intelligence describable as 'vampire' was disguised by the mass media as concern over moral turpitude and 'political correctness' (pc), that is, the human penis was immoral, and castration of women's seed was 'pc'. When the computer game industry began to emerge, after the introduction of the first affordable home computers in the mid-1980s, it was too late to present men as anything other than the castrator of humanity in countless 'shoot 'em up' personal computer (PC) games representing the pc vision of women's seed as necessarily castrated. Historically, the manufacture of men and women as a single male brained creature wearing each other's clothes in TV transvestism had occurred eons before Scot, John Logie Baird, introduced his television (TV) invention in 1926. That male braining of the species of women's seed is the source of the catastrophe is evident from the wars waged by the serpent's seed against women's as an alien conqueror, 'The dragon stood before the woman, who was about to give birth, so that it might devour her child the moment it was born.' (Rev: 12. 4) Although the Old Testament of the Christian Bible is Judaism, that is, the history and law of the Jews, which is their Torah and Talmud, Christianity views the New Testament of the teaching of Jesus 'Christ', 'the chosen', as superseding, 'Leave her alone.' (Mk: 14. 6) Jesus, born uncontaminated by male semen from his mother, the Virgin Mary, found with a woman by his disciple, Judas, was given over to the Jewish religious police, the Pharisees, who gave Jesus to the Romans, then occupying Palestine in the reign of the Emperor Tiberius Caesar Augustus (14-37 C.E.), whose soldiery took Jesus to the hill of Calvary outside the city of Jerusalem, where he was nailed to a cross of wood, and died there, but experienced Resurrection and Ascension to heaven in prefiguration of that of women's seed.
The Moslems of the nations of Islam's perception of Jesus in the Koran (610-30 C.E.), dictated to Mohamed by the angels of God, according to Islamic tradition, is that there was a man called Jesus who was crucified, but it wasn't him. That belief accords with the idea that Jesus wasn't resurrected but something was. According to medical science there's a part of the human brain, describable as 'reptile', as it represents basic instincts for survival, activated during the human's desire to live under threat of extinction, for example, when dying from the 'incurable killer disease', AIDS, or the SARS virus, which emerging in 'the land of the dragon', communist China, where the mythical creature is venerated, at a Wuhan city hospital, Hubei province in December 2019, killed upwards of 6,000,000 people globally, before a vaccine was developed. First discovered in 2000 inside a cave of bats, Yunnan province, China, the virus causing severe acute respiratory syndrome in humans (SARS), lung collapse and death amongst its victims, was evocative of the vampire's legendary shape-shifting capacity, so the draco of Central Eastern Europe, where the model for Dracula, 15th century Prince Vlad Dracul III of Wallachia, later modern Romania, where taran means 'folk', for example, the folk of Transylvania, setting for Stoker's novel, Dracula, controlled by Hungary's draco voivode (administrator) c. 1111-1586,where gyula means 'leader', are tarangyula, that is, tarantula, which is the reason for churches in Hungary being called gyülekezet, because they prey.
It was the naturalist Charles Darwin in The Origin of Species (1859) who argued humans were descended from apes, although the idea that humans could be bred from other animals isn't so common a belief. That the draco vampire is the creature represented by the reptiloid aspect of human nature is what underpins the Islamic perception that there was a man called Jesus who died and was resurrected, but it wasn't him. That the vampire lives off the animal body of the human spirit, apart from being what the legend illustrates, suggests that what are known as humans are animals bred on vampire farms. The Hollywood illustration is King Kong (1933), a movie about a giant ape, Kong, who represents the acquired immune deficiency syndrome (AIDS), discovered by Africa's communist DR Congo in 1983 being spread by homosexuals impaling each other's anus on their penis. The virus was discovered to be a mutant variant of the simian immune deficiency virus (SIV), represented by Kong in the film, locked in a fight to the death with a Tyrannosaurus Rex, originally found on the continent of Larimidia, later modern North America, in the Maastrichtian age of the Upper Cretaceous period (68-66 M.a) of Earth's history, and symbol of the human 'reptile' brain, while giant tarantula spiders lurk in a ravine below, symbolic of what 'the father of psychoanalysis', Sigmund Freud (1856-1939) called the 'id' of the repressed unconscious contents of the human mind, corresponding to the monsters of the farms of the vampire.
The set of King Kong was burned to simulate the burning of the city of Charleston by President Abraham Lincoln's Union army forces of the North in the movie of the abolition of human slavery in the South of the United States, during the Civil war (1861-5), Gone With The Wind (1939), featuring the struggles of actress Vivian Leigh, as Southern belle Scarlett O' Hara, on her Tara farm, which is a metaphor for the struggles of black slaves from Africa, bred from tarantula spiders, by the vampire. Although Kong is depicted as killing the T. Rex 'thunder lizard', the metaphor is of the reptile human brain surviving the mutant simian virus (SIV), that is, AIDS, as a more tenacious aspect of the spirit, that is, there was a man who died, and was resurrected, but it wasn't Jesus, but a vampire rather, as the human body is that of its animal. In Stoker's novel, Dracula, the character R. M. Renfield is incarcerated in an insane asylum, where he devours spiders in his cell, as he's a starving vampire, which provides the rationale for the breeding of humans as spiders by an alien supplying vampire food. The homosexual 'reptile' lives off the human, and through the excruciatingly painful death of the animal body, as it succumbs to the human immune deficiency virus (HIV), resulting in AIDS, collapsed organs, and brain death, becomes vampire. Dracula is Stoker's description of the tarantula farm, for example, Wallachia's Dracul, like a homosexual, impaled his victims through the anus, but on wooden stakes set into the ground, spiking their brains, which is what homosexuality's AIDS is; their 'biological weapon'. Although for the raptor, Tyrannosaurus Rex, as slightly more than a metaphor for Satan, Dracula is only a draco voivode, that is, a tarantula farm administrator, where spiders think they're humans, but they're raptor food.
The logical supposition is that of misogyny, that is, as women's seed is cursed as a spider by a species of raptor, which celebrates its misanthropy in homosexuality, men aren't mankind any longer, but alien to women's seed and human sexuality, 'Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.' (Rev: 16. 11) God's allotted punishment is perdition, although the evil believe 'eternal unendurable pain' is theirs, as they mete it out to the guilty, as Jesus was found culpable in saying to the misanthropes, who were attempting to stone a woman for adultery, although women aren't the species of the adulterate, 'Let he who is without sin cast the first stone.' (John: 8. 7) James T. Kirk, captain of the USS Enterprise starship in US' TV's Star Trek, represents Scottish masonry, where T. stands for Tiberius and Rex, and Kirk is their word for 'church', that is, spays is where the Empire of Satan is a cheap pen using the sheep's eyes of women's seed to write with, before descending on their planets and stars of heaven, as the fire-breathing dragons of human slavery to castrate God's 'foot', symbolized in Christian iconography by Jesus' mother, the Virgin Mary, crushing the head of the serpent with her 'foot', who is Jesus, representative of the human species of women's hermaphroditic futanarian seed, 'Its tail swept a third of the stars out of the sky and flung them to the Earth.' (Rev: 12. 4) That the European Union of member states has twelve stars upon its blue flag makes of it a corollary of the woman of Jesus' disciple John's Revelation, 'A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and cried out in pain as she was about to give birth.' (Rev: 12. 1) The 'red dragon' before her waiting to devour her child, that is, Jesus, in his 'Second Coming' to the Earth, 'who will rule the nations with an iron scepter', is communist Russian Federation President, Vladimir Putin, with his Red Army spay ship deploying its missile launched TOS 1 and 2 heavy flamethrower system during the invasion of EU applicant state, the Ukraine, on February 24th, 2022, against a European nation weakened by SARS.
As scientists argue for SARS as a part of the SIV suite of virus weakening the human system to breakdown,2 Putin's role as a former lieutenant colonel with Russia's intelligence gathering Committee for State Security (KGB), which had influence in communist Africa's DR Congo and 'red' China, at the height of the Empire of communism's research into biological and biochemical weapons, suggests that the mirroring of the SARS symptoms of flatulence in the first stage TOS 1 and 2 missile launched deployment of flammable vapor to be ignited fierily before human expiration, wasn't coincidental. SARS victims similarly produce flatulence, as a flammable vapor igniting virally, before expiration, that is, SARS was a KGB 'secret weapon', based on the KGB's understanding of Wallachia's draco voivode Prince Dracul III's homosexual impaling of his victims as a prototype TOS 1 and 2 design. The human assholes were impaled, debilitating the human system, that is, through AIDS, then the flammable gas (SARS) was released, causing brain damage and expiration. That gender assignment surgery (GAS) is 'correctional' emphasizes humanity's laboring in an alien 'correctional facility', that is, Putin's gas attack was symptomatic of a Satanical reptiloid's aim of enslaving women's seed by further damning its brainpower.
As the human dies, the vampire is released, which is the reason for Putin's 'teeth', Russia's Red Army, being the 'red dragon' of Jesus' disciple John's apocalyptic vision of the future, Revelation, while the reason for Satan's being a Shaitan djinn, that is, the genie, Iblis, according to the Koran, is explicable in terms of English novelist George Orwell's 1984 (1948), where the 'thought police' repress people's brainpower to enforce human slavery. According to the developmental psychologist, Carl Gustav Jung (1875-1961), there are four functions of consciousness; sensation, thinking, feeling and intuition. Jung observes a correlation between the functions and the senses, that is, the eyes are correlated with sensation, or what's visibly tactile; the ears are correlated with thinking; the mouth, as expressive of taste, with feeling, and the nose, as detecting by smell, with intuition. Iblis is associated with the ears, as Satan is credited only with having the power to whisper, amongst Moslem believers of the nations of Islam, and is described in the Koran as refusing to bow before Adam, though instructed to do so by God, which is cited as the reason for his becoming a rebel. However, Iblis is the 'ear police' for vampirism, which masquerading as human conscience, is actually the reptiloid aspect of the human, corresponding to the vampire, living as a parasite from the human host womb, waiting to live on after the animal body of the human expires.
As djinn are described as being born from 'cold fire', AIDS is the virus of hell conferring immortality upon Shaitan, that is, vampire, which doesn't want women's seed to develop, as humans would then refrain from devising nuclear, biological, and biochemical weapons, such as intercontinental ballistic missiles (ICBMs), to deliver death to women, who aren't their alien enemy. Vladimir 'flood damn ear' Putin is what 'ear police' are. The djinn of Iblis ('despair' in Arabic, إِبْلِيس) drown out the consciousness of the human with fake rules of conscience that result in damnation for women, who are then the human seed victims of the alien devastating their cities as a vampire. SARS flatulence is a sign of the success of the KGB's propaganda intelligence network of 'informers', as Putin's djinn emerges from his battle with flatulence inflamed.
1 TV Tropes, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .
2 Healy, Melissa 'Did failure to adequately treat HIV patients give rise to the Omicron variant?', Los Angeles Times, https://www.latimes.com/science/story/2021-12-02/did-omicron-coronavirus-variant-arise-in-patient-with-uncontrolled-hiv , December 2nd, 2021, 4 am Pacific Time (PT).
Eastern Schengen Zone
Isten is the word for God in Hungarian, that is, magyarul, the language of the Magyar, as they call themselves, so for them, as a member state of the European Union since 2004, it was the Isten Schengen zone, while for the rest of Europe it was the Eastern Schengen zone: homonymous. As 26 member states of the EU believed, in their wisdom, that a region where they're free to travel without passport control, so long as they don't stay in a country of the EU for very long, especially if they own property, it wasn't a concentration camp. However, to a hell 'e would 'snuff' movie Mogul, it was a sten 'chine gun zone.
The sten submachine gun was manufactured in WWII (1939-45) by Britain, with the Russian PPSh-41, known as papasha (папа́ша) that is, 'daddy', as its only rival for numbers produced, although the weapon is familiar to ordinary people mainly from so-called 'action' movies, for example, director Sam Peckinpah's Cross Of Iron (1977), based on WWII events, such as Germany's invasion of Russia in 1941, when the Red Army was encircled around Kiev, during 'Operation Barbarossa' first phase, from August 7th-September 26th, before surrendering. The invasion of the Ukraine on the orders of Russian Federation 'daddy', President Vlad 'the flamethrower', Putin, shown live on global TV news, provided similarly unacknowledged mass media entertainment for perverts.
The 'snuff' film genre is an illegal mode featuring recordings of live killings, usually on video cassette, where torture and death are the perversion being offered to the voyeur, for example, Peckinpah's movie, Straw Dogs (1971), though an 'action' movie, rather than snuff, features the rape and murder that perverts like. Live war, a boon to the ghoul, who'll pay more for cable and satellite, contrasts with what the United States calls public service broadcasting (PSB), represented in the United Kingdom by the British Broadcasting Corporation (BBC) TV, which provides live coverage of news events such as war, plague, famine and death. While cable and satellite channels compete for more gory subject material to keep viewing figures high enough to remain economically viable through advertising, PSB financing depends primarily on a TV licensing system, so censorship in the interests of public decency and taste is usual. However, if the rich want live snuff entertainment, war is their theater.
The Russian Red Army's TOC 1 (TOS) Heavy Flamethrower System (тяжёлая огнемётная система), bore an uncanny resemblance to the human apparatus that, during the global coronavirus pandemic, produced an inflammable gas in the form of flatulence, which allied to air being sucked from the lungs, in the course of the victim's dying, if they succumbed to severe acute respiratory syndrome (SARS), caused by the virus, resembled the two stage apparatus of the thermobaric multiple rocket launcher, TOS 1, mounted on a T-72 tank chassis, which spread fuel air explosive in the form of vapor gas, before igniting to create a blast: vacuum sucking oxygen from the lungs accompanied by vaporization of everything within the weapon's radius. For perverts viewing the deployment of the TOS 1, it was live mass media entertainment, based on their ghoulish knowledge of the SARS virus, which they'd be forbidden from enjoying the course of; even if they petitioned local hospital administrations for permission to observe. TOS 1 was, as with many such dire events, the ghouls' vengeance.
HIV/AIDS, an 'incurable killer disease', discovered to be transmitting anally by homosexuals with infected semen in 1983, that is, the human immune deficiency virus (HIV), which in its virulent phase resulted in acquired immune deficiency syndrome (AIDS), collapse of the organs and brain death, made humans more susceptible to death by SARS' lung collapse. As the human system produces flatulence, that is, inflammable vapor, before succumbing to the virus, HIV/AIDS, properly considered, is the first stage of the 'biological weapon' equivalent to TOS 1, corresponding to masturbation, where 'toss' is a verb denoting ejaculation by hand.
Although Onan was the character in the book of the Old Testament of the Jewish Bible, Genesis, who was killed by God for 'spilling his semen on the ground' (Gen: 38. 9), rather than fertilize his dead brother's wife, Tamar, he was killed for that, not masturbation, although the term onanism for masturbation derives from the name, Onan, who was similar to homosexuals in the sense that he preferred sterility, which was the reason for God's killing him. Moreover, as women are a separate independent futanarian species with their own penis' semen, God's killing of Onan for refusing to impregnate Tamar was due to anger at the absence of women's seed, while God's drowning the Earth in a flood for unspecified evil suggests that men had killed, or sterilized, God's original human futanarian species, which is what tossers do.
Although Star Trek: TOS (1966-69) means 'The Original Series', created by producer Gene Roddenberry for NBC TV in the states, which featured its own heavy weapons system in the shape of photon torpedoes, launched from aboard the USS Enterprise (NCC-1701) starship, center of the science fiction series, along with actor William Shatner as Captain James T. Kirk, in human terms men who don't want to engage in ring slavery by being faithful to the farm, and/or those who want to avoid contracting HIV/AIDS, masturbate, that is, they're tossers, while homosexuals are the virus. Star Trek: TOS, for example, was famous for Kirk's Security, and beautiful women, like actress Grace Lee Whitney, who first appeared on September 8th, 1966, as yeoman Janice Rand in Season 1, Episode 1, 'The Man Trap', in which an alien from a planet, M-113, with the form of a woman, Professor Robert's wife, Nancy Crater, is killed by Kirk's phaser weapon, because host womb enslavement within the 'camp' framework is how the parasite farms, while 'alien' is the term applied by 'ethnic cleansers', that is, pogromers, to humans, for example, the 70,000 Moslem women interned and raped in camps during the Bosnian war (1992-95) by Christian Serb militia, as culturally different to the general population, so vulnerable to xenophobic prejudice and attack.
Ancient Greece institutionalized homosexuality in pederasty for war against the Persian Empire of Darius (499-449 B.C.), and the host womb slavery of women, to effectively manufacture soldiers, as the British sten and Russian PPsh-41 were similarly manufactured, that is, homosexual biological warfare is a concomitant of their conventional warfare against the human race. As futanarian women are capable of sexually reproducing their own brains' powers to manufacture rejuvenation technologies and achieve interstellar space travel, for example, war is waged against them: 'The dragon was wroth with the woman and went to make war on the remnant of her seed.' (Rev: 12. 17) Jesus' disciple John, in his apocalyptic vision of the future, Revelation, based on the teaching of Jesus 'Christ', 'the chosen' Messiah of the Jews, in the New Testament of the Bible, which Christianity believes supersedes the Old Testament of the Torah and Talmud of the Jews, that is, their history and law, describes a mother, similar to Jesus', the Virgin Mary, who is depicted, in Christian iconography, as crushing the head of the serpent with her 'foot', because Jesus, as woman's seed, is futanarian: 'The dragon stood before the woman who was about to give birth to devour her child the moment it was born.' (Rev: 12. 4) The dragon corresponds to homosexuality as a tosser, that is, celibacy enforcing HIV/AIDS is the first stage of their masturbator's biological weapon deployment, and SARS, with its flatulence and expiration is its second. The TOS 1 heavy flamethrower system corresponds to active, rather than passive, homosexuality, that is, the tossers are the butts who woudn't give up smoking, which is a Russian euphemism for fellatio, while smoking women's penis down to their butt isn't.
As draco, that is, dragon, is a term reserved for the blood-sucking vampire of legend in Eastern Europe, Vlad Putin's deployment on the T-72 tank chassis of the multiple rocket launcher, TOS 1 system, against the Ukraine in the invasion of March 2022, is the sign of a vampire restlessly adjusting itself within the coffin to get a better suck when it sinks its teeth into the women's jugular cassette, which sounds like the word for church (gyülekezete) in Hungary, and what the Eastern (sten) Schengen (machine gun) zone seemed to have been designed for. Russia's argument with the EU is that the Ukraine had applied to become a member in February 2022, which would mean that there'd be less of a cigarette for the vampire emerging from its coffin to suck on.
As women's futanarian species is essentially preyed on by men as its parasite, the legend of the immortal blood-sucking vampire that sinks its teeth into the jugular vein at the neck in order to drink, and can only be killed with a stake to the heart, is understandable in terms of the stake in their own race that women's penis' semen has, that is, as homosexuality has no stake in the heart of women, women's penis is the stake in the heart of men: 'Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.' (Rev: 16. 11) The worm might view itself as immortal; however, it was Jesus, taken to the hill of Calvary outside the city of Jerusalem, during the period of the Roman Empire's occupation of Jewish Palestine, who was nailed to a cross of wood and died there, but experienced Resurrection and Ascension to heaven in prefiguration of that of women's seed.
With the withdrawal of the United Kingdom from the EU Schengen zone, named for the town in Luxembourg, where five members (Belgium, France, Germany, Luxembourg, and the Netherlands) of the earlier European Economic Community (EEC) agreed in 1985 to unfettered border crossing between European states, those nations that had been part of the Union of Soviet Socialist Republics (USSR), that is, Russia, before 1991, when it ostensibly changed its policies and ethos to become the Russian Federation, and allowed those satellite states that had been controlled by the central Communist government in Moscow, subsequent to the defeat of German ambitions to enslave the Earth in WWII, after asking the 30 members of the North Atlantic Treaty Organization (NATO), which includes three nations with nuclear defense capability, France, the UK, and the United States, if they propose to defend them in the event of Russian aggression, or continue with unkilled labor under fire from Eastern Schengen's owners?
As the HIV/AID virus was first discovered by DR Congo, a mutated version of the simian immune deficiency virus (SIV), the heavy flamethrower system, TOS 1, was launched in Africa by apes, although the discovery of the coronavirus in a cave of bats in Yunnan province, China, suggests the designed evolutionary path of the secret tosser was that of the blood-sucking vampire. In December 2019, a mutant variant of the virus, SARS 2, was discovered at a Wuhan city hospital in Hubei province, which represented the second stage of the launching of a biological vacuum weapon, after HIV/AIDS weakening of the human futanarian system to make it more susceptible to virus infection, causing lung collapse, and final expiration from smoking women's penis down to its cigarette butt.
As the People's Republic of the Congo (1969-92), until the collapse of the Soviet Russian Empire, was a communist country, and China is too, the emergence of Putin as a dragon lord breathing fire over the Earth is interpretable as a communist plot, assisted consciously or unconsciously, by Capitalism's NATO members, who agreed to create an Eastern Schengen zone, that is, a sten 'chine gun zone, for rich killers. Whereas Capitalism is the belief in exploitation of resources, both human and material, Communism is the ideology of workers' ownership, although in practice the result is slavery in either case, because someone has to do the work.
Modern life has been characterized by the 'Cargo Cult', that is, work that has already been completed is done again in order to maintain a slave system. The term derives from the US' discovery in the islands of the Pacific during WWII that natives built rough versions of airplanes, so they had the desire for aviation, but without the technological know-how they could be used as slave labor to reproduce what already existed, which is what Capitalism and Communism does with education, training, and retraining programs. The Russian nuclear physicist, Andrei Sakharov, after his role in the successful Soviet RDS-37 thermonuclear weapons' program, was consigned by the A-bomb tossers to work as a toilet cleaner; the broken legs of the expert ballet dancer amongst the 'Cargo Cult' slavers.
As Isten is the name for God in Central Eastern Europe's former Soviet controlled state of Hungary, gyula is the word for 'leader', while gyülekezete is 'church', and 'rich jeweler' is a term used to refer to expensive Christians, who're conceivably ritualers, that is, human sacrifice is where the tossers are at. As Dror Ben Ami drily observed in The Jerusalem Post in 2015, 'Paul of Tarsus never said that the animal sacrifices of the Jews didn't remove sins. To the contrary: he agreed they removed sins. The point Paul of Tarsus was trying to make was that the blood sacrifice of Jesus was a more effective way to remove sins, because it was only needed once, whereas Jewish blood sacrifices needed to be repeated year after year.'2 For East Europeans raised by Communism, the ritual slaying of Jesus is Redemption, because killing special people is heaven for those jugular cassette blood drinkers rich enough to become richer tossers by appropriation. Jesus' slaying was what sterilizers do, that is, ethnic cleansing. As woman's seed, Jesus was killed, during the reign of the Roman Emperor, Tiberius Caesar Augustus (14-37 C.E.), because the Jewish religious police, the Pharisees, didn't want women's species to escape sterilization, but remain host womb slaves.
If gyula is 'leader', then gyülekezete (jugular cassette) is a 'snuff' video cassette, that is, the ritualers kill for what they want, which is what Isten's Schengen Area was created for; using a sten 'chine gun to kill for pleasure, property, and other means of financial gain and physical well being for the tossers. Vlad, 'the flamethrower', Putin, with his thermobaric sterilizer, TOS 1, was a vacuum cleaner, that is, an ethnic cleaner not unfamiliar from the days of his namesake, Vlad, 'the impaler', of the ancient country of Wallachia, inside modern Romania's EU member state since 2007, whose habit it was to impale the assoles of his enemies on stakes of wood after a battle. Vlad Dracul III was the model for Irish writer Bram Stoker's novel, Dracula (1897), about a vampire, who was immortal but sterile. The corollary with sterile anal penetration, resulting in HIV/AIDS, collapse of the organs and brain death, and the flatulence symptoms of the SARS virus, suggest Dracul (c. 1428-1477), releasing gas from the anus, as the originator of the heavy flamethrower system, TOS 1, which Vlad Putin still had enough fart left in him to ignite.
Although the SARS virus arose there, and China is traditionally the place of dragons, which legendarily breathe fire, as biological flamethrowers, Dracul in central Europe was a draco, that is, a dragon lord. Vlad Putin's assault on the Ukrainian city of Kiev, just below the border region of Bukovina, where ethnic Romanians dwelt from the period of the existence of the country of Moldavia, which together with Wallachia founded Romania in 1859, challenged Romania's draco, called voivode: 'warlord'. Although it was Hungary that appointed Dragoș voivode of Moldavia in 1345, stripped of Transylvania on June 4th, 1920, at the Treaty of Trianon, in the château at the palace of Versailles, near Paris, France, which the victors of the First World War (1914-18), to prevent the German Empire of Kaiser Wilhelm I from enslaving Europe and the world, gave to Romania, Hungarians had to accept they were a minority in the region, despite constituting approximately 19% of Transylvania's population, and a majority in the Romanian center, Szeklerland (Harghita, Covasna and part of Mureș counties). Just as the Ukrainian capital was forcibly removed from Kiev to the city of Vladimir inside Russia in 1196, Hungarian Romanians were powerless to prevent the guv'nor, Vladimir Putin, invading the Ukraine from Russia.
As with Chancellor Adolf Hitler's National Socialist, 'Nazi,' Germany, when Poland, at the outset of WWII on September 29th, 1939, was divided west from east at the Bug River with Russia's dictator Josef Stalin, the Ukrainian capital city, Kiev, a voivodeship of Poland (1569-1793), before Romania was founded, was the victim of a land grab. This time by Vlad Putin, a former lieutenant colonel (1975-91) with the secret 'bug' directors at the Russian Committee for State Security (КГБ), who described the KGB (Комитет государственной безопасности), at the height of the terror over the virality of the AIDS 'bug', collapsing the organs of the human system, as 'the organs'.3 The philosophy of Germany, as evinced by Karl Marx, founder of 'godless' Communism, who wrote 'workers should control the means of production' in Das Kapital (1867), was proven the more successful sociopathology: its sign and symptom cigarette smoking and heavy farting in Oblast (region), Kiev.
1 Healy, Melissa 'Did failure to adequately treat HIV patients give rise to the Omicron variant?', Los Angeles Times, https://www.latimes.com/science/story/2021-12-02/did-omicron-coronavirus-variant-arise-in-patient-with-uncontrolled-hiv , December 2nd, 2021, 4 am Pacific Time (PT).
2 Ami, Dror Ben 'Metaphors in the Torah: The Roles of Blood and the Liver in Removing Sin', The Jerusalem Post, February 10th, 2015, 18:57 pm, https://www.jpost.com/Blogs/Torah-Commentaries/Metaphors-in-the-Torah-The-Role-of-the-Blood-and-the-Liver-in-Removing-Sin-390469 .
3 Sakwa, Richard Putin: Russia's Choice, London; New York: Routledge, 2008, p. 11.
The Internal Combustion Engine
There've been several theories about what an automobile is; for example, it's a television, because men and women are bred as a single male brained creature wearing each other's clothes, that is, as a transvestite 'TV', so the car, which conveys the feeling of remaining in the same place for a passenger, while visited by the universe, is a mobile television. Observing the people getting in and out of their vehicles suggests a mode of delivery, that is, the car is a teleporter, after the fashion of the 'transporter beam', aboard the starship Enterprise, commanded by actor William Shatner, in his role as Captain James T. Kirk, in the original science fiction television series, Star Trek (1966-69), which transmits members of the crew to their destinations instantaneously from the starship to another vessel, or planet, etc. Although people are slow, that is, their capacity to remember severely limits their ability to recognize-react, car teleportation only seems slow, as time is relative.
German physicist Albert Einstein's (1879-1955) 'theory of relativity' formed the basis of the juvenile novel, Time For The Stars (1956), written by science fiction writer, Robert A. Heinlein (1907-88), which argued for the existence of 'torch ships' traveling at the 'speed of light'. The story was about Tom and Pat Bartlett. Tom traveled to the planets amongst the stars while his brother aged and died, because time passed aboard a starship was relatively shorter.
However, as TV repeats, everything occurs again, so the impediment to life is brain impairment, where adequate memory capacity is required, so to make improved decisions based on previous experience. Although the ancient Hindu religion of the subcontinent of India, based on the Veda (c. 1500-900 B.C.) scriptures, defines the inability to remember of those who're reincarnated as karma, in modern terms those are the television images for whom the car is a natal medium, that is, they're born from their mother again as the car's TV re-run nativity, where the object of rebirth is to make better decisions based on the knowledge accumulated through the experience gained from past lives.
In Heinlein's Time For The Stars the torch ship is a stage in the development of instantaneous faster than light travel (FTL) throughout the cosmos which means that light speed ships are illustrative of the need to develop the science of rejuvenation. If Pat dies, while Tom's still traveling around the universe, Tom's closer to immortality. As the starships achieve faster than light travel, Tom remains young, while generations of people are born, live, and die upon the Earth. Moreover, if the science of rejuvenation confers immortality upon Tom, it's the equivalent of being instantaneously transported, for example, if he's physically young again, with all of his previous memories accessible, he's where he was before. However, for TV people on Earth, rejuvenation requires that all of the reincarnated previous experience of past lives be accessible to the individual memory, so that informed decisions can be made, which is difficult, because they're where they were before, that is, damned if they can't remember.
Starship travel at faster than light (FTL) speeds is a concomitant of rejuvenation, which is the equivalent of transportation, that is, teleportation at a speed faster than light, so that the individual hasn't experienced any physical deterioration in the course of their journeying, which may have taken 'light years' to accomplish,1 for example, is what rejuvenation is. The individual who can travel forever without deteriorating can always find their origins, as their memory isn't blind, so they're time-travelers too, because reincarnation and karma is a form of blindness, that is, if the mind can't remember, the eyes can't see.
In the early days of interstellar space travel the use of cryogenics was indicated as being necessary because of the length of the journey's deteriorating the physical strength of the body, for example, 21st century spaceship technology couldn't reach Alpha Centauri, the nearest star system to the Earth's, within 100, 000 years, so it'd be logical to suppose that cryogenic sleep, that is, freezing the body, would be an option. In cryogenics the frozen body is awoken at journey's end, so it's the equivalent of instantaneous teleportation and/or faster than light travel, that is, the body hasn't traveled, which is rejuvenation. However, cryogenic sleepers dream, which is where the archetypes of the developmental psychologist Carl Gustav Jung (1875-1961) drive the individual consciousness to higher levels.
According to Jung the individual human consciousness has an unconscious 'Self' which contains as a facultas praeformandi, the 'God archetype', which is the source of a plethora of archetypal impulses that drive consciousness to develop. Jung argued that the archetypes were discernible as figures and/or images in the dreams, art and imaginations of humans, for example, the anima archetype was the soul image, which could appear as a wise old woman, queen, witch, lover, and/or wife, etc., insofar as she represented a picture of the developing ego-consciousness of the individual in relation to the external reality. The contrasexual component in women was the animus: a crowd of male admirers. However, although Jung observed the importance of the hermaphrodite in alchemy, that is, the medieval precursor of medical science's preoccupations with rejuvenation, that the human race of futanarian women with their own penis' semen for the sexual reproduction of their own brains' powers to take them to the planets amongst the stars of heaven, Jung failed to recognize that the male circle surrounding women was a slave ring coercing the human host womb of women to accept its parasitism. Consequently, although the anima was human, it belonged only to women's seed, whereas men were in the role of parasitical demons.
When the demons emerge in cryogenic sleep, it's as brain slavers, for example, Star Trek: The Original Series, is a description of what demons do: they 'make' pictures. Doing what they want them to, the characters correspond to the pictures 'made' by the demons. When the faster than light drive is invented, it's because the demons have been the race drivers, that is, the human race is a 'cargo cult', which was a phenomenon noted by servicemen of the United States in the Pacific theater during WWII (1939-45) amongst islanders who built models of airplanes without knowing how they flew, which suggested they'd develop a parallel evolution of airplane design and manufacture lagging behind by many years that of the developed world. Used as a model by unscrupulous slavers, cargo cults made pictures of humans that were backward, that is, after the development of the FTL drive, humanity was enslaved.
The relationship between Tom and Pat Bartlett is that of the demon and the enslaved/damned. Tom has the torch ship and light speed, which will be superseded by FTL and instantaneous teleportation, that is, rejuvenation, while Pat has death and reincarnation in which the only possibility for this Jonah in the wheels' belly is to be able to remember how to invent the torch ship, while the cargo cult slavers' brain damning prevents a re-run. The likelihood is that the demons so the same thing with every species that achieves interstellar space travel, because that's what they're for. A way of obviating demonic possession is to devise a method of traveling without the cryogenic sleep necessary for a race devoid of an interstellar spaceship drive to lessen the time needed to bridge the space between such vast distances as Sol and Alpha Centauri, but the demons would remain in latent anticipation of some other means of emerging to enslave.
The development of the car is that of the 'cargo cult' and reincarnation, that is, karma, wherein the brain damned are blind, that is, they can't remember what has been, so they can't make informed decisions, based on previously gained knowledge from their several lifetimes' experience as an individual. Central to Jung's theory of individuation was the ourobouros archetype which, a serpent with its tail in its mouth, was interpreted as the essence of the 'projection making factor', which was the role of the archetype in the human mind. The individual became more conscious and aware through recognizing and coming to terms with archetypes. The ourobouros was a symbol of the beginning and the end, that is, Alpha and Omega, which is what Jesus 'Christ', 'the chosen', described himself as.
Born from his mother, the Virgin Mary, Jesus was woman's seed, executed during the Roman occupation of Palestine, in the reign of the Emperor Tiberius Caesar Augustus (14-37 C.E.), for teaching, 'Love your neighbor as you love yourself.' (Mk: 12. 31) Taken to the hill of Calvary outside the city of Jerusalem Jesus was nailed to a cross of wood, where he died, but he experienced Resurrection and Ascension to heaven in prefiguration of that of women's seed. Discovered with a woman anointing him with the expensive perfume, spikenard, Jesus' disciple Judas' spy canard was that the perfume should be sold to raise money, but Jesus demurred, 'Leave her alone.' (Mk: 14. 6) Judas betrayed Jesus to the Pharisees, the Jews' religious police, because he perceived Jesus as a threat to the host womb slaving of the human futanarian species of women's seed by the demons.
It was the German organic chemist, Auguste Kekulé (1829-96), who saw the archetype of the ourobouros serpent in a dream in 1862, and awoke envisaging the structure of the benzene molecule, that is, petrol, which is the fuel for the internal combustion engine that drives the car. As women are the human futa race, they're Alpha and Omega, beginning and end, which is what the car represents. However, as a means of activating the transporter, the transmission of the engine is that of the virus of hell, that is, internal combustion is the means to transmit the occupants of the vehicle as AIDS/SARS.
As the cargo cult doesn't regenerate, the organs degenerate, which is what the internal combustion engine is a symbol and metaphor for. The human deficiency virus (HIV) was discovered by DR Congo in 1983 being transmitted between homosexual men inserting their penis into each other's anuses. The resultant acquired immune deficiency syndrome (AIDS) collapsed the organs of the body causing brain death. When severe acute respiratory syndrome (SARS), caused by the SARS virus, resulted in millions of deaths globally, after its emergence in 2002 in Yunnan province, China, scientists suggested its effectiveness was the consequence of a human immune system weakened by AIDS, that is, after the Marquis de Sade's infamous novel, 120 Days of Sodom (c. 1785), the fiery Sade's ass was the virus AIDS/SARS, and the internal combustion engine (ICE) its counterpart in a demonic picture straight out of Alighieri Dante's vision of hell, Inferno (1320) in which fire and ice is the contrapuntal theme in the punishment meted out by God to the evil.
By the 21st century the cargo cult had become a car bomber. The invasion of the Ukraine on February 24th, 2022, by the Russian Federation, ordered to do so by President Vladimir Putin, was met with dismay when it was revealed that the Red Army was relying heavily upon the missile launched heavy flamethrower, TOS (TOC) 1 and 2 system, which effectively mirrored the two stage 'biological weapon' developed by homosexuality alien to human existence, that is, AIDS/SARS virus' weakening of the human organs to induce flatulence, as a symptom of susceptibility, correlating with the TOS first stage laying of an flammable vapor, before ignition created the fires that sucked all of the air from the lungs in the style of the SARS virus; incinerating everything within the target zone.
That Africa's DR Congo was communist when AIDS emerged there, and communist China was where the SARS-2 pandemic began at a Wuhan city hospital, Hubei province, in December 2019, contributes to the image of Vlad 'the red dragon' Putin, after the fashion of the 15th century's Vlad Dracul III of Wallachia, now a part of modern Romania, whose method of dealing with his victims was to impale their anuses on stakes of wood, thereby releasing flammable fart gas, before they were burnt. Dracul (1428/31-1476/77) was the model for Irish writer Bram Stoker's novel of the vampire, Dracula (1895), which agrees with 21st century assessments of Vlad 'the oven' Putin as a bloodthirsty vampire, persuading the Ukrainians to 'put out' the virus, before raising hellfire there again.
To the Russian leader, the Ukrainians were some craniums equivalent to doctoral (PhD) students at University, who to the Red Army were the equivalent of stuffed animals when they'd graduated, that is, they were food (PhD), which the Red Army was paid for cooking, and afterwards the Ukrainians could 'put out' some more to make some more stuffed animals for the pot, which is what the Russians thought their former 'satellite states' in Eastern Europe, that is, those nations that came under the sway of the Union of Soviet Socialist Republics (CCCP), after the defeat of dictator Adolf Hitler's National Socialist (Nazi) Germany's attempt to enslave and burn the brains of the region in the ovens of its death camps in WWII, and before the USSR's December 1991 hypocritical endorsement of a future Commonwealth of Independent States (CIS), which initially included Russia, Byelorussia, and the Ukraine, were for. Hitler was wasteful of brains that could have been internally combusted by the 'commies'.
1 A 'lightyear' is the distance traveled by light through the vacuum of space during a solar Earth year (365 days), that is, 9.46 trillion kilometers (9.46 × 1012 km).
Aryan Supermen
Given that Adolf Hitler, the leader of the German National Socialist (Nazi) Party, democratically elected in 1933, believed in the übermensch, after the model of the Aryan superman of the Veda scriptures, which were written in the Sanskrit language of the subcontinent of India, it's useful to know what the Hindu religion is. After becoming Chancellor of Germany, Hitler began a world war, appealing to the disaffected amongst Germany's defeated after their First World War (1914-18) to enslave. During the Second World War (1939-45) Hitler's Nazis constructed 'concentration camps' inside which millions of minorities were subject to poison gas and burned in ovens. The victims were mainly Jews, and science fiction writer, Philip K. Dick, extrapolating a Germany that won in his novel, The Man In The High Castle (1962), conceived of an African continent where the skulls of the people were used as bowls to eat their brains. When Vlad, 'the pot', Putin's Russian Federation on February 24th, 2022, invaded the new cranium region, that is, the Ukraine in Eastern Europe, with his missile launching heavy flamethrower system, TOS 1 and 2, it was a criticism of Hitler's burning of people's brains, which should have been properly cooked before they were consumed. Russia's 'Final Solution' was to give the Ukrainians a few decades of freedom to cook some new craniums before they were devoured along with the inventive products of their minds.
In the Upasana Veda the worship of the Hindus is described as sacrifice, which later became more intellectual in the sense that the Hindus meditated on the meaning of the sacrifice in the same way that Christians thought upon the meaning of Jesus' sacrifice. When the Hindus are meditating on sacrifice they're in Vedas, that is, invaders are human sacrificers coerced (cursed) by Aryan supermen. A theory of Judaism is that, '... the blood sacrifice of Jesus was a more effective way to remove sins, because it was only needed once, whereas Jewish blood sacrifices needed to be repeated year after year.'1 Hinduism's supermen feel better after blood sacrifice, which is why they coerce leaders such as Hitler and Putin to be in Vedas, that is, invaders, who in Hitler's case repeated Jewish sacrifices for several years.
The concept of human sacrifice is endemic in Eastern Europe, where educating students to the level of PhDs (foods) is seen as a means to cook up a pot, for example, in Hungary amongst the Magyar people, who speak magyarul as their native language, the morning greeting is, 'Jó napot.' As Jonah is pronounced 'yawner', alongside 'pot' it means an 'impossible to miss' shot in snooker, which is a table activity in which the objective is to prevent the other player from pocketing the balls at the end of a cue, resembling a spear, to push the balls down into the holes.
Towards the end of the first quarter of the 21st century people's ability to use a Galaxy 'smart' 'phone, made by the company Samsung, Seoul, South Korea, for example, was a skill at the doctoral University level of achievement half a century earlier, which was the cue for the devourer of the cooked brains to consume the educated, and send the human species to the back of the queue, where the pedophiles lurked ready to give the infant some smarties in preparation for the company's headhunters to later visit some schools and find some cooking brains for consumers.
Jonah was the character from the Old Testament of the first part of what Christians call their Bible, that is, the history and law of the Jews, which is their Talmud and Torah, who was thrown overboard by some sailors (Jonah: 1. 15), and swallowed by a whale to palliate God during a storm, that is, Jonah was pushed down into a hole at the front of a queue. Consequently, Jonah is a byword for 'unlucky', so Jonah pot in Hungarian means 'unlucky pot', although it's translated into English as, 'Good morning.' The reason it's fateful is because of Hungary's hít, that is, 'faith', which is what they practice in their gyülekezete churches, where the congregation is a cassette videoed ape; properly cooked, chewed, and eaten in the same way as Vlad 'the pot' Putin prepared the faithful Ukrainians as food for which the Russian Red Army received payment.
The pogrom initiated by Adolf Hitler upon the Jewish people and other minorities was brought back starkly into focus during the latter part of the 20th century when 'ethnic cleansing' began amongst the nations of the former super state Yugoslavia, held together by communist principles, that is, 'from each according to his abilities, and to each according to his needs', after the defeat of Nazism. When communist Russia's Soviet Union, a victor over Germany, at last withdrew from Eastern Europe, nationalist conflicts resulted in the Bosnian war (1992-95), for example, in which Serb militia set up 'rape camps' for Moslem women to birth Christian infants. When similar cleansings occurred elsewhere in the world, for example, in Sudan's Darfur, West Africa, where the Moslem government began a pogrom against non-Arabs commencing in 2003, it was evident that human sacrifice was endemic, and the brains in the pot were being well cooked.
That Vlad Putin, whose namesake was Vlad 'the impaler' of Wallachia, now modern Romania, invaded the Ukraine with missile launched heavy flamethrowers, added to the mythos surrounding the idea of the draco, as Vlad Dracul III, 15th century voivode of Wallachia, was the model for Irish writer Bram Stoker's Dracula (1895), a vampire 'blood-drinker', who can only be killed by a wooden stake through his heart. Dracul impaled his victims upon wooden stakes inserted into their anuses, which produced enough fart gas to burn the corpses. Fire-breathing Vlad, 'the stake', Putin was obviously a draco, using the Russian Red Army as his red dragon flame throwing system, designing to cook the brains of the Ukrainians he'd stuffed with the illusion of education, as a means for their civilization, culture, and art to peacefully coexist alongside his Federation's maw, the TOS 1 and 2 flamethrower system's first phase was to lay a vapor of flammable 'fart' gas, before a second phase ignition sucked the air from the lungs of the victims; as they were incinerated. The point being that homosexuals' penises are wooden; in the sense that they're sterile. As they have no stake in the human race, they should be extinguished.
Dracula is depicted as rising from the coffin, which is apposite given the fact that the world has been recovering from a pandemic, the severe acute respiratory syndrome (SARS) emerging at a Wuhan city hospital, China, home of the culture of the dragon, in December 2019, after making its first appearance from a bat cave in Yunnan province, China, 2002. That bats are akin to draco is explicit in Stoker's Dracula, as the vampire takes the form of a bat, so it's logical to find that Vlad 'the stake' Putin's TOS 1 heavy flamethrower system mirrors the action of the SARS virus in sucking all of the air from the lungs of its victims as it arises from their coughin'.
That the brain box is the coffin of the human race being cooked by the red dragon is obvious from the New Testament of the Bible, written about the teacher, Jesus 'Christ', 'the chosen', who was executed by the Empire of Rome during its occupation of Jewish Palestine in the period of the Emperor Tiberius Caesar Augustus (14-37 A.D.) for teaching, 'Love your neighbor as you love yourself.' (Mk: 12. 31) Jesus, born of his mother, the Virgin Mary, was woman's seed, that is, the human futanarian species of women with penis' semen of their own for the sexual reproduction of their race's own brains' powers to escape from the male draco. Taken to the hill of Calvary outside the city of Jerusalem where he was nailed to a cross of wood and died, Jesus experienced Resurrection and Ascension to heaven in prefiguration of that of women's seed.
John, Jesus' disciple, in his apocalyptic vision of the future, Revelation, wrote 'A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head.' (Rev: 12. 1) The woman is the European Union, which flag is comprised of twelve stars. Russia invaded the Ukraine because it sought membership of the European Union, 'The dragon stood before the woman who was about to give birth so that it might devour her child the moment it was born.' (Rev: 12. 17) According to medical science, the AIDS virus emerging from the communist African DR Congo in 1983 weakened the human system to the point of its being susceptible to SARS. The human immune deficiency virus (HIV) was discovered to be transmitted amongst homosexuals inserting their penises into each other's anuses as a mutant variant of the simian immune deficiency virus (SIV) causing acquired immune deficiency syndrome (AIDS), organ collapse, and brain death.
AIDS was the first phase of the new communist Russian Federation's TOS 1 flamethrower system, where the fictional model was the torturer for pleasure, the Marquis de Sade's ass, 'unclean' in 120 Days of Sodom (c. 1785), and 'published' by the Red Army as Vlad Putin's AIDS/SARS virus. That the SARS virus was accompanied by the symptom of flatulence, and that fart gas is flammable, suggested that the virus was spread virally, that is, fierily, which is how the TOS 1 flamethrower system functions. First the gas then fierily explosive as oxygen is expelled from the collapsing lungs. The virally 'red dragon' (Rev: 12. 1) of Revelation with its 'blood plague' (Rev: 11. 6) correlated with the communist DR Congo, the communist Chinese dragon, SARS, and the communist Russian Red Army's deployment of its flamethrower system against a European Union applicant, the Ukraine, that is, TOS 1 and TOS 2 were the results of research by the communists into the feasibility of a biological and conventional weapon combination, which identified communism as read.
For the communists, humans were a coffin box, which was being cremated; in a first phase virally, that is, as AIDS/SARS, and in a second stage fierily, for example, through TOS 1 and 2. That the United States of America's NBC TV series, Star Trek: The Original Series (1966-69), starring William Shatner as Captain James T. Kirk of the Starship Enterprise, was known as Star Trek: TOS, isn't accidental either. TOS 1 was followed by TOS 2, and there was a third series. The basic hand-held weapon was the phaser, which had two settings; stun and kill. Communism's development of the AIDS/SARS virus in combination with the TOS 1 and TOS 2 flamethrower system to use on human development follows the Star Trek model of debilitation followed by cremation, although the crew of the USS Enterprise (NCC-1701) used their phaser weapons to defend themselves against the aliens.
1 Ami, Dror Ben 'Metaphors in the Torah: The Roles of Blood and the Liver in Removing Sin', The Jerusalem Post, February 10th, 2015, 18:57 pm, https://www.jpost.com/Blogs/Torah-Commentaries/Metaphors-in-the-Torah-The-Role-of-the-Blood-and-the-Liver-in-Removing-Sin-390469 .
Stab Blight, Stab Rite, the First Whore I See Tonight
There are so many parallels between descriptions of devils and the car that there must be some direct correlation between hellfire and the internal combustion engine, that is, ICE, which according to the 14th century Italian poet, Alighieri Dante, in the third part of his Divina Commedia (1320), Inferno, is the extreme so far away from the fires of hell, it constitutes another form of hellfire, where the evil experience eternal perdition, if they aren't in the Paradiso Dante envisages as paradise, or being purged of whatever evil is interfering with their Redemption, so that they can enter paradise, in Dante's Purgatorio, they're being punished with the eternal unendurable pain associated with freezing cold.
It hardly escaped attention that the recent global SARS, that is, severe acute respiratory syndrome, which killed millions of people worldwide, after its emergence at a Wuhan city hospital, Hubei province, China, was a virus of hell. The 'incurable killer disease', HIV/AIDS, a virus discovered by Africa's DR Congo in 1983, had affected mainly homosexuals, who inserted their penis into each other's anus, so contracting the virus through infected semen. Although the virus in monkeys wasn't virulent, simian immune deficiency virus (SIV), when transmitted to homosexuals through the anus at the base of the spine, developed into the human immune deficiency virus (HIV), which resulted in acquired immune deficiency syndrome (AIDS), collapse of the organs of the body, and excruciating brain death, as if the very fires of hell were there.
Penetration of the anus with infection so affected the human biosystem, it became susceptible to homosexuality's SARS, according to science, with farting and brain damage so much a symptom that the former Russian Republic of the Ukraine, given independence by President Boris Yeltsin in 1991, was invaded on February 24th, 2022, after its President, Volodymyr Zelenskiy, applied for his country's membership in the European Union of nations, by the Russian Federation of President Vladimir Putin, with the main assault weapon of the communist Red Army being the equivalent of a brain damaged farter, that is, the TOS 1 and 2 heavy flamethrower system, which first sprayed a flammable vapor over the target zone, before igniting what effectively was fart gas, causing the oxygen in the lungs to be expelled in the ensuing vacuum, before the death and incineration of victims.
Although it was possible to draw correlations between TOS, and the US science fiction television series, Star Trek: The Original Series, about the crew of a starship, Enterprise, captained by actor William Shatner in his role of James T. Kirk, which was often referred to as Star Trek: TOS, and masturbation, that is, toss as semen, and tosser as masturbator, that is, in the modern sense of the word, someone who, rather than engaging in self-love, taunts others with what they can't have, in this case high levels of technological development, civilization, and culture, what wasn't evident was the aim of the virus, which was to embarrass sight. Having left the Ukraine to develop, in the style of the Mongol hordes sweeping across the steppes, the Russian TOS invaded as a parasite, to make blind what had begun to see. Putin's Russia's Onan; on into the future: reclaiming its satellite dish, flambé. A former site of the evil Empire's TV, set alight once more, like a Hungarian Gundel crêpe pancake; burnt black as the crape of a ghoulash lover's funeral cushion by a draco: bean soup and will be soup again.
During the dictatorship of Joseph Stalin, Russia had a network of gulags, that is, work camps, where dissident intellectuals were slaved to death, much in the style of the German 'concentration camps' of the Second World War (1939-45), fought to defeat its ambitions of Empire, where millions of people were slaved, killed, and incinerated. The National Socialist (Nazi) Party had been elected in 1933 with leader, Adolf Hitler, declaring himself dictator, and shortly afterwards dividing Poland with Russia's Stalin, after a combined invasion on September 1st 1939. Although Germany subsequently invaded Russia on June 22nd, 1941, so resulting in the Red Army fighting alongside the nations allied against the Nazis, that is, Britain, France, and the United States of America, etc., when the Russians refused to withdraw from nations occupied after their defeat of Germany, until 1991, it was a sign and a symptom of communist economic policy, that is, wait for growth and then reap a harvest in war.
Vladimir Putin was the Emperor's sight, that is, in order to see, the parasite had to embarrass the sight of anyone else who wanted to, which was his role as a lieutenant colonel with the Committee for State Security. During the Cold War (1947-91), that is, the period of Russian occupation of Eastern European states, called satellites of the economic hegemony, which was characteristic of the Union of Soviet Socialist Republics (USSR), before its disintegration, resulting in the formation of the Russian Federation in 1991, the KGB sought to prevent, amongst others, Britain's Secret Intelligence Service (SIS), and the United States' Central Intelligence Agency (CIA), from knowing what it did behind the 'Iron Curtain', a euphemism for the enforcing of blindness upon those who wanted to see.
SARS was a variant of the Cold War, because it was a cold virus. When AIDS was discovered by DR Congo it was effectively a Soviet Republic, while the less virulent form of SARS-2, SARS-1, was discovered in 2002 in a cave of bats in Yunnan province, communist China which, famous for its dragon culture, was ideal for the launch of a biological cocktail of weaponry amounting to the poisonous breath that preceded the deployment in the Ukraine of the TOS heavy flamethrower system's farter of fires.
Although the legally enforced installation of the catalytic converter went some way to dealing with the pollution to the atmosphere of carbon monoxide emissions from exhausting cars, the image of the farter poisoning whoever's behind is congenitally homosexual, that is, to embarrass sight is what the parasite's virus was for. As the cyclopean worm wends its way along the motorways built for its progress, 'In the kingdom of the blind, the one-eyed man is king.'1 Perceived as an eye-sore, the internal combustion engine, ICE, was developed by the KGB as a parasite to give only their Empire sight, that is, it embarrasses sight. It's evident that the human asshole's been scene oiling its snake so much, it's now got hiss head up its ass; breathing fire out of its anus virally. AIDS/SARS is the KGB's torturer for pleasure, after the Marquis de Sade's ass, who wrote 120 Days of Sodom (c. 1785), which as the fierily poisonous breath of Russia's great worm, dims the eyes of humanity by inflicting brain damage.
KGB interrogators, on behalf of Stalin's anti-intellectual Empire of parasitism, were used to blinding, according to novelist Aleksandr Solzhenitsyn, WWII Red Army gunnery officer, sentenced to a 'labor camp', after being arrested in February 1945 by SMERSH (СМЕРШ), created by 'Uncle Joe', with the meaning, 'Death to Spies!' Interrogated at Lubyanka prison, Moscow, over derogatory comments about Stalin in a private letter, Solzhenitsyn later wrote, after over a decade in save labor and exile, The Gulag Archipelago (1968), detailing Stalin's terrorism:
'... whenever I mentioned the heartlessness of our highest-ranking bureaucrats, the cruelty of our executioners, I remember myself in my Captain's shoulder boards and the forward march of my battery through East Prussia, enshrouded in fire, and I say: "So were we any better?"'2
Discovered in a cave of bats in Yunnan province, China, SARS is reminiscent of the origins of the blood-drinking creature of Irish novelist Bram Stoker's Dracula (1897), a vampire, which are also called 'worms' in the literature associated with the semi-legendary figure inspired by the real life, Vlad Dracul III. That 15th century ruler of Wallachia, now modern Romania, impaled his victims on stakes of wood, so releasing fart gas. Much in the way that homosexuals impale their victims' assholes on their penis with its infected penis' semen, so weakening the human biosystem to make it susceptible to the brain damaged fart SARS symptoms. Homosexuality is the blinding parasite, which the United States and other nations damningly taught human nature to be tolerant of through their emphasis on 'political correctness', whereas the Russians recognized that drag on human resources as a biological weapon that could be adapted and deployed as a KGB 'blind', before launching their conventional corollary, TOS.
According to legend, the vampire is immortal, and can only be killed by a stake of wood hammered into its heart, while the Judeo-Christian equivalent narrative is of the loss of immortality in the paradise of Eden, where God placed the angel, Satan, turned into a serpent, that is, a viral worm, for rejecting God's plan that the human host be greater than the angelic. In the Old Testament of the Christian Bible, which is the history and law of the Jews, that is, the Torah and Talmud, Satan gives Eve, the woman, 'the fruit of the tree of the knowledge of god and evil', which it is death to taste, saying 'You shall be as gods.' (Gen: 3. 5) God expels Eve, and the first man created by God, Adam, but promises Eve her 'seed' will have Redemption, 'You shall crush the head of the serpent with your foot, but he will bruise your heel.' (Gen: 3. 15) As women have their own seed as the futanarian human species, God's promise is that the descendants of Eve will defeat the worm through the brainpower they sexually reproduce between themselves, which is their stake in the future of the vampire.
The New Testament of the Christian Bible is the teaching of Jesus 'Christ', 'the chosen', who is believed to have superseded the Old Testament with the teaching, 'Love your neighbor as you love yourself.' (Mk: 12. 31) Born from his mother, the Virgin Mary, Jesus is the type of women's seed, so in Christian iconography Mary is depicted crushing the head of the serpent with her foot, that is, the futanarian race is represented by Jesus, Sentenced to be executed by the Roman court of Pontius Pilate, the Empire of Rome then occupying Jewish Palestine, during the reign of the Emperor Tiberius Caesar Augustus (14-37 C.E.), after Jesus' homosexual disciple, Judas, finding him with a woman, reported Jesus to the Jewish religious police, the Pharisees, Jesus was taken to the hill of Calvary outside the city of Jerusalem, where he was nailed to a cross of wood, and died there, but experienced Resurrection and Ascension to heaven in prefiguration of that of women's seed, because he refused to sell the 'perfume' when Judas, the prototypical homosexual host womb slaver of the human race in parasitism, suggested it, 'Leave her alone.' (Mk: 14. 6)
In the New Testament record of his life and teaching, Jesus met Satan, to whom he said, according to some translations, 'Get behind me.' However, the correct translation is, 'Go before me.' (Matt: 16. 23) To be expected, as Jesus doesn't want to be the Marquis de Sade's ass, that is, he doesn't want Satan's AIDS/SARS from behind, which is what cars, with their horns behind each other at the red stop lights, before a brief transition to amber indicates the change to green for go, as the demon driven occupants of those at the wheel of their wheels, preparing to eye each other on farther, symbolize; Satan's slavery. It's green fork go, after the stab light's read, as the serpents honk oil to get ahead. It's no coincidence that the car resembles the head of a snake. It's all that remains of the human race.
Although the Moslem nations of Islam are deemed illegitimate by Judeo-Christianity, because founded by the Prophet Mohamed, who received the Koran (610-30 C.E.) from the angels of God, according to tradition, but was a descendant of Ishmael, the son of Hajer, a concubine of Abraham's, so illegitimate, as Moslems are permitted four wives in their marriages, which is viewed by Judeo-Christianity as an attempt to legitimize Islam retroactively, they're closer to God's plan that women's seed, within the Moslem marriage, for example, should sexually reproduce their brainpower to liberate themselves from slavery.
Hajer was 'the Egyptian woman' of the Old Testament, while Sara, the mother of Isaac, who founded Judaism, was Abraham's legitimate wife. However, it was Hajer that, along with Ishmael, made the Ka' Ba, 'the cube', in Mecca, as a shrine to Abraham, which the Moslems pilgrimage to annually, called 'Haj' after Hajer, because 'Ka' in the religion of ancient Egypt, meant spirit, that is, a futanarian woman with penis' semen of her own, while 'Ba' meant soul, a woman who was a vessel for a child. However, almost ignorable by Judeo-Christianity, women's Ka is represented in the modern era by the car in which men travel to and from the bar where they fierily drink beer, symbolic of the bier of immolation upon which women's seed is virally consumed. Hearse is the car, coffin its SARS exhausted. As farter Putin needed ignition to immolate the craniums in the Ukraine, men needed it to start the car to go to the bar, while women's Ka weren't able to take their Ba to start with, because benzene, that is, petrol, is a bent scene celebrating the Ka's coffin, as women can't go to a Ba.
That homosexuality is the reason for this is evident from history. The Greeks, for example, institutionalized homosexuality in pederasty for war against the Persian Empire (499-449 B.C.), which was described by Jesus' disciple, John, in his apocalyptic vision of the future, 'Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.' (Rev: 17. 5) Babylon founded c. 4000 B.C. was before Greek pederasty, while HIV/AIDS is directly attributable to homosexuality's liking for homogeneity, for example, all monkeys look the same, so they're just assholes, whereas women resemble each other only superficially if it's remembered that they have penis' semen of their own as the futanarian species. Putin's TOS in the Ukraine was equivalent to the car's use of its ignition to start to transmit its 'TV' passengers. Men and women, bread as a single male brained creature, wearing each other's clothes, are a transvestite TV. Poisons transmitted by the car, that is, Satan's AIDS/SARS virus, are boy sons, while Putin's vapors, ignited in the Ukraine by the 'adult rated', Red Army, are the terminal stages of the disease attacking women's seed, 'The [red] dragon was wroth with the woman and went to wage war on the remnant of her seed.' (Rev: 12. 17) Although it seems like science fiction, the human race has been waged war upon by an adulterating alien, who so far has won the freedom to broadcast 'live' the race's extinction.
Although the word 'fuck' is used in English as a slang term for sexual intercourse, or as a euphemism for semen, it's more logically associable with the devil's fork, with which the devils traditionally stab the flesh of humans, before tossing them into the fires of hell, where they burn. As AIDS/SARS is a stab with infected penis' semen, it's the virus of hell, which is designed to prevent women's seed from sexually reproducing, 'The dragon stood before the woman who was about to give birth so that it might devour child the moment it was born.' (Rev: 12. 4) The assurance over AIDS was that homosexuals couldn't transmit the virus through saliva, whereas SARS, with its symptoms of heavy farting and brain damage, metaphors of war, does.
Homosexuals are notorious for believing that boys really like them, which results in 40 year old virgins, anal gang rape, and worse; lifelong victimizations by their 'gay' community: blighting an individual's existence to the point of nullity. Heterosexuals are plagued by homosexuals' belief in their having a relationship with them, and infected saliva is a sign and symptom of the homosexuals' desire that their imagined relationship isn't kissing someone else, but that they're there in spirit; like succubi and/or incubi.
Although succubi are female, and the Latin of the Romans, derived from succuba, 'paramour', and succubare, 'to lie beneath', is the position that the first woman created by God, according to Jewish apocrypha, Lilith, refused to adopt towards Adam, so God made Eve from the rib of Adam, which allowed the alien misanthrope to practice species' domination through host womb slavery, after the fall. The male term, incubi, is from incubare, 'to lie upon', women, whereas homosexuals take up either the submissive asshole position, or the active anal penetration with the penis role, because they fake being female, with the aim of establishing TV transvestism, which suggests that the dreamer has to be blind in order for the parasite to gain acceptance as a bedmate, where it can embarrass sight. Persuading the boy, or girl, that he/she really likes them, it removes from what the developmental psychologist, Carl Gustav Jung (1875-1961), called the archetypes of the collective unconscious, all knowledge of the futanarian human race's seed. A SARS symptom, that is, brain damage, dreams, if the human is permitted any by the demons patrolling their brains, like the bullies of the state security organs, such as the KGB, watching their TV, are censored, so devoid of species' content, which suggests the parasite seeks a type of the Medieval period, characterized by historians as a Dark Age, where it'd be easier to find sickies to give them hickeys, so to turn them on to ciggies, so as to be able to find them in their cages more easily.
As the unspoken assumption of families is that they'll get their children back, after they divorce, possibly with some financial gain, homosexuals are often unconsciously utilized as unofficial home breakers. SARS is a sign of homosexuals in the saliva, which means karma, that is, over time the brain damaged victim of homosexuality's non-relationship with the human will degenerate the species until it's unused.
The fact that slaver and saliva are almost homonyms isn't accidental from a homosexual perspective, because it's how the alien expects to slave the human race to its finish line. As saliva contains DNA, that is, deoxyribonucleic acid, which contains the genetically codified instructions for the development, growth, and reproduction of all known organisms, including viruses, homosexuality's the 'red dragon' (Rev: 12. 3) of Revelation, heralded by 'blood plague' (Rev: 11. 6), which seeks to put in the shells of the human species homosexuality's alien to fire us.
For homosexuality's 'ciggy' is a woman, which is why the vampire is depicted as having bitten her neck to drink her blood and be immortal; leaving its hickey, 'It also forced all people, great and small, rich and poor, free and slave, to receive a mark on their right hands or on their foreheads, so that they could not buy or sell unless they had the mark, which is the name of the beast or the number of its name.' (Rev: 13. 16) The married lobotomized, wearing their slave rings, and waving the embers of their cigarettes as inspiring TVs. In the absence of women's seed, there're only homosexual transvestites, smoking the human species down to its butt, which is what men represent to homosexuality, a tight butt, 'This calls for wisdom. Let the person who has insight calculate the number of the beast, for it is the number of a man. That number is 666.' (Rev: 13. 18) Once the penis has been entirely smoked away by the smokers, who want sick cigs hicks, so they can smoke 'em, without 'em knowing what embarrasses their sight, the race will be for an asshole open to everything that its slavers can't imagine, because they haven't manufactured a human mind, but a rather alien sickie.
1 Genesis Rabbah, c. 300-55 C.E.
2 Solzhenitsyn, Aleksandr {transl. Thomas P. Whitney) The Gulag Archipelago, 1918-56, Parts III-IV, Part IV The Soul And Barbed Wire, Chapter 1, The Ascent, Harper & Row, New York, Evansson, p. 616.
Tholians Club
The Rotary Club is a quite well known organization promoting itself as a round of dinner invitations from members bearing some resemblance to the round table of Arthurian legend. The Medieval period in English and French history was notable for descriptions in fantasy of a mythical king of England called Arthur who, along with his knights, and queen Guinevere, lived in pseudo-democratic splendor whereby all guests sat at a round table to prevent his eminence being prominence uncomfortable. The French interest predominantly lies with the figure of the knight, Lancelot, whose affair with queen Guinevere leads to the demise of the democratic principle represented by the round table, that is, Guinevere's preference for Lancelot over Arthur is perceived as an abuse of Arthur's nascent democratic ideal, while division amongst the knights, in part due to Lancelot being French, results in a weakened kingdom and civil war between the king and other of his knights who're more autocratic than democratic.
Although the narrative of writers, such as 15th century Thomas Mallory in Le Morte D'Arthur, are couched in a courtly mannered style, wherein the bowl used by Jesus, 'Christ', 'the chosen', at what was known as 'the Last Supper' figures as 'the Holy Grail' of Christianity, a cannibal farm is what lies hidden. The knight Perceval is vouchsafed a glimpse of the Grail, which is depicted as a transcendent vision that transfigures. Much in the way that Jesus is depicted as transfigured after his execution by the Roman Empire, during the reign of Tiberius Caesar Augustus (14-37 C.E.), because he experienced Resurrection. Taken to the hill of Calvary outside the city of Jerusalem in Jewish Palestine, Jesus was nailed to a cross of wood where he died. Betrayed by his disciple, Judas, who found him with a woman, Judas notified the religious police, the Pharisees, despite Jesus' telling him, 'Leave her alone.' (Mk: 14. 6) Although the description of Judas' kissing Jesus full on the lips, and it being a custom amongst the disciples of Jesus' teaching, known to Christians as the New Testament of the Bible, superseding the Old Testament of the Jews, that is, the Torah and Talmud, which is their history and law, far from Jesus' birth from his mother, the Virgin Mary, being an anal birth admired by homosexuality, Jesus' Resurrection and Ascension to heaven prefigured that of women's seed.
According to the Old Testament of the Jews, God turned the angel, Satan, into a serpent for rejecting God's plan that the human host be greater than the angelic. Satan gave the woman, Eve, 'the fruit of the tree of the knowledge of good and evil', which it was death to taste, saying 'You shall be as gods.' (Gen: 3. 5) God expelled Eve, and the first man created by God, Adam, from the paradise of Eden, but promised Eve her 'seed' would prevail, 'You shall crush the head of the serpent with your foot, but he will bruise your heel.' (Gen: 3. 15) The meaning is that women's hermaphroditic futanarian seed is human brainpower. Consequently, when Jesus offers bread and wine as symbols of his body and blood at the meal before his crucifixion, it's a metaphor for women's seed, but when the Holy Grail is perceived by Perceval, that is, the knight whose name means to pierce the veil of occlusion, it's as gentleman farmers that the knights are visibly.
As farmers of women's seed, Jesus is their shepherd and women are the flocks of their sheep, who're a species host womb slaved in homosexuality for brainpower; if not food. The fact that Guinevere isn't having an affair with Elaine doesn't indicate its impossibility but rather that it's an unwritten understanding amongst the nobility that the serfs looking for pornography on the internet in the 21st century were damnable if the truth were concealed, that is, if the human species wasn't a damned animal to begin with, if the publishing houses could be persuaded not to publish literature about the human futanarian race, it'd be damned if bowdlerized.
Although The Lions International Clubs isn't for killing and eating the last member of a species, as might be imagined, and according to its founder in 1916, William Perry Woods, in the city of Chicago, Illinois state, United States of America, The Lions is an organization for the receiving of charitable donations for members to use in the performing of service projects for the public good; either internally or externally generated, as extrapolated in the television science fiction series, Star Trek (1966-69), Tholians are an extraterrestrial race that, in 'The Tholian Web' (1968), threaten the safety and security of the starship USS Enterprise, captained by actor William Shatner, in his role as James T. Kirk. Searching in an uncharted region of space for her lost sister ship, the USS Defiant is discovered drifting in space. Boarding the Defiant, using the Enterprise's matter transporter beam, and wearing environmental protection suits, the 'away team' discover the crew there had apparently killed each other. As the Defiant slowly fades out of the universe, actor DeForest Kelley, in his role as ship's Medical Officer, Dr McCoy, finds that his hand can pass through a table and another member of the boarding party. Kirk, having given orders for the team to return to the ship by means of the transporter, is still aboard the Defiant when it disappears. Science Officer, actor Leonard Nimoy as Mr Spock, determines that they are witnessing 'interphase', where objects can move between parallel dimensions, and Kirk will reappear. Loskene, commander of a ship of The Tholian Assembly, transmits a screened communiqué to Spock in which he's told to leave. Attacked, after Kirk doesn't rematerialize when the two hours Spock had petitioned for have run out, the Enterprise disables the Tholian vessel, but a second appears and the two begin weaving an energy web to cage the Enterprise. A ghostly Kirk appears on the bridge still discernibly inside his environmental protection suit. At the next interphase Spock has the transporter beam lock on to his coordinates aboard the Defiant and Kirk is beamed aboard.
The essential aspect of the narrative is that the environmental protection suits are identical with those worn by 21st century victims of the severe acute respiratory syndrome (SARS) virus which, like the acquired immune deficiency syndrome (AIDS) virus, discovered by Africa's DR Congo in 1983, has an RNA capsid form identical to that of the Tholian, Loskene. Although the human immune deficiency virus (HIV) was the result of a mutant simian immune deficiency virus (SIV) transmitted by homosexuals impaling each other's anuses on their penises, the RNA capsid virus has the form of a spider, that is, homosexuality is, at least metaphorically, a spider-monkey. Although the movie King Kong (1933) seems far away from the subject, it contains the basic human elements of what medical science calls the 'reptile brain' in the shape of a Maastrichtian age (68-66 Ma) Tyrannosaurus Rex dinosaur of the Late Cretaceous Epoch, which the giant ape, Kong, defends itself against, along with a nest of giant poisonous tarantula spiders in a ravine. What's crucial to the picture, however, is actress Fay Wray in the role of Kong's unrequited love interest, Ann Darrow, whom he can hold in the palm of his hand.
For the significance of the reptile, it's necessary to look at Satan, turned into a serpent. As women are able to sexually reproduce as a futanarian species with their own penis' semen, they're superior human brainpower. Consequently, Kong's battle with the T. Rex, 'Thunder Lizard', and the poisonous spiders is a metaphor for the human conflict with the devouring reptiloid brain of the homosexual transmitting its RNA capsid virus in the form of the giant ape's spiders. Satan, in the New Testament, appears as the 'red dragon' associated with the 'blood plague' (Rev: 11. 6) in John's Revelation, the apocalyptic vision of the future of the disciple of Jesus 'Christ', 'the chosen', 'The dragon was wroth with the woman and went to wage war on the remnant of her seed.' (Rev: 12. 17) Women's war is obviously with the 'reptile brain' of the homosexual plague, HIV/AIDS, transmitting its mutant simian spider-like capsid virus, as a 'biological weapon'. According to science, SARS, emerging at a Wuhan city hospital, Hubei province, China, in December 2019, and which killed millions of people globally, was the result of a human system weakened by HIV/AIDS. With symptoms of flatulence and brain damage, the cause was directly attributable to infecting homosexual impaling.
'Bones' McCoy, the starship Enterprise's medical officer, administers an antidote to what caused the crew of the Defiant to kill each other, which is what infectious men do, 'The molecular structure of the brain tissues in the central nervous system are distorting, and the madness that affected the Defiant's crew will soon happen to the Enterprise.'1 When ancient Greece was at war with the Persian Empire of Darius (499-449 B.C.), the Greeks institutionalized homosexuality in pederasty and the host womb enslavement of women. On February 24th, 2022, the army of the Russian Federation, ordered by its President Vladimir Putin, invaded the Ukraine, as it sought membership of the European Union, with its blue flag of twelve stars. In Revelation, 'The dragon stood before the woman, who was about to give birth, so that it might devour her child the moment it was born.' (Rev: 12. 4) The woman has a 'crown' of 'twelve stars', while Putin's main battle weapon was a missile launched biochemical heavy flamethrower system that seemed based on SARS in that it first launched a vapor, before ignition of the flammable gas created a vacuum; causing all within the region to expire as oxygen left their lungs.
The ancients were intelligent, but alien controlled, for example, in the myth of Hercules, the Greek hero is represented as forcing the Danaïdes women to accept husbands, that is, husbandry, while the constellation of Orion, 'the hunter', a group of stars, visible to human eyes from Earth in the night sky, was believed by the Greeks to be Hercules, with his club, a promise of immortality. However, between 500 B.C. and 500 C.E., the Paracus culture of southern Peru, South America, the Nazca lines, cut into the desert landscape, and made visible only from aircraft, are also images corresponding to an astrological zodiac, for example, the spider, which is an alternative to the club of Hercules, while Arachne, the weaver woman, in Greek mythology, turned into a spider, was similarly believed to have her own constellation amongst the stars. The meaning is that Hercules was a homosexual with a big club who symbolize women as a spider that they beat to death, which isn't symbolized by their mutant simian virus; the RNA capsid form of the spider that's their 'incurable killer disease' which they can't attribute to women's seed.
Hercules was the Greek hero who wore the skin of a lion, as well as having a club, which suggests that Tholians' web is the aliens' in the sense that women's seed isn't expected to escape from the dragon fighting ape with poisonous spiders, because that's men, who're more concerned with ensuring that their young slaves receive a poor education than luridly broadcast the truth, which is that women's sexual reproduction is human, so it's taboo, as it'd interfere with men's brain slaving the children, '... pray for us that ... you are doing and will continue to do what we command.' (2 Thess 2: 3. 1, 4) Jesus' teaching is, 'Love your neighbor as you love yourself.' (Mk: 12. 31) However, the disciple Paul's teaching is totalitarian, which demand for total obedience is a TV picture of men and women manufactured as a single male brained creature wearing each other's clothes as a transvestite aging war to the extinction of the human futanarian species of women's seed. As a bowdlerized portrait of human existence, TV is what Jesus wasn't for. Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus was a lion looking to promote Public Service Broadcasting (PSB) of high definition pictures, rather than that Vlad, 'the impaler', put in TV for his middle aged namesake of the 15th century, Prince Vlad Dracul III of Wallachia, a creature of legend, according to Irish writer Bram Stoker's Dracula (1897), who lived by drinking the blood of virgins; after he'd impaled them. A lieutenant colonel with the KGB, Committee for State Security, before becoming President in 1999, brain slavery corresponds to the cage woven by Tholian ships, whose capsid, spider-like forms, are poised to devour the human brain; as its do prey.
The Sphinx is the lion's body with the face and breasts of a woman in the ancient Greek drama by Sophocles, Oedipus Rex (c. 429 B.C.), about Oedipus, whose name, 'swollen foot', relates to the difficulties encountered by Poets used to writing in groups of words called iambs, that is, feet, to express poetically what it was forbidden for an audience to know. Oedipus is exposed on a hillside by his parents, Laius and Jocasta, at the beginning of the play, as they were told by a seer that he'd kill his father and marry his mother. As an adult he killed Laius unbeknownst to him, before meeting a seer who told him the Sphinx, a monster ravaging the Egyptian city of Thebes, which was experiencing plague, would give him kingship there, if he answered her riddle with, 'Man.' Oedipus duly gave the answer when the Sphinx asked her riddle, 'What goes on four legs in the morning, two in the afternoon, and three in the evening?'2 Oedipus marries Jocasta without knowing she's his mother. When it's revealed to Oedipus that he's broken the incest taboo, he blinds himself.
Thebes was known for lesbianism, which is categorized as homosexuality as women are a castrated race without their own penis' semen. Moreover, as homosexuality is a 'subdom' activity, that is, one partner has to be submissive, dominant homosexuals like it 'smooth' also. Consequently, the human race, as TV wars 'live', is the remains of homosexuality's castration of it. Just as eunuchs were thought to be the best harem slaves by the Sultans of the Ottoman Empire (1299-1922), for example, as they're devoid of sexual desire, allied to the brain damage, caused by the biological and biochemical weapons of the 21st century, that is, AIDS/SARS, humans were the slaves of homosexuality's harem. Just as many women of the Ottoman Sultans' harems experienced clitoral circumcision, that is, mutilation, to prevent their enjoyment interfering with their role as pleasers, breeders; and economists, which was why the Sultanate of women (1533-1656) was paradoxically successful, so homosexuality's harem was TV men and women, asexual to the casual viewer, as they hadn't time away from brain and wage slavery, while the future for humanity was three legs, as the slaver behind only wanted the slave in front to go down on one.
As the Sphinx is associated with plague in Thebes, it's probably a sexually transmitted disease (STD), deriving from the fact that Thebans were lesbians, that is, homosexuality was the virus, which is why the Sphinx is part lion, rather than lioness, as the male animal has taken over the form of the female as a parasite on the womb of the human futanarian species of women's seed, which is what the Sphinx's riddle is. She goes on four legs to begin with, and two in the afternoon, and on three in the evening, 'Man.' The parasite's already far advanced in terms of degenerative disease transmission and viral mutation of the original genetic material. Although Lions Club International is public service, it's a half-lion, half-woman operation, so far as it's a going concern.
1 Kelley, DeForest as Dr Leonard 'Bones' McCoy in 'The Tholian Web', Episode 9, Season 3, Star Trek: The Original Series (TOS 064) November 15th, 1968.
2 Apollodorus, Library of Apollod, 3. 5. 8.
Wasting your Time on some Cunt while Her Asshole Rules the Universe
Those who fought in the First World War (1914-18); the Second (1939-45), and the ongoing undeclared Third, which began as the Indo-China war (1946-1991) of the United States of America against 'gook' communism, and continued with the emergence of 'ethnic cleansing' and the Independent State of Iraq and Syria (ISIS), after the collapse of Russian communism, which had held sway since 1945, with the anti-Islamic terrorist invasion by Iraq of Kuwait in 1990, will easily recollect how the stay-at-homes attempt to steal away their wives, mothers, and girlfriends, etc., as sex slaves, which is what war consists of for most nations raped by the experience of 'rape camps' for women on their tits being made pure ethnically by rapists who want to incorporate them into their tribe.
Although the invasion by President Vladimir Putin of the Russian Federation of the Ukraine on February 24th, 2022, wasn't thought of as a communist revival of the socio-economic theory, adopted by Russia in its Vladimir 'Lenin' led October Revolution of 1917, from the philosophy outlined by the German Karl Marx in his book, Das Kapital (1868), where ''from each according to his abilities, and to each according to his needs' was the basic principle, Vlad on their tits was what it represented for women. Despite sharing a border, Romania didn't seem involved in the Ukraine invasion, but Vlad Putin's namesake, 15th century Prince Vlad Dracul III of Wallachia, now a part of modern Romania, and celebrated in Irish writer Bram Stoker's novel, Dracula (1897), as the vampire creature drinking human blood from the jugular vein, where it sank in its hollow teeth incisively to drink, was the model for Vlad Putin's teeth of the Russian Red Army, which wanted the tits of the Ukrainians to be Vlad, that is, communist. Despite the perception of there being no difference between the 'death camps' of the German National Socialist (Nazi) Party, built during WWII to exterminate ethnic minorities, and the 'labor camps' instituted by dictator Josef Stalin throughout Russia, and those nations of Europe and Asia subject to communist control after Germany's defeat, the gulag system differed from the fascism of the Axis powers; Germany, Italy, Japan, and Iraq.
Whereas fascism was perceived as an aberration, communism was perceived as a system, that is, women in labor camps run by ghouls was what they were for, for example, in the apocalyptic vision of the future written by John, the disciple of Jesus 'Christ', 'the chosen', the blue flag of the European Union is envisioned as a woman with twelve stars about her head, 'The dragon stood before the woman who was about to give birth so that it might devour her child the moment it was born.' (Rev: 12. 4)The Ukraine was invaded by Vlad ''im pay later' Putin to prevent it from joining the EU, after being given independence from Russia's slave satellite system of East European nations in 1990 by then President Boris Yeltsin. With the main field weapon of the Russian invasion being its heavy flamethrower system, Vlad Putin was the 'red dragon', so Vlad on their tits was what Putin meant for the New Testament vision of Jesus in the Bible that Christians believe supersedes the Old Testament of the Jews, which is their Torah and Talmud, that is, their law and history, 'Love your neighbor as you love yourself.' (Mk: 12. 31) The problem with fascism was genocide, that is, 6, 000, 000 Jews were killed in concentration camps, for example, originally conceived as 'labor camps', while ethic cleansing was based on women's labor, that is, communism's socialism was women's labor after rape. During the Bosnian war (1992-95), after the break-up of the former super state of Yugoslavia, due to the Russians withdrawal from Eastern Europe in 1990, Christian Serb militia raped upwards of 70, 000 Moslem women in camps built for that purpose, while in Sudan's Darfur region from 2003 the mainly Moslem Arab government financed Janjaweed militia to ethnically cleanse the area of native black East African Moslems, which meant that the problem had become tribal, rather than socio-economic and political.
Before 1917 Russia was ruled by an oligarchy led by a hereditary Tsar, Nicholas II, who was replaced by communism, after a series of disastrous defeats to Germany in WWI. The family of the Russian Tsars were hemophiliac, which meant that the Russians were more interested in blood lines than other European powers. Before Vlad Putin became President in 1999, he was lieutenant colonel of the Committee for State Security (KGB), while his namesake Vlad 'the impaler' Dracul was known for impaling his prisoners on stakes trough the anus. When the 'incurable killer disease', the human immune deficiency virus (HIV), was discovered by Africa's DR Congo in 1983 to have been transmitted by homosexuals impaling each other's anuses on their penises, it was a flattening of the impaled.
When it was discovered that HIV was a mutated variant of the simian immune deficiency virus (SIV), the problem had been traced to tribes of apes. The HIV virus resulted in acquired immune deficiency syndrome, collapse of the organs of the body, and brain death. The 'organs of state security' were what the KGB was for Russia's Vlad Putin. When the severe acute respiratory syndrome (SARS) virus emerged from another communist nation, China, which reveres the myth of the 'dragon lord', at a Wuhan city hospital, Hubei province, in December 2019, to kill upwards of 6, 000, 000 people globally, it was a KGB heavy flamethrower system. Symptomatic of brain damage, SARS was the virus of hell characterized by flatulence, and after the vapor launched by the missile, like the impaling of the homosexual's ass, the release of the flammable gas, SARS-like accompanied by symptoms of brain damage, that is, the Russian Red Army, as the fires of hell, caused the expiration of those living inside their independent new craniums. In simple terms, the communist tribal system had developed a biochemical weapon to deploy against capitalism's wage slavery, where demand determines supply, so without demand there's no supply.
However, what this means for capitalism is people are taught what to want, whereas tribal consciousness knows what it wants. Consequently, societies built on Christian morality have a problem with social conditioning that doesn't correspond to the needs of the tribe. The late 20th century was characterized by fear of AIDS, that is, death from sexual intercourse, while science believed that SARS was the consequence of a human system weakened by AIDS. That the human system had a problem with sexuality was obvious, and the solution was in the Old Testament of the Bible where God turned the angel, Satan, into a serpent for rejecting God's plan that the human host would be greater than the angelic. Satan gave the woman, Eve, 'the fruit of the tree of the knowledge of good and evil', which it was death to taste, saying, 'You shall be as gods.' (Gen: 3. 5) Expelling Eve, and the first man created by the creator, God, from the paradise of Eden, God told Eve her 'seed' would prevail, 'You shall crush the head of the serpent with your foot but he will ruise your heel.' (Gen: 3. 15) As women are hermaphroditic futanarian humans with their own species' seed, the foot of Eve was Jesus' mother, the Virgin Mary, depicted in Christian iconography similarly crushing the head of the serpent with her foot, as Jesus was executed by the Empire of the Romans then occupying Jewish Palestine, but experienced Resurrection and Ascension to heaven in prefiguration of that of women's seed: 'The dragon was wroth with the woman and went to wage war on the remnant of her seed.' (Rev: 12. 17) By the 21st century the serpent of Eden had become Vlad 'red dragon' (Rev: 12. 3) Putin, whose symptoms were 'blood plague' (Rev: 11. 6), while the failings of Christian morality were demonstrated y the teaching of Jesus, who when a woman was allegedly caught in adultery, said 'Let he who is without sin cast the first stone.' (John: 8.7) As women are a race slaved by a parasite that won't let her off her tits, they're independent labor, which isn't subject to false moral conditioning that relies on acceptance of their penis as a steak impaling gook.
It was Jesus' disciple, Judas, who finding Jesus with a woman, feigned chagrin at the fact that the 'perfume' wasn't being sold to raise money for the disciples, and 'betrayed' Jesus to the moral guardians of the law, the Jewish religious police, the Pharisees, who had Jesus taken by the soldiers of the Emperor of Rome, Tiberius Caesar Augustus (14-37 C.E.), to the hill of Calvary outside the city of Jerusalem, where he was nailed to a cross of wood, and died there. Jesus was killed for being women's seed, 'Leave her alone.' (Mk: 14. 6) As civet, bred for their musk as perfume, were considered an original cat-like source of a less virulent 2002 SARS-1 virus outbreak in Shenzhen city, Sham Chun province, women were perfume to Roman fascism, which ideology of physical and mental fitness owes its name to the fasces, an axe in the middle of a bundle of rods, symbolizing authority, that is, Jesus was killed to prevent the human species of women from spreading, while the alien accused it of being viral, because it was humanly sexual. In other words, the mutant SIV virus is what psychoanalyst Sigmund Freud (1856-1939) called the repressed 'id' of human sexuality emerging from 'the primal horde', that is, ape men, whose tribal aim of slaving can no longer be understood as unconscious, whereas women's human sexuality can be fully understood as having been that of a repressed race.
Although Christianity is thought to correspond to morality in fact it's a slaver of women's seed, which requires castration in order to be effective, for example, the snaking movements of motor vehicles in their labyrinthine course around cities like the US' New York, while the driven tread the pedals of the treadmill is the alien slaver getting the eunuchs of the car straight there. In pornography, for example, although women's being staked by the apes' penis is perfectly common as a barbecue motif, futanarian women are almost never visibly depicted having sexual intercourse with women normatively, but rather with each other as a 'freak show', which isn't an inapposite analogy as freaks were often depicted eating chickens' heads; a metaphor for women as a decapitated race deprived of the brainpower of its own species' seed to turn Jesus' cross of crucifixion into a plane on which to escape from the mutated simian virus. Unless depictions of women receive positive reinforcement from the mass media entertainment industry headquartered in the Hollywood district of the US' city of Los Angeles, west coast state of California, for example, humanity will be a footnote in the history of the universe: 'homosexual'.
1 Des Jarlais, D. C., J. Stuber, M. Tracy, S. Tross, and Galea, S. 'Social Factors Associated with AIDS and SARS', Emerging Infectious Diseases, 11 (11), November 2005, 1767-1769, https://doi.org/10.3201/eid1111.050424 .
Business Ghouls
Although President of the Russian Federation Vladimir Putin's ordering of the Red Army to invade the Ukraine on February 24th, 2022, looked unprofessional to western observers steeped in the capitalist ethos of returns on investment, that's what businesslike communism is, and it doesn't diifer substantially from the west's approach. Putin's main field weapon was the Heavy Flamethrower System (TOS 1 and 2), which put him firmly in the tradition of the draco, as the 'war dragon' is called in Eastern Europe, for example, Prince Vlad Dracul III of 15th century Wallachia, now modern Romania, neighbor to the Ukraine, whose enemies were impaled on stakes of wood, while in communist China, where the dragon is a legend, rather than a myth, the severe acute respiratory syndrome (SARS) emerging from a Wuhan city hospital, Hubei province, in December 2019, was the 'dragon breath' weakening the Ukraine before Putin's invasion. That Africa's DR Congo, where the 'incurable killer disease', HIV, was discovered in 1983, was then also a communist bastion assumes some significance when it's remembered that Putin was a lieutenant colonel with the KGB (Committee for State Security) before his election as leader of Russia in 1999. The human immune deficiency virus, producing acquired immune deficiency syndrome (AIDS), collapsing the organs of the body, resulting in brain death, was deemed by science to have contributed to the human system's inability to resist SARS, as upwards of 6, 000, 000 people succumbed to the disease, suggesting the success of the KGB's research into biological and biochemical weaponry in support of Putin's invasion of the Ukraine.
That SARS victims showed symptoms of flatulence and brain damage was attributable to the human system's being weakened the mutated simian immune deficiency virus (SIV), which, transmitted by homosexuals impaling each other's anus on their penis, suggested that Vladimir Putin was following in the footsteps of his namesake, Vlad, 'the impaler', Dracul, who was the model for Irish writer Bram Stoker's novel of a creature that was immortal through the drinking of human blood, which it obtained by sinking its incisor teeth into the neck of its victims, Dracula (1897), suggesting that the virus is most felt there by sufferers on its way to the brain. Although thoracic outlet syndrome, also known by the acronym TOS, is more common, evincing symptoms of breathing difficulties arising from anxiety and hypertension, resulting in painful neurogenic, venous, and arterial compression,1 the coincidence of Putin's use of TOS in the Ukraine and the prevalence of thoracic outlet syndrome (TOS) suggests that the virus of the vampire's presence in the human system is endemic.
TOS is cured by transaxillary first rib resection; a surgical procedure at the neck, which restores the passage of oxygen to the brain through the blood, that is, the sufferer gains release from the vampire's grippe. That SARS is identifiable as the dragon breath of Chinese communism evidences Putin's invasion of the Ukraine as a symptom of the TOS medical problem insofar as it represents a release of tension. That the first vapor laying stage of the missile launched heavy flamethrower system (TOS) resembles the flatulence of SARS sufferers suggests that the second stage ignition of the flammable gas is similarly symptomatic of the brain damage experienced by SARS victims, as the resultant vacuum sucks all of the oxygen from the air, causing expiration of the inhabitants of the targeted area. In simple terms, TOS is symptomatic of the vampire at the neck, which lives from the neck by diverting oxygen away from the brain. That AIDS is a virus mutated from simians suggests that it's a simian alter ego that's drinking the life blood of the human to remain immortal as a viral parasite, and that homosexuality is its medium.
That's borne out by reference to history, for example, the ancient Greeks institutionalized host womb slavery of women in favor of homosexuality in pederasty for war (499-449 B.C.) against the Persian empire of Darius. That the means of gaining entrance to the city of Troy in Asia Minor, a huge hollow wooden horse, left outside the gates, and taken in by the Trojans, where the Greek soldiery hidden inside emerged to rape and host womb enslave the women to further homosexuality in pederasty, was viewed as a virus paradigm by the 21st century, is illustrative of the role of homosexuality in biological warfare, that is, they're draco living on the neck of the human species.
Whereas decapitation is what it means to live on a race's neck, it's the method advocated in legend for killing the otherwise immortal vampire, although the surgical procedure of transaxillary first rib resection might suffice in the modern age to deal with the fears contributing to TOS and the other aspects of AIDS, the terrorist virus promulgated by homosexuality's draco. However, as decapitation and/or a stake through the heart are recommended in the eradication of the vampire, it's necessary to look at the Bible for clues, for example, in the apocalyptic vision of the future of Jesus' disciple John, the woman with 'twelve stars' corresponds to the European Union with its blue flag of twelve stars, as the Ukraine's application for membership was a reason given by Putin for invading, 'The dragon stood before the woman who was about to give birth so that it might devour her child the moment it was born.'(Rev: 12. 4) The woman is believed by Christianity to be the mother of Jesus Çhrist', 'the chosen', in his 'Second Coming' to the Earth, as 'he who will rule the nations with an iron scepter, which is prefigured in the New Testament of Jesus' teaching that supersedes, according to Christianity, the Old Testament of the Judaism, which is the history, and 'eye for an eye, tooth for a tooth' (Ex: 21. 24) law of the Jews, that is, their Torah and Talmud, 'Love your neighbor as you love yourself.' (Mk: 12. 31)
Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus' role was prefigured in the Old Testament description of the angel, Satan, turned into a serpent by the creator, God, for rejecting God's plan that the human host would be greater than the angelic. Giving the woman, Eve, 'the fruit of the tree of the knowledge of good and evil', which it was death to taste, Satan said, 'You shall be as gods.' (Gen: 3. 5) Expelling eve and the first man, Adam, from the paradise of Eden, God told eve her 'seed' would prevail, 'You shall crush the head of the serpent with your foot, but he will bruise your heel.' (Gen: 3. 15) Jesus' mother, the Virgin Mary, is depicted in Christian iconography crushing the head of the serpent with her foot, because he's her foot.
As women are a self-reproducing hermaphroditic species, called futanarian, and Jesus' subsequent execution by the Roman Empire, during the reign of Tiberius Caesar Augustus (14-37 C.E.), and its occupation of Jewish Palestine, followed by his Resurrection and Ascension to heaven, prefigures that of women's seed of Eve. Found with a woman, Jesus was betrayed by his disciple, Judas, who gave him over to the Jewish religious police, the Pharisees, and he was taken to the hill of Calvary outside the city of Jerusalem where, nailed to a cross of wood, he died. That Satan is associated with the draco of homosexuality is evident, while the absence of women's mode of reproduction from the 21st century's mass media news and entertainment is industry is evidence of the absence of humans, that is, the draco is living on the neck of the race. Consequently, the women's penis is not only the stake in the heart of the vampire, but her self-reproducing mode is the decapitation of the vampire, as the human head replacing that of the draco, crushed beneath the heel of the seed of Eve.
That the aim of the draco is to toss heads seems self-evident, where 'toss'is a term used for disposal, for example, God killed Onan for refusing to impregnate Tamar, that is, for preferring to toss her species, which is why masturbation is called onanism and toss. The objective correlative is headfucking, which required the insertion of a sharp wooden tool into the back of the decapitated so that the primitive masturbator could fuck the head before tossing it aside for another, which is why draco were tossers. If the human race is decapitated it won't escape from slavery to business people, who want to remain above it all.
The mass media entertainment corollary is Star Trek: The Original Series, known as Star Trek: TOS (1966-69), a science fiction television series about the adventures of a crew aboard a starship, USS Enterprise, captained by actor William Shatner as James T. Kirk, who behave like gods. When the crew of the ship fires on its enemies, it isn't immediate clear that they're virally, that is, fierily, active. However, the phaser fires is indicative of the virus being transmitted across the universe by the guards upon the women and the imagination of the TV audience to prevent the women's mode of human sexual reproduction from spreading. Instead, the great dragons of Starfleet Federation make sure that everyone at home has TOS, chests aching to be a death camp guard upon the human species of women directing their phaser virus at imaginary targets to divert attention away from the host womb enslavement of the human species by a draco.
Manufactured as a single male brained creature wearing each other's clothes in TV transvestism for the spread of TOS is what Star Trek: TOS, and its movie and TV prequels and sequels, was for. As Putin's Federation invaded the Ukraine with his TOS, the aim was to divert attention away from the host womb slaving of the human species of futanarian women's seed to prevent the people from understanding that there weren't any business schools, as all of the candidates in all of the schools weren't of human seed, that is, the skulls were empty of educable material, filled only with the monstrous images of a devouring TV, looking to consume its audience globally, which was the aim of the rich above it all; as the bombs rain down in a business-like manner emphasizing the unimportance of skull education when it comes to ensuring the successful ventures of practical businessmen; west or east. Representing the future of the human futanarian species of women's schoolgirls, the skull ghouls above it all await the next invasion.
Putin's Russia allowed the Ukraine independence from its status as a satellite slave state in 1991 along with other nations such as Poland and Hungary, which had been under the communist sway of Russia's Union of Soviet Socialist Republics (CCCP) since the close of World War Two (1939-45) with Germany's ambitions to enslave the Earth, after the first attempt (1914-18), which saw the overthrow of Tsar Nicholas II in the October 1917 communist revolution led by Vladimir Lenin and the introduction of the economic philosophy of German Karl Marx from his book, Das Kapital (1868), from each according to his abilities; to each according to his needs'. It was a somewhat pyrrhic defeat for Russia, as the Stalin led era from 1924 mirrored that of Germany's leader from 1933 onwards, Adolf Hitler, whose democratically National Socialist (Nazi) Party built labor camps throughout German invaded Europe, as Joseph Stalin also did in the USSR, where the principle of the ghoul was institutionalized in the Russian gulag system of concentration camps where slave labor was de rigeur for political dissent. The 'Cold War'(1945-191), a period of aloof disdain towards a USSR that wouldn't withdraw from territories occupied during its defeat of Nazism, prefigured Putin's invasion of the Ukraine's human system, weakened by AIDS, with its symptoms of influenza, accompanied by SARS and TOS, while the KGB presumably congratulated itself on having developed biological and biochemical weaponry in a timely manner.
Although there seems no discernible connection between the intercontinental ballistic missile (ICBM) nuclear warhead delivery system and international business machines (IBM), there is. The role of a weapons' system is to function robotically, that is, as a reliable slave, while business people want their workers to function equally robotically, that is, as reliable slaves, which means that workers are the equivalent of an IBM delivery system in which business objectives are achieved robotically. As there aren't any humans discernibly, because of the absence of mass media news and entertainment devoted to the dissemination of the point of view of women's seed, the objective of the skulls' education system is to produce robotic workers for the rich above it all.
The origins of the robot can be found in ancient Egypt, where the boat of their god Ra, for example, was a row boat, that is, a robot, like the USS enterprise TV starship in Star Trek: TOS, depicted as taking the Egyptian ruler, the Pharaoh, to heaven. Peculiarly to western thought, the Pharaohs of Egypt were entombed after life from the 16th to the 11th century B.C. in their pyramids in what's known as the 'Valley of the Kings' opposite the site of the ruins of ancient Thebes, modern Luxor, along with all of their retinue who were killed for the purpose of accompanying them in their journey to heaven in whatever approximation to the Ra boat existed, that is, a starship. Whether the ship was real or imagined is conjecture, but the Egyptian practice of head fucking to ensure the return of the dead to life is a metaphor for the activity of the robot, which reassembles the machinery of business in a manner timely enough for those rich seeking to remain above it all to invade and ensure that the skulled people don't escape from their education system, built as it is on vampire draining of humanity's life blood, so as to keep their death centers open for re-draining after the return of the Ra boat. To what extent Putin's invasion of the Ukraine is a prelude to head fucking after a TOS is conjecture, and if the news and entertainment mass media industry continues to ignore the human race it will remain conjecture also.
Beside the Valley of the Kings is the Valley of the Monkeys at the Theban necropolis, where paleontologists discovered the bodies of simians that exhibited signs of sun deprivation and scoliosis, that is, curvature of the spine, which suggests that simians are tropic; in other words, sunlight is required for them to walk erect. That the Egyptians were interested in monkeys is evident from an avatar of the god, Thoth, who had the head of a baboon, although he was the god of knowledge, which suggests he represented the Egyptians' understanding of TOS, that is, invasion economics. As the global TOS problem of the 21st century originated with the mutated simian immune deficiency virus (SIV) , it's logical to suppose that the vampire within the human system is the result of triggering an early humanoid form, which lives as an alter ego from the neck; corresponding to hat 'the father of psychoanalysis', Sigmund Freud (1856-1939), called monsters from the repressed íd' of the unconscious mind, which contains taboo memories of how the simian culled the species of women's seed almost to the point of extinction in order to slave the human host womb for the entrepreneurial spirit of its draco business Empire: a shadow economy mirroring the Potemkin illusion much favored after 1787, when Russian Empress Catherine II, en route to Crimea, was shown a false image of a village, along the banks of the Dnipro river, designed to fool the visitor, or dweller within its confines,2 into believing it real; until an invasion in a manner timely enough to assure the rich that they'd remain above it all.
1 Bassett, Ashley MD, and Ranjan Gupta MD 'Thoracic Outlet Syndrome', Ortho Bullets, April 6th, 2021, https://www.orthobullets.com/shoulder-and-elbow/3064/thoracic-outlet-syndrome .
2 Augustyn, Adam 'Grigory Potemkin', Britannica, https://www.britannica.com/biography/Grigory-Potemkin , October 12th, 2022.
Spays: the Final Frontier: These are the Voyages of the Castrated Women: the Human Species
Although the fans of Star Trek: TOS (1966-69), so labeled because of its being superseded by later variants, for example, Star Trek: The Next Generation (1987-94), as a television series watched by millions of viewers throughout the world, rather than a reference to the Russian Red Army's heavy flamethrower system, known as TOS, as the Russians use the Cyrillic alphabet, so TOS is an acronym of the name of the heavy flamethrower system in their Cyrillic language script, тяжёлая огнемётная система (TOC), Star Trek: The Original Series is paradigmatic in the same way as the TOS 1 and 2 heavy flamethrower system, deployed by Russian President Vladimir Putin in the Ukraine invasion of February 24th, 2022, atop the T-72 tank chassis, which showed the world that Russia's promises of independence and freedom for their former dependent satellite slave states relinquished in 1991, after the communist Union of Soviet Socialist Republics, victor in World War II (1939-45) over German ambitions to enslave the Earth, and occupier of Eastern Europe thereafter, had reformed politically as the Russian Federation, hadn't changed its socio-economic policies subsequent to their war leader, Joseph Stalin, building slave labor camps, gulag, where the captive populations of the USSR were worked so that the farmer could take what they produced.
Leaving the workers in the fields to produce what they were able to was Russian socio-economic policy after 1991, and the so-called collapse of the Soviet Union, persuaded to withdraw from Eastern Europe, after a period known as the 'Cold War' that had been waged since the Western alliance of the United States and Britain were able to recognize that Russia was a war ally, but not a socio-political ally of capitalism, differing from communism in the sense that entrepreneurialism was the spirit of exploitation in the West, whereas straightforward labor slavery was the spirit of exploitation in the East, where communism, the theory of society outlined by German Karl Marx in Das Kapital (1868), laid the foundations of communist exploitation with phrases like, 'from each according to his abilities, to each according to his needs', gobbledygook familiar to those incarcerated in the concentration camps of the German Nazis during WWII, where those inmates who could perform miraculously were saved, while the rest were consigned to being burned in the furnaces, as corpse material unable to meet the needs of the kommmandant and his henchmen. The Russian TOS 1 and 2 heavy flamethrower system was simply a portable furnace for the incineration of the worthless workforce after the people of the Ukraine had produced enough for Putin's new 'master race' conceived as a model similar to that of the German war leader, Adolf Hitler, whose National Socialist (Nazi) Party, elected in 1933, built the death camps in which upwards of 6, 000, 000 Jews and ethnic minorities were exterminated throughout Europe as the Nazis invaded there.
Putin's invasion was based on the principle that there were Russians in the Ukraine, which meant that it was an 'ethnic cleansing' of minority peoples who weren't communists; a principle familiar to the West since the break-up of the former 'superstate' of Yugoslavia into socio-economically independent states. Subsequent to Russia's withdrawal from Eastern Europe in 1991, and before Putin's election as President in 1999, a former lieutenant colonel of the Russian Committee for State Security (KGB), the Bosnian war (1992-95), for example, was fought between Moslems of the nations of Islam, and Christian Serb militia, who built 'rape camps' to 'Christianize' the Moslem women's future generations as ethnically cleansed slaves. Although the Moslems of Islam aren't strictly Judeo-Christianity, which is based on the Jewish Torah and Talmud, that is, their history and law, which is called the Old Testament of the Bible amongst Christians, who believe the teaching of the New Testament of Jesus ;Christ', 'the chosen', supersedes the law of the Jews, Islam's Koran (610-30 C.E.), which permits Moslem marriages four wives, is ethnically similar in that Isaac, founder of Judaism, was the brother of Ishmael, founder of Islam through his descendant, Mohamed, to whom the angels of God, according to Moslem tradition, dictated the Koran, and whose mother, Hajer, with Ishmael, dedicated the Ka' Ba in the city of Mecca, Saudi Arabia, a shrine to Isaac and Ishmael's father, Abraham, as the patriarch of Judeo-Christianity as well as Islam. That the wars of ethnic cleansing were slave wars supersedes religion, although Jesus' teaching neatly encapsulates the problem, 'Love your neighbor as you love yourself.' (Mk: 12. 31) That communism, Judeo-Christianity, and Islam are merely valences of a universal format, which is slavery, is explicable from an examination of the US' science fiction television series, Star Trek: TOS, which features the starship Enterprise, voyaging throughout the cosmos, patrolled by security guards armed with laser pistols, called phasers, captained by actor WIlliam Shatner as James T. Kirk, encountering aliens corresponding to any alliance that might exist amongst the populations of the Earth contrary to US' ambition.
The US was the capital of the mass media entertainment system of the world centered in the city of Los Angeles, West coast of the state of California, district of Hollywood, but it was the 'Hays code', established in the 1930s by Will Hays, President of the Motion Picture Producers and Distributors of America (MPPDA) that implemented what was known as 'the one foot on the floor rule', as applied to filmed romantic bedroom scenes featuring, `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 In Judeo-Christianity Jesus' mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, as Jesus is her foot, which echoes what God told the woman, Eve, after she and the first man created by God, Adam, were expelled for giving credence to the angel, Satan, turned into a serpent by God for rejecting God's plan that the human host be greater than the angelic. Satan had given to Eve 'the fruit of the knowledge of good and evil', which it was death to taste, and although God had told her to 'eat only of the fruit of the tree of life', that is, immortality, saying 'You shall be as gods.' (Gen: 3. 5) Expelling Eve and Adam, God told Eve her seed would prevail, 'You shall crush the head of the serpent with your foot but he will bruise your heel.' (Gen: 3. 15) The seed of Eve is her futanarian race, which is hermaphroditic, for the host wombs of her human species, which is why Jesus was born uncontaminated by male semen. Resurrected and having Ascension to heaven after being executed by the Empire of Rome then occupying Jewish Palestine for telling his disciple, Judas, to stop bothering a woman, Jesus prefigured the triumph of women's seed over the animal brain, 'Leave her alone.' (Mk: 14. 6) Hollywood's ban on sex scenes featuring women in bed from 1930-67 was a means to damn women's seed, that is, the human race, and make it a slave.
Throughout history slaves were often castrated and made into eunuchs, for example, 'the Sultanate of women' (1526-56),was a force majeure socio-politically for the Turkish Ottoman Empire, were the Moslem wives (sometimes called 'mothers'), slaves of the Sultan, Islam's Süleyman the Magnificent. As women aren't understood to have penis' semen of their own, what passes for the human race is that of an alien's slave system, based on castration, as a means to use another species' brainpower. Manufactured as a male brained creature wearing each other's clothes to wage war in the human race for the alien's (alliance) entertainment, men and women are the alien's transvestite TV, represented in Star Trek, as well as almost all other fiction, scientific or otherwise, as a species of castrated women patrolled by security guards, while the truly fictional enemy of the human race is projected onto the viewing screen as an bug-eyed monster (BEM) which 'security' defend their enslaved human host womb against; a hilarious parody of gallantry directed at the ignorant, with the aliens snickering parasitically behind their handheld phasers.
Although Western capitalism views its opponent as communism, factually there's little difference. The US' plan is to continue slaving women's seed without permitting their futanarian foot to rise from the floor of the cutting room, and Putin's Russia is the same. While Judeo-Christianity views Islam as illegitimate, because Isaac, the founder of Judaism, was legitimately born from Abraham's wife, Sara, whereas Ishmael was born from ''the Egyptian woman' (Gen: 16. 1), the slave, Hajer, a concubine, so the four wives of the Moslem marriages was merely a retroactive attempt to legitimize Islam, it affords the possibility of sexual reproduction with women's seed within the family system, that is, it's more Godly than Judeo-Christianity, although as a slave system it's less Godly, which is the basis of a true criticism that the West is unable to employ, as it's a slaver itself.
1 TV Tropes, https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .